Protest Song - TV Tropes

"To fan the flames of discontent."

— The motto of the Little Red Song Book since 1909.

• "La Marseillaise" is probably the Ur-Example for modern protest songs. Nowadays inverted, since it is the French National Anthem.
  • There is an Urban Legend about when they announced at the Mexico City Theater that France had invaded Mexico in 1839, the audience, out of Patriotic Fervor, stand out to sing La Marseillaise. At that time, Mexico still didn’t have a National Anthem, and like the example below about Chinese students at Tiananmen Square in 1989 singing L'Internationale, the Mexican audience felt La Marseillaise was a song about heroes fighting for Liberty, and they felt the song represented them better than The Empire France at that time. In fact, La Marseillaise was banned in France at that time.
  • Later on, it was set to Russian lyrics, and became an iconic song of the early anti-Tzarist movement:

    Arise, awake working class!
    Charge the enemy hungry folk!
    Cry out the vengeance of the people,

    Forward, forward, forward, forward, forward!

• "L'Internationale" is another very famous and iconic example — probably the most translated protest song of all time (and one of the most translated songs ever). Reached the level of Zig-Zagging Trope when it was sung by the students at Tiananmen Square in 1989. They protested the socialist-in-name government by singing the socialist protest song but in part because this was the one song they all knew.
  • C'est la lutte finale (This is the final battle)
    Groupons-nous, et demain (Let each stand his place)
    L'Internationale (The international working class)
    Sera le genre humain (Shall be the human race)
• Two in Les Misérables, though they refer to the in-story society of early 19th century France: "Red and Black," and "Do You Hear the People Sing?" Both are awesome, and the latter was used in union protests recently.
• Older Than Radio: "The Battle Hymn of the Republic," first published in 1862, started out as an abolitionist protest song. In more recent years, it has been associated with Civil Rights in general.
  • The same tune was also given different Lyrics as "Solidarity Forever" in 1915 by Ralph Chaplin, originally as the anthem for the Industrial Workers of the World, but it has become more widely popularised as a general labour/union anthem.
• Older Than Steam: One very old example is "A Mighty Fortress Is Our God," the battle hymn of the Reformation. Notable in that it's not particularly anti-Catholic by itself — its status as a protest song is due to its popularity within the Reformation, and that having everyone in the church singing in the vulgar language was a clear break with the Catholic church.
• "Johnny I Hardly Knew Ye," a classic folk tune from Ireland from the early 19th century.

• Probably one of the first American anti-war songs from the 20th century (written roughly about 1900) was "The Battleship of Maine," which pointed out the stupid, corrupt and trumped-up reason the US declared war on Spain in 1898.

• "Strange Fruit", performed most famously by Billie Holiday in 1939, is a protest song against the lynching of black people, comparing the bodies of the dead to fruits on trees.

  Southern trees bear a strange fruit
  Blood on the leaves and blood at the root
  Black bodies swinging in the Southern breeze
  Strange fruit hanging from the poplar trees

• "I'll See You In C-U-B-A" by Irving Berlin is about Prohibition.
• Clayton McMichen and "Prohibition Blues," written, unsurprisingly, during and about the Prohibition era:

  Prohibition has killed more folks than Sherman ever seen

  If they can't get whiskey they'll take to dope, cocaine, or morphine

  This ol' country sure ain't dry, and dry'll never be seen

  Prohibition is just a scheme, a fine money-makin' machine

• "Joe Worker" from The Cradle Will Rock protests the injustices inflicted on the working class.

• Woody Guthrie's "This Land Is Your Land" was written as a critical response to Irving Berlin's 1938 hit "God Bless America," which Guthrie thought ignored a lot of the problems going on in the country. The song includes lyrics talking about bread lines and class warfare. Then the first three verses were included in a school songbook, and it spread as a patriotic ballad as a stealth torpedo, which exploded when Pete Seeger sang all the verses, as Woody wrote them, at Barack Obama's inauguration concert in 2009.
  • Many of Guthrie's songs fall under this category; occasionally, they are covered by modern artists (e.g. Old Crow Medicine Show, which covered Guthrie's 1940 "Union Maid" on their 2006 album Big Iron World).
• Big Bill Broonzy's "Black, Brown And White Blues", about the experiences of black war vets who came back home only to find they were still second-class citizens.
• "M.T.A." by Jacqueline Steiner and Bess Lomax Hawes sounds like one of these, about a subway fare increase, but actually originated as a campaign song for Walter A. O'Brien, who couldn't afford radio advertisements but realized that he could hire folk singers to stand on a corner and play his song for much less. Later made famous by the Kingston Trio, replacing the politician's name with "George O'Brien" to avoid an association with the Progressive Party.

• Charles Mingus' "Fables of Faubus" from Mingus Ah Um from 1959 slammed Arkansas governor Orval E Faubus for refusing to admit African-American children into "white" schools.

• Bob Dylan: Much of his early output: The Freewheelin' Bob Dylan, The Times They Are A-Changin', Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde.
• "The Universal Soldier" by Buffy-Sainte Marie, later made into a hit by Donovan.
  • Parodied, in a protesting-the-protesters Take That! move, as "The Universal Coward" by Jan Berry of Jan and Dean fame. (Dean Torrence objected and did not participate.)
  • Also by Sainte-Marie, "Bury My Heart At Wounded Knee," covered by the Indigo Girls.
• The Beatles:
  • "Revolution" from The White Album is an odd subversion: It was protesting against the protesters of the time, telling that they were no better than the opposition they were fighting against:

    But if you want money for people with minds that hate,
    All I can tell you is, brother, you'll have to wait.

  • And in the album cut, John Lennon stayed deliberately ambiguous in his own position:

    But when you talk about destruction,
    Don't you know that you can count me out - in.

