AFI|Catalog
The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Gabe Auyeung, a student at Georgia Institute of Technology, with Diane Jakacki as academic advisor.
The film begins with an animated sequence and a voice-over narration that says dinosaurs once ruled the earth. When the animated image of a forest is transposed into live action film, the following written caption appears on the screen: “Brooklyn 65 million years ago.” As the voice-over continues, a meteorite hits the earth, and the narration poses an alternative theory to dinosaur extinction, suggesting that the meteorite created a “parallel dimension where the dinosaurs continued to thrive and evolve into intelligent, vicious, aggressive beings just like us” and asks “what if they found the way back?” As the film begins, another written caption appears stating: “Brooklyn 20 years ago.”
A 17 Apr 1989 LAT news item announced that the video game company, Nintendo, made a deal with DIC Enterprises for the production of a feature-length animated film version of “Super Mario Bros.” DIC was also contracted to produce a syndicated animated television series based on the game that would run concurrently with the existing Super Mario Bros. NBC network cartoon series. DIC’s The Super Mario Bros. Super Show! made first-run appearances on syndicated television from Sep to Dec 1989 and the show continued to air reruns until 1994. On 5 May 1990, Screen International reported that actor Dustin Hoffman was attempting to acquire the screen rights for “Super Mario Bros.” Hoffman intended to star in a ...
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The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Gabe Auyeung, a student at Georgia Institute of Technology, with Diane Jakacki as academic advisor.
The film begins with an animated sequence and a voice-over narration that says dinosaurs once ruled the earth. When the animated image of a forest is transposed into live action film, the following written caption appears on the screen: “Brooklyn 65 million years ago.” As the voice-over continues, a meteorite hits the earth, and the narration poses an alternative theory to dinosaur extinction, suggesting that the meteorite created a “parallel dimension where the dinosaurs continued to thrive and evolve into intelligent, vicious, aggressive beings just like us” and asks “what if they found the way back?” As the film begins, another written caption appears stating: “Brooklyn 20 years ago.”
A 17 Apr 1989 LAT news item announced that the video game company, Nintendo, made a deal with DIC Enterprises for the production of a feature-length animated film version of “Super Mario Bros.” DIC was also contracted to produce a syndicated animated television series based on the game that would run concurrently with the existing Super Mario Bros. NBC network cartoon series. DIC’s The Super Mario Bros. Super Show! made first-run appearances on syndicated television from Sep to Dec 1989 and the show continued to air reruns until 1994. On 5 May 1990, Screen International reported that actor Dustin Hoffman was attempting to acquire the screen rights for “Super Mario Bros.” Hoffman intended to star in a live-action feature film version of the game with Danny DeVito. Producer-director Barry Levinson was set to collaborate with Hoffman, but none of these men are credited in the film, despite claims in Screen International on 24 Nov 1990 that the production was pushed back to wait for DeVito.
A 29 Sep 1990 Screen International news item announced that producer Jake Eberts acquired screen rights to the game and production was set to begin in late 1991 with Penny Marshall as director. Marshall did not remain with the project. A 20 Nov 1990 DV article reported that Eberts’s production company with producer Roland Joffé, Lightmotive, had signed Barry Morrow to write the screenplay with no director yet selected. The article, along with various contemporary sources including HR on 14 Apr 1989, referred to the title as The Super Mario Bros. Although Morrow is not credited in the picture, a 27 Mar 1992 DV article stated that he wrote one draft of the film that established the plot and characters. On 29 Apr 1992, DV announced that Bob Hoskins signed to star in The Super Mario Brothers and Rocky Morton and Annabel Jankel were directing the $40 million project.
HR production charts on 12 May 1992 stated that principal photography began 6 May 1992 in Wilmington, NC, but on 21 Jul 1992,HR production charts listed 5 May 1992 as the start date. On 7 Jul 1992, an HR article announced that Walt Disney Pictures had purchased distribution rights to the film after winning a bidding war with other studios. The picture was in production at Carolco Studios in Wilmington at the time.
