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Springtime | The Walters Art Museum

  • ️Thu Oct 25 1951
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Monet moved to Argenteuil, a suburban town on the right bank of the Seine River northwest of Paris, in late December 1871. Many of the types of scenes that he and the other Impressionists favored could be found in this small town, conveniently connected by rail to nearby Paris. In this painting, Monet was less interested in capturing a likeness than in studying how unblended dabs of color could suggest the effect of brilliant sunlight filtered through leaves.

During the early 1870s, Monet frequently depicted views of his backyard garden that included his wife, Camille, and their son, Jean. However, when exhibited at the Second Impressionist Exhibition in 1876, this painting was titled more generically, "Woman Reading."

Inscription

[Signature] Lower right: Claude Monet

Provenance

Probably purchased by Paul Durand-Ruel (from the artist), Paris, November 23, 1872; purchased by Ernest Hoschedé, April 28, 1873; Sale Hoschedé, Hôtel Drouot, Paris, June 5-6, 1878, no. 54. Acquired by Mary Cassatt, Paris, ca. 1889; purchased by Henry Walters (through George Lucas as agent), Baltimore, 1903; by bequest to Walters Art Museum, 1931.

Exhibitions

2010-2011 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin.
2007 Claude Monet (1840-1926): A Tribute to Daniel Wildenstein and Katia Granoff. Wildenstein & Company, New York.
2004-2005 In Monet's Light: Theodore Robinson at Giverny. Baltimore Museum of Art, Baltimore; Phoenix Art Museum, Phoenix; Wadsworth Atheneum Museum of Art, Hartford.
2002-2004 A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte.
1999-2000 Faces of Impressionism: Portraits from American Collections. Baltimore Museum of Art, Baltimore; The Museum of Fine Arts, Houston, Houston; The Cleveland Museum of Art, Cleveland.
1998-1999 Monet: Late Paintings of Giverny from the Musee Marmottan. The Walters Art Gallery, Baltimore; San Diego Museum Of Art, San Diego; Portland Art Museum, Portland.
1998 Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore.
1995 Claude Monet 1840-1926. The Art Institute of Chicago, Chicago.
1994 Monet: A Retrospective. Bridgestone Museum of Art, Tokyo; Nagoya City Art Museum, Nagoya, Aici.
1989-1990 Claude Monet - Auguste Rodin: Centenaire de l’Exposition de 1889. Musee Auguste Rodin, Paris.
1980 Hommage à Claude Monet (1840-1926). Galeries nationales du Grand Palais, Paris.
1979 A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore.
1960 The Image Lost and Found. Metropolitan Boston Arts Center, Boston.
1957 Claude Monet. City Art Museum of Saint Louis, St. Louis; Minneapolis Institute of Art, Minneapolis.
1956 The Turn of the Century: Exhibition of Masterpieces, 1880-1920. Denver Art Museum, Denver.
1954 Inaugural Exhibition at the Fort Worth Art Center. Fort Worth Art Center, Fort Worth.
1951 From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore.
1950 Paintings by the Impressionists and Post Impressionists. Virginia Museum of Fine Arts, Richmond.
1949 Monet and the Beginnings of Impressionism. The Currier Gallery of Art, Manchester, Manchester.
1948 Themes and Variations in Painting and Sculpture. Baltimore Museum of Art, Baltimore.
1942 Contrasts in Impressionism. Baltimore Museum of Art, Baltimore.
1889 Monet-Rodin. Galerie Georges Petit, Paris.
1876 2e Exposition de Peinture. Galerie Durand-Ruel, Paris.

Conservation

Date Description Narrative
10/25/1951 Treatment cleaned; coated
2/1/1960 Treatment examined for loan; frame stabilized
6/1/1971 Treatment cleaned
3/14/1979 Examination examined for condition
10/22/1979 Treatment cleaned; stabilized; coated
10/22/1979 Examination examined for loan
1/31/1989 Treatment stabilized; coated

Measurements

H: 19 11/16 x W: 25 13/16 in. (50 x 65.5 cm); Framed H with build-up: 29 9/16 x W: 35 5/8 x D: 5 1/8 in. (75.09 x 90.49 x 13.02 cm)

Credit Line

Acquired by Henry Walters, 1903

Location in Museum

Not on view