  • "Taxman" from Revolver was a protest against the 95% taxes on the group's income in Britain. The lines "Let me tell you how it will be, it's one for you, nineteen for me" and "Should five percent appear too small, be glad that I don't take it all" weren't jokes or empty rhetoric. This was one of the reasons they started earning so much of their income in the United States, to be taxed at a lower rate.
  • "Piggies" from The White Album, also by the Beatles could be counted as another protest song, lamenting the greed of the high class.
  • "Get Back" from Let It Be, a protest song against the immigration restrictions in the United Kingdom.
• In a similar vein, The Who's "Won't Get Fooled Again" is a parable about the revolution succeeding, only for its leaders to become as entrenched and corrupt as those they replaced.
  • "Meet the New Boss...same as the old boss..."
  • The Who also has a surprising number of protest songs, such as "My Generation", "Behind Blue Eyes", "Helpless dancer", and "Eminence Front".
• Another '60s subversion of protest songs (and protesters of all stripes) is Buffalo Springfield's "For What It's Worth": "Singin' songs and a-carryin' signs. Mostly say hoo-ray for our side."
  • "For What it's Worth" and Edwin Starr's "War" are both rather interesting cases of quasi-protest songs about unrelated local issues (unrest following a nightclub closure in the former's case, gang violence in the latter) that picked up an entirely different interpretation once they entered mainstream cultural canon.
  • The Muppet Show reworked "For What It's Worth" into an anti-hunting song.
• An uncommon Dutch example, "Welterusten, meneer de president" (Sleep well, Mr. President), sung by Boudewijn de Groot, was a protest song written in the '60s opposing The Vietnam War and Lyndon Johnson, the president of the US at the time. The sarcasm-laden song brings forward the question of how President Johnson can sleep at night, while blood-covered soldiers stand guard far away, and "reassures" him not to worry about the mistaken bombardment and innocent casualties.
• If the rock musical Hair doesn't count, then no work of musical theatre does. ("Three-Five-Zero-Zero", anyone?)
• Even The Monkees got into the act, though they had to be subtle about it: their biggest hit, "Last Train to Clarksville", was about a soldier about to be shipped off to Vietnam, making plans to sneak off base to meet his fiancee at a No-Tell Motel for one last fling because "I don't know if I'm ever coming home." Whether this was actually meant as a protest or just a case of Lyrical Dissonance seemed to depend on which of the bandmembers (or their songwriters) you ask. Other Monkees examples:
  • "Shades of Gray" is about the narrator's confusion at the changing social mores of The '60s.
  • "Pleasant Valley Sunday" is a pretty straightforward slam against Stepford Suburbia.
  • "Zor and Zam" is an anti-war parable.
  • And then there's "Mommy and Daddy"... (It was reportedly Bowdlerized for the album The Monkees Present, and this uncensored version only appeared on the 1995 Rhino Records reissue.)
• "It's Good News Week" by '60s British group Hedgehoppers Anonymous.
  • Produced by Jonathan King, who'd recorded one of these of his own in "Everyone's Gone to the Moon."
• Simon & Garfunkel with their cover of Ian Campbell's "The Sun is Burning". "The Sound of Silence", one of their first major hits, is believed to have been written about the assassination of John F. Kennedy. And then there's "He Was My Brother", about the deaths of civil rights workers Michael Schwerner, Andrew Goodman, and James Cheney. Paul Simon had actually been friends with Michael Schwerner.
• Boris Vian's "Le Deserteur" written during the French war in Vietnam, and later sung in America by Joan Baez.
• Frank Zappa wrote a lot of protest songs against American politics and society:
  • Freak Out!: "Hungry Freaks Daddy," "More Trouble Every Day,'' "Who Are The Brain Police?"
  • Absolutely Free: "Plastic People," "Brown Shoes Don't Make It."
  • We're Only in It for the Money: A Concept Album against flower power, hippies, police brutality, squares, and the government.
• The Fugs: One of the most politically militant rock groups ever. They were even shadowed by the F.B.I. Their albums The Fugs First Album and The Fugs Second Album are very critical of the American government and war politics.
• Elvis Presley's From Elvis in Memphis has several Protest Songs in his career: "In The Ghetto", which shows Elvis' compassion for inner-city youth, born in poverty.
  • "If I Can Dream", arguably is the most significant Anti-War song of the Rock era.
  • "Suspicious Minds", to a lesser extent, is about separation anxiety.
• Creedence Clearwater Revival's song "Fortunate Son", about the The Vietnam War and specifically how the costs of that conflict were being born by the poor parts of society while most of the support for the war came from richer parts, has since more or less become that war's Standard Snippet.
• "Eve of Destruction" by Barry McGuire.
  • Answered with "Dawn of Correction" by The Spokesmen.
• "One Tin Soldier" by Original Caste, covered on the Billy Jack soundtrack by Coven.
• Country Joe And The Fish's "I-Think-I'm-Fixing-To-Die Rag" was about the Vietnam War. Famously featured in the film Woodstock.
• Almost everything by Phil Ochs, who once defined a protest song as "a song that's so specific that you cannot mistake it for bullshit." See "I Ain't Marchin' Anymore," "Outside of a Small Circle of Friends," etc.
  • The Tom Lehrer parody below may be specifically aimed at Ochs, among others, since one of the verses of the Lehrer includes the lines "Remember the war against Franco? That's the kind of war where each of us belongs! They might have won all the battles, but we had all the good songs!" and one of Ochs' less inspired songs begins "Do you remember Franco...?" He got more sophisticated later in his career.
• "Do You Hear What I Hear" by Noel Regney and Gloria Shayne Baker, generally known as a Christmas song, was originally written as a plea for peace during the Cuban Missile Crisis.
• The Nice's cover version of "America" from West Side Story was done as a protest against the Vietnam War. It was probably the first instrumental protest song.
• Nina Simone's "Four Women" is more conceptual than your usual protest song, but still falls into this category, as the song introduces four different black women whose lives and identities have been affected by racism and slavery: Aunt Sarah, an enslaved woman; Saffronia, a biracial woman whose black mother was raped by a white man; Sweet Thing, a prostitute; and Peaches, whose parents were enslaved. She also did a rendition of "Strange Fruit," an anti-lynching song originally made famous by Billie Holiday.
• Fairuz's Jerusalem In My Heart is a whole album of protest songs about the displacement and subjugation of Palestine, and praying for peace to return to the Holy Land. Songs such as "El-Kods Al Atika" and "Yaffa" are about life in Palestine prior to the 1948 war and Nakba, and "Sanarijou" (literally "We will return someday") references the Palestinian right to return. Fairuz herself was born in 1932, prior to the creation of the state of Israel, and is from Lebanon, where many Palestinians from Galilee fled to during the war.

• "America, Communicate with Me" by Ray Stevens (1970). It mentions the assassinations of John F. Kennedy, Robert F. Kennedy, and Martin Luther King Jr. and pleas for tolerance, among other things.
• "Jah War" by The Ruts is a protest song about the death of Blair Peach
• "Ohio," by Crosby, Stills, Nash & Young, which was specifically about the Kent State shooting in 1970.
  • Along with its B-side, "Find the Cost of Freedom."
  • Crosby & Nash (sans Stills and Young) also recorded "To the Last Whale..." which depicts the last whale in the ocean being hunted and killed by whalers.
  • "Wooden Ships," written in the very early CSN (no Y yet) days (And also originally recorded and released by Jefferson Airplane), is a protest against nuclear war. Not a very direct protest considering the (later) in-your-face "Ohio" mentioned above, but the line "silver people on the shoreline / let us be" is a reference to hazmat suits.
• John Hanlon wrote the song "Damn the Dam" in 1973 for a New Zealand Fibreglass radio advertisement to advertise "Pink Batts" home insulation, to express how installing insulation would save electricity and reduce the need to build more hydroelectric dams (85 percent of New Zealand's electricity at the time were generated by them). It was quickly adopted by the Save Manapouri Campaign as a protest song against the damming and raising of Lake Manapouri to increase water storage and the head of the recently completed Manapouri hydroelectric power station, which was purpose-built to power the newly-opened Tiwai Point aluminium smelter.
• "Pacific Ocean Blues" by Dennis Wilson from Pacific Ocean Blue is essentially a protest song about the slaughter of sea animals.