A 3 Jun 1993 HR article described the “tight budget” of the production’s visual effects, noting that the filmmakers used rented computers and free-lance staff members to create the 153 digital effects over a span of eight months. Although the film was originally planned with fifty effects, budgeted at $2 million, the cost increased to $4 million with the addition of over 100 effects. According to HR, the final production cost was $50 million. On 15 Jun 1993, HR noted that many effects for the film were created without computers, and that forty craftspeople worked for nine months to construct props, including thirty cars and “fireball guns.” A 200-foot long, eight foot diameter frozen steel pipe was fabricated on a track fitted with rollerblade wheels and the mattress used to slide through the pipe was controlled by a “hidden steering mechanism.” The city of “Dinohattan,” a term not used in the film, was constructed in a cement factory and four hundred background actors were employed. A 3 Aug 1992 Var brief noted that principal photography had recently wrapped.
On 17 May 1993, a Var article reported that the Japanese company, Nippon Herald Films, was investing $3.6 million to promote the film in Japan and that the company had been associated with the picture for over two years in anticipation of a blockbuster. However, the film was released to negative reviews and disappointing box-office returns.
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Daily Variety
20 Nov 1990
p. 1, 18
Daily Variety
27 Mar 1992
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Daily Variety
29 Apr 1992
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Daily Variety
1 Jun 1993
p. 2
Hollywood Reporter
14 Apr 1989
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Hollywood Reporter
12 May 1992
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Hollywood Reporter
7 Jul 1992
p. 1, 49
Hollywood Reporter
21 Jul 1992
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Hollywood Reporter
1 Jun 1993
p. 10, 14
Hollywood Reporter
3 Jun 1993
p. 10, 18
Hollywood Reporter
15 Jun 1993
---
Hollywood Reporter
31 Aug 1993
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Los Angeles Times
17 Apr 1989
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Los Angeles Times
29 May 1993
p. 1
New York Times
29 May 1993
p. 11
Screen International
5 May 1990
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Screen International
29 Sep 1990
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Screen International
24 Nov 1990
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Variety
17 May 1993
p. 70, 86
Unit prod mgr, 2d unit film crew
1st asst dir, 2d unit film crew
2d asst dir, 2d unit film crew
Dir of photog, 2d unit film crew
1st asst cam, 2d unit film crew
1st asst cam, 2d unit film crew
2d asst cam, 2d unit film crew
Gaffer, 2d unit film crew
Best boy elec, 2d unit film crew
Key grip, 2d unit film crew
Best boy grip, 2d unit film crew
Dolly grip, 2d unit film crew
Prop master, 2d unit film crew
Set dresser, 2d unit film crew
Sd mixer, 2d unit film crew
Boom op, 2d unit film crew
Visual eff des and supv by
Lead digital anim/Compositor, Visual eff dept
Software development/Anim, Visual eff dept
Digital anim/Compositor, Visual eff dept
Digital anim/Compositor, Visual eff dept
Digital anim/Compositor, Visual eff dept
Digital anim/Compositor, Visual eff dept
Digital anim/Compositor, Visual eff dept
Digital anim/Compositor, Visual eff dept
Morph/Anim supv, Visual eff dept
Particle anim, Visual eff dept
Concept/Matte artist, Visual eff dept
Matte artist, Visual eff dept
Digital rotoscoper, Visual eff dept
Digital rotoscoper, Visual eff dept
Digital rotoscoper, Visual eff dept
Digital rotoscoper, Visual eff dept
Main title anim, Visual eff dept
Visual eff coord, Visual eff dept
Visual eff coord, Visual eff dept
Dept mgr, Visual eff dept
Systems mgr, Visual eff dept
Data mgr, Visual eff dept
Data mgr, Visual eff dept
Asst anim, Visual eff dept
Prod asst, Visual eff dept
Prod asst, Visual eff dept
Digital film scanning and rec, Visual eff dept
Addl visual eff anim, Magic Box Productions, Inc.
Addl visual eff anim, Magic Box Productions, Inc.