  The flagship of death is an old whaling trawler

  The people are rising over whale killing crawlers

  You gotta holler more

  Wait a minute can't you see, you gotta let 'em be

  Yeah, it's no wonder the Pacific Ocean is blue

• Black Sabbath had a lot of these on their early albums before their lyrics started becoming more and more cryptic: "Wicked World" (from Black Sabbath), "War Pigs," "Electric Funeral," "Hand of Doom," (all from Paranoid) and "Children of the Grave" (from Master of Reality) all come to mind.
• The song "Mau Mau" from Jefferson Starship's Blows Against the Empire is a classic anti-war protest song of the sort the Jefferson Airplane had done several times previously.
• "When The Levee Breaks" from Led Zeppelin IV as covered by Led Zeppelin,^note  an apocalyptic blues-rock nightmare about the 1927 Mississippi floods and the resulting misery endured by the blacks (forced to work on the levees, abandoned once their properties were destroyed, attempting to leave to the Northern states to alleviate poverty).
• Paul McCartney and Wings's 1972 song "Give Ireland Back To The Irish," which was written in response to the Bloody Sunday massacre.
• The 1973 Self-Titled Album by the band Lavender Country is unique, considered to be the first openly gay country album. While it has its share of love songs and country ballads, many of the tracks — "Straight White Patterns," "Waltzing Will Trilogy," "Cryin' These Cocksucking Tears," "Back In The Closet Again" — are weary portraits of gay life in a pre-queer liberation world, where holding hands in public constitutes a death sentence for most gay people. "Waltzing Will Trilogy" especially is a furious song lambasting the treatment of gay men told through fictional (but sadly real) stories about homosexuals being institutionalized against their will, wrongfully imprisoned for sodomy and raped in prison, and bashed and murdered by homophobes with no consequences for the perpetrators.
• John Lennon wrote quite a few songs that pass for protest songs:
  • "Bloody Sunday"
  • "Give Peace a Chance"
  • "Happy Xmas (War Is Over)"
  • John Lennon/Plastic Ono Band: "Working Class Hero"
  • "Imagine," which can also be interpreted as a Religion Rant Song with the opening line "Imagine there's no Heaven."
  • Most of the songs on Some Time in New York City.
• "Another Brick In The Wall Part II" from The Wall by Pink Floyd is a protest against the education system in England.
  • Earlier, there was the entirety of Animals, which served as a critique of Britain's capitalistic nature. "Dogs" is a critique of the dogmatic business owners who instill their reign upon the masses, while "Sheep" calls out the hive minded people who buy into the lies they're fed, but in particular, "Pigs (Three Different Ones)" calls out the shadowy bureaucratic leaders behind the scenes who get no repercussions, going so far as to call out Moral Guardian Mary Whitehouse by name.
• The Kinks' "Apeman" from Lola Versus Powerman and the Moneygoround, Part One.
• What's Going On by Marvin Gaye is an entire album full of protest songs.
• Nevermind The Bollocks Heres The Sex Pistols by The Sex Pistols is full of protest songs but also emphasizes that the band is pretty vacant and doesn't care.
  • "God Save the Queen" by The Sex Pistols was intended to be just a protest against unemployment and elitism, but due to the timing of its release, it accidentally also became a protest against the Queen's Silver Jubilee.
• Frank Zappa: Kept writing protest songs during this decade too.
  • "I'm The Slime" (Over-Nite Sensation): aimed at television.
  • "Cosmik Debris" (Apostrophe (')): aimed cult leaders and fortune tellers.
• Peter Tosh:
  • Legalize It
• Bob Marley: Wrote protest songs for most of his career.
  • Catch a Fire: Concrete Jungle, No More Trouble, Slave Driver, 400 Years.
  • Burnin': Get Up, Stand Up, Burnin' And Lootin'.
  • Natty Dread: Them Belly Full (But We Hungry), Rebel Music, Revolution.
  • Rastaman Vibration: War, Rat Race, Who The Cap Fit
  • Exodus: Guiltiness, The Heathen.
  • Survival: An entire album full of protest songs.
  • Uprising: Real Situation, Bad Card
• Elvis Presley: "Pieces Of My Life," "We Can Make The Morning," "Separate Ways" and many others.
• Stevie Wonder
  • Songs in the Key of Life: Pastime Paradise.
  • Innervisions had "Living For the City" which dealt with systemic racism.
• Fela Kuti: Most of the songs he wrote were protest songs, aimed at the Nigerian government. He often got in trouble for it too. One time the police raided his house and beat him black and blue, burning the place to the ground. Kuti's mother died in the incident.
• The song "Bangla Desh" by George Harrison. The lyrics are actually notably apolitical, but at the time it was written and performed, merely calling the country "Bangladesh" was a political act. The Pakistani government, which at the time most Western countries were allied with, insisted it be called East Pakistan (in fact the Nixon administration was selling arms to the Pakistani government, so the song was a direct contradiction of American foreign policy).
• The Revolution Will Not Be Televised by Gil Scott-Heron also had a lot of protest songs.
• Hawkwind's "Urban Guerilla" is a Stealth Parody of protest songs. Since almost nobody outside the band got the joke, it was quickly pulled from distribution.
• Elvis Costello's "Oliver's Army" was about many political issues: Oliver Cromwell's invasion of Ireland in the 17th Century (hence the title), human rights abuses during The Troubles, British Army recruiters targeting young unemployed men (Costello described the song as being based on the premise that 'they always get a working-class boy to do the killing'), and various geopolitical hotspots in the late 1970s). Also his "Radio Radio", originally a standalone single rush-recorded in 1977^note  to protest the British media's censoring of the Sex Pistols' "God Save the Queen" and the alleged conspiracy to ensure that it not reach number 1 in the charts during the Silver Jubilee. Thanks to Applicability, Lorne Michaels feared it was a wider stab against all media and so, to keep NBC happy, forbade Costello from playing the song during his appearance on Saturday Night Live in 1978 (an appearance that, oddly enough, was in lieu of the desired artists, the aforementioned Pistols, who had scheduling issues). He famously did anyway, causing him to be banned for 10 years from the show by Michaels' express order.
• "The Great Compromise" by John Prine protests, among other things, the huge expense of the Apollo missions and the Vietnam War (and U.S. interference in international affairs in general), by comparing the U.S. to a girl he's dating, who spends his money frivolously and cheats on him with a man in a "foreign sports car."
  • "Paradise," from his 1971 debut album, is about the damage wrought by strip mining in the Kentucky coalfields.

    Then the coal company came with the world's largest shovel
    And they tortured the timber and stripped off the land
    They dug for their coal till the land was forsaken
    And they wrote it all down as the Progress of Man

• Many of Midnight Oil's songs. A lot of their songs concern Australian issues such as the historic mistreatment of Australia's Aboriginal peoples ("The Dead Heart," "Beds Are Burning," "Truganini") and loss of built heritage ("Dreamworld"), but have found an audience far from Down Under. Other issues they have covered include nuclear war ("Put Down That Weapon," "US Forces," "When the Generals Talk"), materialism ("Power and the Passion"), the plight of workers ("Blue Sky Mining"), and corporate media ("Read About It.")
• New Wave band Devo has "Freedom Of Choice", a criticism of the supposed freedom of America.
• During the early 1980s, Australian rockers Goanna had a hit with "Solid Rock," which, like Midnight Oil, also explored the plight of the Aboriginal peoples.
• Kate Bush likewise decried the exploitation of Aboriginal Australians, including the destruction of their land to mine for weapons-grade uranium, in the title song on her album The Dreaming.
  • She also has the song "Army Dreamers," sung from the perspective of an Irish mother mourning her young son who was killed in a war, questioning the purpose of a war and taking the futures of so many young men away from them.
• "There Is No Depression In New Zealand" by New Zealand post-punk group Blam Blam Blam. The song was adopted as a popular anthem by opponents of the 1981 Springbok Tour in the country.
  • In a similar vein, "Riot Squad" by The Newmatics was written about a police raid on a live music performance the year before, and also picked up by the anti-Tour movement.
• New Zealand reggae band Herbs recorded "French Letter" and "Nuclear Waste" in protest at French nuclear testing in the Pacific Ocean.
• The Men They Couldn't Hang's song "Ironmasters" was a protest song linking the Merthyr Rising in 1831 to contemporary mistreatment of the working class under the Thatcher regime.
• Nena's "99 Luftballons."
  • Though not as much as some other protest songs. Particularly considering that the inspiration came from an actual viewing of a mess of party balloons. At a concert.
• Steve Taylor tried his hand at this with "We Don't Need No Color Code," which was a protest against the racist policies of some Christian colleges and churches.
• "Shout" by Tears for Fears, was meant to be a protest song according to Word of God.
• "(We Don't Need This) Fascist Groove Thang" by Heaven 17 is very unsubtle about its purpose as an anthem against fascism and racism; it even specifically calls out Ronald Reagan and Margaret Thatcher by name.
• Loudness began its career of Protest Songs in Heavy Metal in this era, with the two anti-nuclear War Is Hell songs Ashes In The Sky, and S.D.I. (the latter being named after UsefulNotes/RonaldReagan's Strategic Defense Initiative). They also had Crazy Doctor (protesting the Japanese mental health system with Godwin's Law!), The Lines Are Down, (an anti-rape pro-feminist song with the message that rapists deserve to die), and the War Is Hell album Soldier Of Fortune.
• Masaki Yamada also debuted Fire Fire with EZO, also an anti-nuclear war song.
• UB40's early albums reflected the malaise of the times, particularly their own experiences with unemployment, and the crushed dreams of Martin Luther King.
• Metallica's sadly-underplayed "Disposable Heroes." Lars Ulrich described the following album, ...And Justice for All, as their "CNN years" - he and James Hetfield would watch CNN and write songs about whatever displeased them.
• Nik Kershaw wrote several songs in the straightforward protest song style around common '80s themes: I Won't Let The Sun Go Down On Me (nuclear war), Cloak and Dagger (secretive, unaccountable government agencies controlling the fate of the planet), Roses (environmental impact of consumerism), Save the Whale (saving the whale). He also wrote several other songs which are not such straight examples but still have a strong element of "this thing is not a good thing" about them: Wouldn't It Be Good, Don Quixote, You Might (escapist fantasies causing people to lose sight of the real problems), Dark Glasses (what it is like to work for one of the agencies of Cloak and Dagger), Wide Boy (social shallowness and conspicuous consumption). This is not an exhaustive list.
• Frankie Goes to Hollywood's "Two Tribes" was one of the classic '80s anti-war songs. Its music video featured Ronald Reagan and Konstantin Chernenko fighting in a wrestling match, with other world leaders as spectators.
• Men at Work's "It's a Mistake" was about the lingering Mutually Assured Destruction doctrine during the later years of the Cold War.
• Dead Kennedys are also notable protest songwriters. Their frontman Jello Biafra would continue this in his solo career.
  • Frankenchrist.
  • "Police Truck" is an anti-Police Brutality anthem about some rowdy cops who get drunk, rape a prostitute, and get off scot-free.

    Tonight's the night we got the truck
    We're going downtown, gonna beat up drunks
    Your turn to drive, I'll bring the beer,
    It's a late, late shift, no one to fear

• "The Message" by Grand Master Flash And The Furious Five is a protest song too against life in the ghetto.
• Fear of a Black Planet and It Takes a Nation of Millions to Hold Us Back by Public Enemy.
• In China, Cui Jian's "Nothing to my Name," sung at Tiananmen Square, is ostensibly about an impoverished guy who can't win a girl's affections because he has no money. In fact, it was about how the Chinese people had no rights and whose demands for increased freedom were ignored by the government.
• Frank Zappa became more vocal again during the 1980s, criticizing the Ronald Reagan government, televangelists, the Moral Majority, and the PMRC.
• Labi Siffre's "Something Inside So Strong," originally written to protest Apartheid, has been repurposed over the years as an anthem of defiance against any injustice.
• Tracy Chapman has a few of these, particularly, "Talkin' 'Bout a Revolution."
• A lot of songs by The Clash, especially on their album Sandinista
• Crass, as arguably the first Anarcho Pun, pretty much only wrote songs about political subjects. Targets of protest include:
  • Government: "Big A, Little A," "Do They Owe Us a Living?"
  • Military/War: "Fight War, Not Wars," "Major General Dispair"
  • Religion: "Sucks," "So What," "Reality Asylum"
• Bruce Hornsby's "The Way It Is" was a social commentary on the civil rights movement and the growing wealth gap in America.
• In a rare example for Def Leppard, "Gods of War" appeared on the album Hysteria, and featured recorded quotes from Ronald Reagan and Margaret Thatcher at the end.
• Jona Lewie's 1980 hit "Stop The Cavalry" was not just a Christmas Song, but an anti-war protest song.
• R.E.M.'s "Fall On Me" and "Cuyahoga" have been described by its members as being about environmental pollution.
• Bronski Beat's "No More War" (obvious), "Smalltown Boy" (homophobia), "Why?"(also homophobia), and "Hard Rain"(war and fascism).
• Scorpions' "Crossfire."
• Killer Dwarfs' "Dirty Weapons."
• Icon's "World War."
• Simply Red's "Money's Too Tight To Mention."
• The Specials commonly explored themes of racism and unemployment in their songs, most notably "Ghost Town" and "Free Nelson Mandela."
• The Human League's "Being Boiled" protested silk farming (sericulture), which as the title suggests, involves pupating silkworms being boiled to death in their cocoons.
• When it was canc— we mean "put on hiatus" in 1985, Ian Levine gathered many of Doctor Who's stars, such as Colin Baker, Nicholas Courtney, Anthony Ainley, and Nichola Bryant to record "Doctor in Distress" to convince Michael Grade to bring Doctor Who back. Whether or not it actually helped, we might never know. Colin Baker, at least, has since openly admitted that he considers his participation in the song an Old Shame. Ian Levine has gone on record with similar feelings, calling the single "pathetic and bad and stupid" and claimed that it almost "ruined" him.
• A lot of Megadeth's songs qualify. A prime example is "Hook in Mouth," which takes shots at the P.M.R.C. and censorship.
• Nautilus Pompilius: Nautilus has a lot of that. For example, "Bound by One Chain" is a song against the Soviet government, and "The Khaki Sphere" is an anti-war song.
• In the 1980 film One-Trick Pony, Jonah's only hit from ten years ago was "Soft Parachutes," about a teenager in The Vietnam War. He doesn't play it anymore because it's not topical.
• Bruce Cockburn's "The Trouble With Normal," about the trend towards repression and totalitarianism in the name of national security.

  It'll all go back to normal if we put our nation first
  But the trouble with normal is it always gets worse

• "Sun City", by Artists United Against Apartheid (conceived by Stevie Van Zandt and including, among others, Pat Benatar, Bob Dylan, Run–D.M.C., Bruce Springsteen, and members of The Temptations) served as both a Charity Motivation Song and a protest song against apartheid.

• Marilyn Manson's concept albums, Portrait of an American Family, Smells Like Children, Antichrist Superstar, Music/Mechanical Animals and Holy Wood (In the Shadow of the Valley of Death), are full of these, against society in general, and many parts of it, including conformity, religion, discrimination and the rock star culture.
• Silverchair's "Anthem For the Year 2000" dissed populist politician Pauline Hanson for her authoritarian stance on youth policy.
  • "Spawn" (and its rearranged version, "Spawn Again") is about animal rights issues, with the most blatant lines being "This is animal liberation / Eight billion killed for human pleasure" ^note 
• Ice-T's notorious Cop Killer song was meant to be one about police brutality. However, after the controversy (mainly over the song's name^note ), he made the decision to remove the song from Body Count's debut album feeling that the controversy had overshadowed the music.
• Guns N' Roses, "Civil War."
• N.W.A has some examples: Fuck Tha Police from Straight Outta Compton is about racial profiling and Police Brutality.
  • While technically never out of the public perception, it has received a strong revival in recent years beginning with the Occupy movement and the Black Lives Matter protests. At the 2015 BET Experience, a new music video premiered, highlighting recent victims of police violence
• "Zombie" by The Cranberries, against the IRA.
• "Censorshit" by The Ramones, an angry response to the PMRC pushing for explicit content labeling on music albums, which specifically calls out Tipper Gore.
• "I Don't Give a Fuck" by Tupac Shakur, a song about rising anger at being treated like a second-class citizen.
• "The Rebel Jesus," by Jackson Browne (recorded with the Chieftains, of all people), argues that pride and materialism have overtaken not only Christmas, but mainstream Christian culture in general. In a nutshell: if he came back today, we'd kill him all over again.