Addl visual eff anim, HD/CG New York
Addl visual eff anim, HD/CG New York
Addl visual eff anim, Rushes
Addl visual eff anim, Rushes
Visual eff 2d unit dir by
Dir of photog, Visual eff film crew
1st asst cam, Visual eff film crew
2d asst cam, Visual eff film crew
Gaffer, Visual eff film crew
Best boy elec, Visual eff film crew
Prod asst, Visual eff film crew
Yoshi, Koopa Creature, Goombas des and supv by
Goombas and Allosaurus engineered and manufactured
Goombas and Allosaurus engineered and manufactured
Goombas and Allosaurus engineered and manufactured
Goombas and Allosaurus engineered and manufactured
Yoshi sculpted and supv by
Yoshi mechanical spec eff anim engineering by
Koopa Creature prosthetic and cosmetic skins supv
Koopa Creature mechanical anim supv by
Stomper boots, fossils and egg sculpted and molded
Stomper boots, fossils and egg sculpted and molded
Stomper boots, fossils and egg sculpted and molded
Stomper boots, fossils and egg sculpted and molded
Marcea Lane
Asst to the choreog
Prosthetic make-up artist
Make-up/Hair, 2d unit film crew
Loc and extras casting, Fincannon and Associates
Scr supv, 2d unit film crew
Robert Albertell
Prod asst, 2d unit film crew
Prod asst, 2d unit film crew
Prod asst, 2d unit film crew
Studio facilities, Carolinas Cement, L.P.
Stunt coord, 2d unit film crew
Based on the concept and characters by Shigeru Miyamoto and Takashi Tezuka of Nintendo.
"Almost Unreal," performed by Roxette, written by Per Gessle, Roxette appears courtesy EMI Svenska AB; "Walk the Dinosaur," performed by The Goombas, featuring George Clinton, written by Randy Jacobs, David Was and Don Was, George Clinton appears courtesy Paisley Park Records; "Love Is the Drug," performed by diVinyls, written by Bryan Ferry and Andy Mackay, diVinyls appear courtesy Virgin Records America, Inc.; "I Would Stop the World," performed by Charles & Eddie, written by Mick Leeson and Peter Vale, Charles & Eddie appear courtesy Capitol Records, Inc.; "Where Are You Going?," performed by Extreme, written by Nuno Bettencourt, Extreme appear courtesy A&M Records, Inc.; "Speed of Light," performed by Joe Satriani, written by Joe Satriani, Joe Satriani appears courtesy Relativity Records, Inc.; "Breakpoint," performed by Megadeth, written by Dave Mustaine, Dave Ellefson and Nick Menza, Megadeth appear courtesy Capitol Records, Inc.; "Tie Your Mother Down," performed by Queen, written by Brian May, Queen appears courtesy Hollywood Records/EMI Records, Ltd.; "Cantaloop," performed by US3 (featuring Rahsaan & Gerrard Prescencer), written by Herbie Hancock, Kelly Rahsaan, Geoff Wilkinson and Mel Simpson, featuring a sample from Herbie Hancock's "Cantaloupe Island," US3 appear courtesy Blue Note Records, a division of Capitol Records, Inc.; "I Want You," performed by Marky Mark and the Funky Bunch (introducing Trez), written by Donnie Wahlberg and Spice, Marky Mark and the Funky Bunch appear courtesy Interscope Records, Inc.; "Somewhere My Love," performed by Frankie Yankovic, written by Maurice Jarre and Paul Webster, Frankie Yankovic appears courtesy of RCA Records, label of BMG Music.
Release Date:
28 May 1993
Premiere Information:
Los Angeles and New York openings: 28 May 1993
Production Date:
began 5 or 6 May--end of Jul 1992 in Wilmington, NC
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Lenses/Prints
Cameras and lenses by Panavision®; Produced and distributed on Eastman Film
In Brooklyn, New York, a young woman rushes through a rainstorm to a church, where she leaves a rock shard and an oval box on the doorstep. While nuns discover an egg inside the case, the girl disappears down a manhole and is confronted by the evil dictator, King Koopa. As she screams, a baby girl hatches from the egg and her rock is found by the nuns. Twenty years later, brothers Mario Mario and Luigi Mario, get a call for their plumbing services, but after rushing to the scene they discover a rival company, Scapelli Construction, has taken the job. Meanwhile, at the Brooklyn Bridge, a Scapelli construction project is shut down by New York University archeology students who are excavating the site for dinosaur fossils. As Anthony Scapelli arrives in his limousine, Daisy, a student leading the dig, explains she has a court order to remain at the location, but Scapelli threatens her. Followed by thugs named Iggy and Spike, Daisy heads to a payphone to call for security but finds Luigi on the line. Stunned by Daisy’s beauty, Luigi hands her the phone and gives her change. After thanking him, Daisy accepts a ride back to the bridge and agrees to a date that evening. At dinner with the brothers and Mario’s girlfriend, Daniella, Daisy explains that her excavation may prove that dinosaur extinction was caused by a meteorite. When Daniella points out Daisy’s rock necklace, the archeologist says she never takes it off because it is the only memento from her infancy, when she was abandoned at a church. Luigi ...