  We guard our world with locks and guns
  And we guard our fine possessions
  And once a year when Christmas comes
  We give to our relations
  And perhaps we give a little to the poor
  If the generosity should seize us
  But if any one of us should interfere
  In the business of why they are poor
  They'll get the same as the rebel Jesus

• Loudness contributed several protest songs during the era. Among them were Slaughter House, which protested animal testing, Racing The Wind being a Rage Against the Heavens Religion Rant Song, Miles High and Dogshit which protested society in Japan and the US respectively, and MANY more.
• Voices from the Dead by Taiji Sawada is a War Is Hell antiwar song.
• hide's Oblaat is a scarily prophetic denunciation of Apathetic Citizens living in a total surveillance society, Damage and Bacteria are War Is Hell and antiwar (and the latter is Humans Are Bastards as well), Doubt is mocking politicians and leaders as no better than groupies and prostitutes, Sold Some Attitude is... well, protesting something (possibly hide's own addictions), and Easy Jesus is a Religion Rant Song.
• "We Shall Be Free," from Garth Brooks' The Chase (1992), is Lighter and Softer than a lot of entries on this page, but considering how conservative the genre and its fans can be sometimes—to the point where some radio stations refused to air the song—publishing it took some guts.^note 
• "The Gulf War Song" by Moxy Früvous, although it ends up protesting political partisanship more than the war itself:

  We got a call to write a song

  About the War in the Gulf

  But we shouldn't hurt anyone's feelings

• The Score by The Fugees has several protest songs against racism and gang violence.
• Brand Nubian: "Drop the Bomb" is a combination of a black nationalist protest song against white oppression with the religious ideology of the Five Percenters. Sadat X's verse, in particular, focuses on lies taught in history about African-Americans, and the negative effects of the welfare system against the African-American population, among others.

• Many songs in Ado's discography discuss embracing one's individuality against an increasingly rigid society — "Readymade" and "Usseewa" being two standout examples.
• Janelle Monáe's "Hell You Talmbout" is this, repeating all the names of unarmed African-Americans who were gunned down by law enforcement in recent years (and a few from history), urging Americans to not be silenced and to "SAY THEIR NAMES!" despite the media's stance on the situation. It has even been called a war song by some.
• In a similar vein, "Alright" by Kendrick Lamar, with its chorus calling for hope in the face of systematic racism, has become a popular chant/song at Black Lives Matter protests.
• John Rich (of Big & Rich) had "Shuttin' Detroit Down," a protest against the 2008-09 automotive crisis and government bailouts.
  • "We Can't Make It Here" (2005), by James McMurtry,^note  has similar things to say about the longer-term trend of outsourcing and hollowing out local economies. Robert Christgau (from the Village Voice) named it the best song of the 2000s, and Stephen King said it "may be the best American protest song since 'Masters of War'" (by Bob Dylan—see the 1960s folder).
• P!nk's song "Dear Mister President," which was aimed at George W. Bush. It received no airtime in the USA while Bush was in office, but was immensely popular overseas.
• Underground UK rapper Lowkey's entire discography is made up of protest songs, much of them railing against racism, Islamophobia, and neo-liberalism. The 2011 song "Long Live Palestine" criticizes Zionism and the Israeli war crimes committed against Palestinians that get denied and ignored by Western media. He has since released two sequels to the song on subsequent releases, as well as "Palestine Will Never Die" in 2023.
• The Black Eyed Peas's "Where is the Love" protests against many issues, including war and anti-gay violence.
• Green Day's American Idiot, and "Holiday" and the title track in particular, were heavily critical of the George W. Bush government. Over a decade later, they wrote "Bang Bang" about gun violence.
• "Mosh" by Eminem is critical of George W. Bush and the war in Iraq.
• Subversion: "Politics In Space" by Kate Miller-Heidke.
  • "The '60s were fifty years ago, you know. Get over it."
• "16 Military Wives" by The Decemberists is transparently about the Iraq War, George W. Bush's bullying foreign policy, and celebrities who could barely come up with even the wishy-washiest of stances on the topic. The music video features a Model United Nations conference gone completely insane, with Colin Meloy (the lead singer) as the United States beating up on Luxembourg (multi-instrumentalist Chris Funk) before eventually Luxembourg leads a (musical) revolt, joined by Ireland (keyboardist Jenny Conlee). Like we said, wacky.
• The Apopalyptics' "Money on an Island" criticises the tax evasion practices of multi-national corporations.
• Lupe Fiasco's "Words I Never Said" is critical of The War on Terror, the American education system, mass media, Barack Obama, the Israel/Palestine conflict, and even the banking crisis.
• Roy Zimmerman's music is almost entirely protest songs or social commentary:
  • "That Is The War On Terror" compares Al Qaeda to Popeye the Sailor. It Makes Sense in Context.
  • "My TV" has such deep poetical significance that he has to sing it again and explain it. The TV is the Presidency, and the song is about the 2000 election, he's also done a new version about the 2016 election.
• Old Crow Medicine Show has an interesting one: "Big Time In the Jungle" is a Vietnam protest song, but it was written in the early 2000s (released on 2004's O.C.M.S.). It was probably intended in part as a protest at the ongoing Iraq/Afghanistan thing, albeit perhaps more as a reminder of the horrors of war than an actual protest.
• That Wasn't Weed by multiple people on Kompoz, about the war on drugs.
• Tom Waits' "The Day After Tomorrow" from Real Gone (about the Iraq war specifically, but it could be war in general) and "Road to Peace" from Orphans: Brawlers, Bawlers & Bastards (about the Israeli-Palestinian conflict, and equally critical of both sides).
• Butch Walker's "Paid to Get Excited" is a protest song against Bush-era politics and societal mindset. He finds it a little embarrassing to sing now.
  • Folk-rocker Dan Bern released a whole album of anti-Bush protest songs in 2004 entitled My Country II and an accompanying EP Anthems.
• Macklemore:
  • "Same Love" is this for gay/lesbian rights, specifically same-sex marriage (and more specifically still, Washington state Referendum 74, which was on the ballot in Macklemore's home state that year).
  • Hind's Hall condemns the US and Biden administration's support for Israel's genocide in Gaza, as well as the media's silence on critics of Israel and the police brutality against the pro-Palestine protesters.
• "Long Live Egypt" and "Sout Al Horeya" probably make Egypt's 2011 Revolution the first one in history to have a Soft Rock soundtrack.
• A large portion of Darryl Worley's output: He had a massive hit in 2003 with "Have You Forgotten?" an anti-9/11 / pro-Iraq War song. He later returned to the politics well with "I Just Came Back from a War" in 2006 and "Keep the Change" (an anti-Obama song) in 2008.
• Douglas Hodge's 2005 album Cowley Road Songs addressed The War on Terror with the cheeky, march-tempo "Onward Christian Soldiers," sung from the perspective of a U.S. soldier in Iraq. As per usual President Bush gets mocked, but Hodge (who is British) doesn't spare then-Prime Minister Tony Blair any barbs for being an ally.
• "Wars" by Hurt. Take a wild guess at what it's protesting.
  • Several of their other songs ("Rapture," "Adonai," etc.) target religious extremism as well.
• "Waiting on the World to Change" by John Mayer is about world leaders' mismanagement of international affairs and the media's skewed coverage of the same.
• Trombone Shorty's "Right To Complain" appears to be a protest against excessive protesting - those who don't take any steps themselves, have no right to complain.
• Rap Metal band Backwordz has Utopias Don't Exist which is about how much of a Crapsack World we live in.
• A lot of the Pet Shop Boys' 2006 album Fundamental consisted of songs with at least some political undercurrent; most directly, Integral was an outright protest against mandatory ID cards, as well as "I'm With Stupid," about the overly close relationship between Tony Blair and George W. Bush satirized as a gay love song. Other songs on the album dealt with the Iraq War and immigration.
• Pretty much anything by Rise Against. What did you expect, with a name like that?
  • Especially Endgame, which is pretty much a Protest album.
• The majority of the Flobots' output, as well. (They typically have a few songs on each album that exist mainly for rocking-out purposes.) "Handlebars" and "White Flag Warrior" (a collaboration with Rise Against) are the best known, but "Same Thing," "Stand Up," "Superhero," "Fight with Tools," "Gonna Be Free," and "Defend Atlantis" are powerful too. And then there's "Anne Braden," which commemorates the late civil rights activist but avoids commenting on present-day issues.
• "20 Dollar Nose Bleed" by Fall Out Boy seems to be this. At least one verse is obviously anti-Bush:

  It feels like 14 carats but no clarity

  When I look at the man who would be king

  The man who would be king goes to the

  Desert the same war his dad rehearsed

  Comes back with flags on coffins and says

  We won, oh, we won

• Not even Vocaloid is immune from this trope—the song "Meiteki Cybernetics" (often translated as "Stray Cybernetics") by producer otetsu is an explicit condemnation of war as a whole and how it leaves all the cities caught in its wake in ruin. While it doesn't specify the war in question, the prominent use of Arabian guitar and its release year of 2009 insinuates that it was likely influenced by the many conflicts happening in the Middle East at the time.
• Dream Theater's "Prophets of War." To drive the point home they add the pun-tastic chorus line "Are we prophet-ing from war?" and a spoken buzzword-filled bridge. Surprisingly enough, it's actually good.
• treble charger's last big hit before they disbanded, "Hundred Million," was a slightly weird protest song against the presidency of George W. Bush. Weird in that treble charger was a Canadian band, big at home but with almost no exposure in the States.
• New Zealand alt-rock band Shihad released FVEY in 2014, which was critical of mass surveillance. The title refers to the Five Eyes surveillance network which covers the five Anglosphere nations of the UK, USA, Canada, Australia, and New Zealand.
  • Their 2005 album Love Is The New Hate was written in response to their American tour during The War on Terror, and has several songs attacking the war and the blind patriotism and propaganda that surrounded it. Perhaps the most blatant example is All The Young Fascists.
• Emilie Autumn has "Take The Pill" and "If I Burn." The entire "Opheliac" Concept Album could also be seen as this. Also, "Girls! Girls! Girls!" - in a satirical, Villain Song way.
• Lily Allen's "Hard Out Here" from 2013 is about sexism and body image pressures facing women in the entertainment industry.
• Delain's "Your Body is a Battleground" is very critical of the medical-industrial complex.
• Disturbed's "Legion of Monsters" is a very angry song about how media glorification of murderers like the Boston Bomber only inspires new murderers to do the same thing.
• The 2019 song "Afilando Los Cuchillos" (Sharpening the Knives), by Bad Bunny, Residente, and iLe, written in response to a political scandal involving the governor of Puerto Rico at the time:

  El pueblo no aguanta más injusticia
  Se cansó de tus mentira' y de que manipulen las noticia'
  Ey, ey, to' los combo', los caserío', somos nuestra milicia'
  Ya no nos coges de pendejo

  (The people cannot stand more injustices
  They got tired of your lies and having the news manipulated
  Hey, hey, all the combos, all the hoods, we are our own militia
  You will not take us for fools again)

• Rapper YG and Nipsey Hussle released a song entitled "FDT," an acronym for "Fuck Donald Trump." It's pretty self-explanatory what it's about.
• 2017's Is This the Life We Really Want? from Roger Waters is littered with these. Songs like "The Last Refugee," "Picture That," "Broken Bones," and the title track, tackle a variety of subjects from war, social media, climate change, and President Trump, who can be a favorite subject multiple times on the record.

  — Picture That

• The band Whiskey Myers are generally known for two things: the quiet, piano-focused Alternative Country of their song "Stone," and the furious Southern Rock of "Gasoline."

  Ain't nothing much to do in this town
  The industry's gone and the mill has closed down
  And up on the hill lives a Jezebel
  She's got some sin and some pills to sell
  So no need to lie with your opium eyes
  When you got a script there's no need to hide
  Bitch and moan and dance in the street
  We'd rather have bombs than food to eat