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In Brooklyn, New York, a young woman rushes through a rainstorm to a church, where she leaves a rock shard and an oval box on the doorstep. While nuns discover an egg inside the case, the girl disappears down a manhole and is confronted by the evil dictator, King Koopa. As she screams, a baby girl hatches from the egg and her rock is found by the nuns. Twenty years later, brothers Mario Mario and Luigi Mario, get a call for their plumbing services, but after rushing to the scene they discover a rival company, Scapelli Construction, has taken the job. Meanwhile, at the Brooklyn Bridge, a Scapelli construction project is shut down by New York University archeology students who are excavating the site for dinosaur fossils. As Anthony Scapelli arrives in his limousine, Daisy, a student leading the dig, explains she has a court order to remain at the location, but Scapelli threatens her. Followed by thugs named Iggy and Spike, Daisy heads to a payphone to call for security but finds Luigi on the line. Stunned by Daisy’s beauty, Luigi hands her the phone and gives her change. After thanking him, Daisy accepts a ride back to the bridge and agrees to a date that evening. At dinner with the brothers and Mario’s girlfriend, Daniella, Daisy explains that her excavation may prove that dinosaur extinction was caused by a meteorite. When Daniella points out Daisy’s rock necklace, the archeologist says she never takes it off because it is the only memento from her infancy, when she was abandoned at a church. Luigi tells Daisy that he is also an orphan and Mario raised him. Later, Mario drops Daniella off at home, but she is kidnapped by Iggy and Spike, who confuse her for Daisy. Meanwhile, Daisy takes Luigi to the excavation and shows him dinosaur bones with opposable thumbs akin to human beings. As they kiss, two Scapelli workmen sabotage the water main and Daisy begs Luigi to use his plumbing skills to prevent a flood. After collecting Mario, the brothers fix the pipes, but Iggy and Spike kidnap Daisy. Following her screams, Mario and Luigi discover Daisy's face emanating from a rock wall and as Luigi reaches for her, he pulls off her necklace. Determined to save Daisy, the Mario brothers jump into the rock portal and find themselves in a parallel dimension ruled by King Koopa. Running through an urban center, Mario and Luigi fall into a container of sticky “fungus” and notice two small Tyrannosaurs. They soon realize many of the city’s inhabitants are half human, half dinosaur. Meanwhile, germ-phobic Koopa complains to his female companion, Lena, that their society has been disease-ridden since the meteorite that struck Earth 65 million years ago divided their dimension from the mammal world. Koopa explains that Daisy is a princess and when he obtains the rock she wears around her neck, which is a remnant of the original meteorite, he will be able merge the two dimensions and rule the universe. At the moment Daisy’s shard is rejoined with the original meteorite, a portal between the dimensions will open and Koopa will be transported into the mammal realm to wield his power. When Iggy and Spike show up at Koopa’s quarters, he is outraged to learn that the Mario brothers have the necklace and issues a “plumber alert” for their capture. Meanwhile, an old lady holds Mario and Luigi at gunpoint and steals the rock, but a woman in jet-powered boots pushes her aside and gets away with the necklace. A busker named Toad tries to cheer the brothers up with a song about Koopa’s reign, but as police detain him for insubordination, they notice Mario’s plumbing tools and arrest the brothers as well. Meanwhile, Daisy is thrown into a holding tank and reunited with Daniella. After being “de-fungused” and booked at the police station, Mario and Luigi are locked in a cage and Toad tells them about Earth’s parallel dimensions. Pretending to be the Mario brothers’ lawyer, Koopa demands the rock, but when Luigi feigns ignorance, Koopa condemns them to the “Devo Chamber.” There, they witness Toad's de-evolution into a lizard creature called a Goomba. Claiming to have evolved from the king of dinosaurs, the Tyrannosaurus Rex, Koopa threatens to de-evolve the Mario brothers, but they push him into the Devo Chamber and get away. After stealing a police