• While it may seem counterintuitive for the Icelandic self-proclaimed "anti-capitalist BDSM techno performance art group" Hatari to take part in the Eurovision Song Contest 2019 with a song titled "Hatrið mun sigra" ("Hate will prevail"), with such lyrical gems as "Europe will crumble," "Love will die" and "The emptiness will get us all," performed with copious amounts of screaming and a hellish stage performance, Hatari have repeatedly expressed in interviews that the song is meant as a wake-up call. In the face of rising political tensions, social dissatisfaction, and fear-mongering, the song is meant to show that unless people remember to love and respect each other, hatred will come out on top as the dominant emotion and destroy everything.
• Italian indie group Pinguini Tattici Nucleari have "Cancelleria" and "Me Want Marò Back," both of which criticise far-right politics in Italy.
• Beyoncé's song "Black Parade" was released on Juneteenth of 2020, as the United States faced a reckoning over its racist past and present-day injustices. The song's lyrics celebrate Blackness, while the proceeds from the song are to be donated to Black-owned businesses. On her website, Beyoncé added, "Being Black is your activism. Black excellence is a form of protest. Black joy is your right."
  • Tom Burton's "Bet You Can Hear Us Now," about the same topic, was released a couple days later... it may have been overshadowed by "Black Parade," but it expressed the same anger and determination that many in America have been feeling.
• K-Pop group Girls' Generation's 2007 song "Into the New World" is a feminist anthem that's been adopted as a protest song throughout Asia in the latter half of The New '10s. This trend started in 2016 in South Korean student and anti-government protests and has since spread throughout Asia, even being translated into Thai by protesters in 2020.
• This is witch house duo IC3PEAK's whole thing, proudly calling their band "audiovisual terrorism." They've gotten into pretty deep shit with the Russian government for their music, live performances, and videos, which are very blatant with their disdain for the Russian government and Putin. "Марш" ("Marching") is an anti-war song which came out a year before Russia invaded Ukraine, which the duo were very much against.
• BTS: Have released several politically charged songs, such as:
  • "No More Dream" and "N.O," which protest the structure of the Korean education system and the pressures society forces on students to achieve academic success.
  • "Baepsae," which criticizes class inequality and the burdens society, and particularly older generations who are unreasonably demanding, places on younger generations.
  • "Am I Wrong," released in 2016, calls out indifferences to current events, with SUGA's line "We all are dogs and pigs We get angry and become dogs" being a Take That! of the classist remarks of a government official during the then soon-to-be-impeached Park Geun-Hye's government, who said that "99% of South Koreans have no ability to move up in the world and can be treated like animals."
  • "Strange" from Agust D (SUGA)'s mixtape D2 (featuring RM) is a commentary on the state of today's society which is dominated by capitalism. He opens the song with "Capitalism injects a morphine called hope, using dreams as its collateral,"f stating that everyone is a slave to the system and that capitalism is feeding people false hope.
• Anaïs Mitchell's "Song of the Magi." She sings of a baby being born in Bethlehem, to the joy of his parents... except the lyrics and imagery ("West Bank town," "your home is a checkpoint now") allude to the modern, war-torn state of the region. The imagery used at the end (lions laying with lambs) is a common call for peace and the end of conflict.
• Daniel Kahn and The Painted Bird: A number of their songs — such as "The Butcher's Share," "Freedom is a Verb," "March of the Jobless Corps," "Arbeter Froyen," and "Vampirn" — qualify.
• Alice Glass describes her song "Cease and Desist" as a "call to action" for survivors of abuse to resist and fight back. At the time, she was dealing with a defamation lawsuit from her ex-bandmate Ethan Kath, who accused her of lying about allegations of abuse to destroy his career. The lawsuit against her was later thrown out.
• Machine Girl:
  • ...BECAUSE IM YOUNG ARROGANT AND HATE EVERYTHING YOU STAND FOR is a protest album, with pervasive themes of raging against the system and destroying the out-of-touch, fascist, racist, ineffectual powers that be.
  • "Kill All Borders" is unabashedly aggressive about anarchism and the destruction of colonialist imperialism, as is evident from the title.
• "Kletka" by the Russian band Kis-Kis is a song protesting the corrupt and greedy governments of Russia and Belarus.
  • Their other song "Dostalo" from the same EP protests propaganda.
  • Their other song "Pokhuy" is an interesting case in that it's a protest song written from the POV of the type of person it's protesting: a selfish rich person who cares about no one but themselves.
• "King for a Day" by Battle Beast speaks of a Revolving Door Revolution of Corrupt Politicians who come in saying they'll improve things, and instead profit off the office for as long as they can before being "dethroned" in favor of "another greedy, rotten puppet on a string."
• Bloodywood's original material takes heavily after Rage Against the Machine. Most of Rakshak's runtime consists of political protest music of one form or another: "Gaddaar" is targeted at political demagogues stoking ethnic and religious tensions to energize and radicalize their voting bases, while "Dana Dan" opposes India's pervasive problem with violence against women.
• Many artists from both Ukraine and Russia have written songs to protest the Russian invasion of the former since early 2022; Russian artists have been especially vocal about their distaste for their government's actions. Stand-out examples include "Generation Cancellation" by Little Big — whose music video combines the group's traditional absurdist humor with clear references to the war in Ukraine, "1984" by Slaughter to Prevail — in which the band explicitly calls Ukrainians as their brothers and refers to Vladimir Putin as a backstabber who is too blinded by his delusions of grandeur to understand the wrongness of his actions, and Yuri Shevchuk's "War Funeral."
• Bashar Murad is an interesting example. Most of his music is about the Israeli occupation of Palestine, but it subverts the idea of what protest music is expected to sound like, it's heavy electropop with high tempos and thumping bass. "Intifada on the Dance Floor" is the most obvious example of this.
• "I Give You Power" by Arcade Fire was released the day before the inauguration of President Donald Trump in 2017, and provides a simple but pointed reminder that, in a democracy, power is granted only with the consent of the people. Proceeds from the single were donated to the ACLU.
• Depeche Mode released "Going Backwards," "Where's the Revolution," "The Worst Crime," "Scum," "Poorman," and "Fail" on their 2017 album, Spirit. All of them discuss the topic of societal corruption, though human corruption in itself plays a part too, as they also discuss the nihilistic idea that humanity is a failure. Most of this was influenced by current political events at the time, such as the rise of Donald Trump, among other things.
• Ethel Cain's "American Teenager" is an anti-war song. She also wrote anti-genocide song "From the River" in support of Palestinian liberation from Israel in solidarity with children murdered by the occupation, which also criticizes white Americans whose empathy for others doesn't extend beyond anyone who isn't also white and American.
• Haru Nemuri wrote "Watermelon (Demo)" in support of calling for a ceasefire in Gaza and the West Bank. The title is a reference to how the watermelon became a symbol for Palestine since the Israeli government suppressed the use of the Palestinian flag in the 1960s, confiscating flags and arresting anyone found with one.

• A number of songs by Bob Dylan: "Blowin' in the Wind," "Masters of War," "Oxford Town," "The Times They Are A-Changin'," "A Hard Rain's a-Gonna Fall," "The Lonesome Death of Hattie Carroll," "With God on Our Side," "Hurricane," etc.
  • While Dylan's "Girl of the North Country" is just a lost-love song with no political overtones, Pete Townshend's 1982 cover version turns it into a protest song by changing part of the final verse to imply that the song takes place After the End.
  • And lest you think Dylan was just another hyper-serious protest singer, he also wrote some of the most hilarious protest songs ever written. Check out "Talkin' World War III Blues" or "Talkin' John Birch Paranoid Blues."
    • "My Back Pages" was specifically written to disown his earnest protest singing past.
• "Southern Man", Neil Young's famous protest song against the mistreatment of blacks in the Deep South.
  • How About his "Let's Impeach the President" from during the George W. Bush-years?
  • "Rockin' in the Free World," which attracts a certain amount of Misaimed Fandom from people who don't listen past the chorus.
  • Lynyrd Skynyrd's "Sweet Home Alabama," meanwhile, was a counter-protest song written in response to "Southern Man" and "Alabama." It serves as an interesting example because Young and the members of Lynyrd Skynyrd were actually good friends.
    • Incidentally, "Sweet Home Alabama" could also qualify:

      In Birmingham they love the Gov'nor, boo boo boo

      Now we all did what we could do

      Now Watergate does not bother me

      Does your conscience bother you?

      Tell the truth

• Protest music is a staple of punk rock, and particularly of hardcore punk, to the extent that trying to build a comprehensive list of examples would be an exercise in futility. Such songs tend to be shorter, punchier, and noticeably less weepy than traditional protest songs, although they arguably lose some emotional impact in the transition; bands such as Propagandhi and the Dead Kennedys, among many others, have built their entire careers around this trope.
  • This has come full circle in the form of Folk Punk, artists such as Evan Greer or Ghost Mice, who strip down punk rock as far as possible and end up sounding like early Bob Dylan or Phil Ochs.
• Pink Floyd:
  • A number of songs on The Wall and The Final Cut have the unusual distinction of being protest songs about World War II, written 35 years after the war ended. More specifically, The Final Cut is a Concept Album about the teacher in The Wall, now the protagonist, and a World War II veteran, gasping in horror at images of The Falklands War unfolding in front of him on TV, and feeling disappointed that Margaret Thatcher had betrayed "the post-war dream" Britain promised to its people of working for peace and unity, rather than leading men to war. It also addresses his frustrations of holding back his memories of the war to those he loves, for fear of being misunderstood and rejected, and his anger at trying to teach the "little ingrates" in school about history and the futilities of war to deaf ears.
    • The Final Cut is more about The Falklands War.
  • "Us and Them" from The Dark Side of the Moon addresses popular attitudes towards war and suffering, and the album Animals is basically a long rant about popular culture, with some rather specific Take Thats in "Pigs."
• The Rolling Stones have tried their hand at a few of these:
  • "(I Can't Get No) Satisfaction" from Out Of Their Heads has some protest-song elements, particularly in the first two verses (with their still-on-target jabs at the media and advertising worlds).
  • "We Love You" (1965), was written as a homage to the band's fans who supported them after they were jailed for marihuana possession. It's a large Take That! against the police.
  • "Street Fightin' Man," from Beggars Banquet, was inspired by the 1968 student protests, but actually takes on a more cautionary position