car, the brothers are pursued by Goombas into a tunnel that sends them plunging into a pit, but their fall is broken by stands of fungus. Back in the Devo Chamber, Iggy and Spike are evolved into more intelligent life forms before Koopa sends them back on the Mario brothers’ trail. Elsewhere, Lena tells Daisy about her mother. The queen defied Koopa by bringing the rock and Daisy’s egg into the mammal dimension but died shortly thereafter. Upon meeting Koopa, Daisy asks about her father, but Koopa attempts to kiss her with a lizard’s tongue. Meanwhile, Iggy and Spike unsuccessfully chase the Mario brothers and agree to exchange Daisy for the rock. After Mario and Luigi describe the woman who stole the rock necklace, Iggy and Spike take them to the nightclub where Big Bertha works. There, the coat check attendant recognizes the plumbers from their “Wanted” poster and calls the authorities. Mario charms Bertha on the dance floor and slips the necklace off her head, but as the brothers celebrate their success, Lena arrives with Goombas and the rock necklace ends up in her possession. Chased by Goombas, the brothers escape with the help of Bertha, who gives them jet-powered boots. Back at Koopa’s tower, the dictator ridicules a large fungus creature, boasting that he will soon be ruler of both dimensions. As the Mario brothers enter the tower boiler room, they trip an alarm while shutting off the heating valves, alerting Koopa to their presence. Elsewhere in the complex, Lena decides to use Daisy’s rock for her own benefit, but when she attempts to slash Daisy’s throat, a pet Tyrannosaurus Rex attacks her and Daisy gets away. The princess encounters Iggy and Spike, who vow allegiance and introduce Daisy to her father, the fungus creature. They explain that the king was de-evolved into his current form by Koopa. When they leave the chamber, Daisy calls the Mario brothers on an intercom, revealing her location. Koopa overhears, but is distracted by a police report of an unauthorized de-evolution order. Realizing that Lena made the command, Koopa deduces that she has the crystal and is trying to take control. When the Mario brothers find Daisy, she introduces them to her father and Luigi acknowledges that offshoots of fungus throughout the city have helped them in their quest. Learning that Daniella is detained, Mario runs to her rescue and Luigi and Daisy are captured. Meanwhile, Lena is arrested and Koopa prepares for his invasion of the mammal dimension. As Mario, Daniella and her fellow captives slide through a frozen duct on a mattress, Daisy and Luigi escape and the fugitives are reunited. However, Koopa holds them at gunpoint. When Mario uses a jet-powered boot to fight him, Koopa drops the meteorite. Lena catches the rock but Mario tricks Koopa into believing that he has the crystal and threatens Koopa with a small, wind-up toy bomb. Meanwhile, Lena attempts to merge the two dimensions by inserting the rock into a larger meteorite but she is overwhelmed by electrical charges and becomes fossilized. Daisy realizes that only she has the power to withstand the force and attempts to dislodge the rock with Luigi’s help. As Mario and Koopa face off, their bodies begin to dissipate and Koopa triumphantly announces the dimensions are merging. The men reappear in Brooklyn at Scapelli’s construction site and Koopa uses a de-evolution gun to transform Scapelli into an ape. When Koopa turns the gun on Mario, the plumber deflects its rays and they are transported back to the reptilian dimension. The Mario brothers fire de-evolution guns at Koopa and the wind-up toy bomb detonates, throwing Koopa into the air. When Mario and Luigi approach Koopa, they see he has transformed into a Tyrannosaurus Rex. Firing their guns again, the Mario brothers turn the dictator into sludge and the citizens rejoice. Meanwhile, Daisy’s father regains the form of a man. Daisy uses the meteorite to create a portal for Mario and Luigi to return to Brooklyn, but when Luigi asks her to join them, she refuses and they kiss goodbye. Three weeks later, Mario, Luigi and Daniella watch a television show about the brothers’ heroism that deems them “Super Mario Brothers,” but as they celebrate their success, Daisy appears at the door, asking for help in a new battle.
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