    But what can a poor boy do? Except for sing in a rock 'n' roll band

    • "Salt of the Earth," also from Beggars Banquet can be seen as a semi-subversion, undercutting its paeans to the screwed-over working classes with an admission that "they don't look real to me" from Jagger's jet-setting rock-star perspective.
  • "Fingerprint File" from It's Only Rock 'n Roll criticizes government monitoring and surveillance activity.
  • "Hang Fire" from Tattoo You is a protest song against the unemployment in Thatcherite Britain.
  • "Undercover of the Night" from Undercover criticizes the political corruption in Central and South America in the 1980s.
  • "Sweet Neo-Con" from A Bigger Bang is a criticism of the neo-conservatives within the American government and should be understood as protest against the George W. Bush administration.
  • "Blinded By Rainbows" from Voodoo Lounge is a critique of war and terrorism, especially religiously motivated violence.
• Bruce Springsteen's "War" (which is actually a Covered Up version of an old Edwin Starr song).
  • Also "Born in the U.S.A." from Born in the U.S.A., though many people fail to recognize it as one.
  • Several of his albums are essentially made of these, especially The Ghost of Tom Joad and Wrecking Ball.
• "The Alice's Restaurant Massacree" (sic) by Arlo Guthrie, an 18-minute-long talking blues ballad that many classic rock stations traditionally play in its entirety on Thanksgiving Day, is a song about dodging the draft. You know it is, because Guthrie says so about 7 minutes in. One of the big reasons it's still played on Thanksgiving, besides pure tradition, is to give DJs a chance to get some Thanksgiving food.
  • His father, Woody Guthrie, also had his share of these, up to and including "This Land Is Your Land."
    • Woody's guitar had a sign on it: "This Machine Kills Fascists." And it's an odd commentary on the American Culture. "This Land Is Your Land" is sung by every kid in grade school, though they hardly ever get past the first verse and when they grow up it's dismissed as just a children's song. In reality, it is subversive, powerful, and even more relevant as an adult:

      As I went walking I saw a sign there

      And on the sign it said "No Trespassing."

      But on the other side it didn't say nothing,

      That side was made for you and me.

      In the shadow of the steeple I saw my people,

      By the relief office I seen my people;

      As they stood there hungry, I stood there asking

      Is this land made for you and me?

      Nobody living can ever stop me,

      As I go walking that freedom highway;

      Nobody living can ever make me turn back

      This land was made for you and me

• Just about everything Rage Against the Machine has ever written.
  • Same goes for their forebears, Public Enemy.
  • Tom Morello's solo career is 100% protest music as well, particularly his Dylan-esque folk-rock outfit the Nightwatchman.
• Many songs by The Jam, including "Going Underground" and "Eton Rifles."
• Bryan Adams doesn't usually venture into this kind of territory. The one exception was "Don't Drop That Bomb On Me," the final track of 1991's Waking Up The Neighbours. Five years earlier, he refused to include his song, "Only The Strong Survive," on the Top Gun soundtrack because he felt the film glamourised war.
• The Korean song "Achim Isul," which was a common anthem during pro-democracy protests in South Korea in 1980. North Korea co-opted the song as a nationalist anthem in the mid-1990s, but eventually it made people start to question the government and the song was banned.
• John Fogerty's "Deja Vu All Over Again" is a protest song directed at the second Bush administration.
  • Much earlier, of course, Fogerty penned "Fortunate Son" from Willy and the Poor Boys for Creedence Clearwater Revival. "Fortunate Son" was a working-class protest song against the Vietnam War, but today most people probably know it from Wrangler's reprehensible ad that makes it sound like jingoistic propaganda by only using the first couple lines of the first verse, which were intended ironically.
• John Cougar Mellencamp penned and performed a few of these over the years, including "Rain on the Scarecrow" (regarding the plight of small farms) and "To Washington" (a Take That! to the 2000 elections and the subsequent Bush administration).
• U2: "Sunday Bloody Sunday" from War (U2 Album) about The Troubles and Bloody Sunday in Derry; "Mothers of the Disappeared" about the Argentine Mothers of the Plaza de Mayo and the disappeared people after the 1976 coup; and "Bullet the Blue Sky" about U.S. intervention in El Salvador; "Silver and Gold" about South Africa and apartheid; "Miss Sarajevo" about Bosnia; and "Pride (In the Name of Love)" about the assassination of Martin Luther King Jr. (among other things) to name a few.
  • "Peace on Earth" is also about The Troubles even naming specific victims of a then-recent bombing. "Please" is a particularly harrowing song protesting false religious piety in the face of poverty/injustice. Then there's "Love and Peace or Else," "Crumbs From Your Table," the list goes on...
• Pete Seeger wrote a number of these, perhaps the most famous being "Where Have All the Flowers Gone?", which uses a Here We Go Again! motif to comment on the futility of war.
  • Malvina Reynolds' "Little Boxes," which satirizes suburban conformity and was famously covered by Pete Seeger. Tom Lehrer, apparently not a fan, once called it "the most sanctimonious song ever written."
  • "Which Side Are You On?" was made famous by Seeger... and more recently Natalie Merchant... and the Dropkick Murphys... and a few dozen other artists. It was written in 1931 by Florence Reece, the wife of a miners' union organizer in Harlan County, Kentucky.
• A lot of System of a Down's songs, such as "B.Y.O.B." from Mezmerize/Hypnotize, "Deer Dance" from Toxicity, and "Boom!" from Steal This Album! protest either the war in Iraq or militarization of the police. Some even talk about the War on Drugs and environmentalism.
  • Word of God (Malakian, the guitarist) says they have more non-political songs than political ones. This may be true, but a lot of their lyrics are open to numerous interpretations, and most of their well-known songs are among their most anvilicious.
• Randy Newman has quite a few, ranging from the subtle ("Rednecks") to the sarcastic ("Political Science," about nuking every other nation on the planet for dubious reasons, "A Few Words in Defense of Our Country," arguing that the US government isn't as bad as, say, the Roman Empire, or Hitler, Stalin) to the fairly direct ("Mr. President, Have Pity on the Working Man").
• Approximately half of Billy Bragg's music fits this trope (the other half is frequently heartbreaking love songs.) He was even chosen, along with Wilco, by Woody Guthrie's daughter to set Guthrie's final lyrics to music.
  • Poor Ivan Dobsky, he never done it...
• Marvin Gaye's later career swung back and forth, from protest songs ("What's Going On?", "Inner City Blues," "Mercy Mercy Me," from What's Going On) to the kind of music that probably got you conceived ("Let's Get It On," "Sexual Healing.")
• Michael Jackson's "We've Had Enough" and "They Don't Care About Us" from HIStory: Past, Present, and Future -- Book I.
• Pretty much everything by Harry Chapin, with songs about poverty in the third world ("Shortest Story") about rich people and poor people ("Odd-Job Man"), and numerous others, although not actually the song "Basic Protest song" which instead picks apart the idea of protesting.
• Iron Maiden has "Holy Smoke" (on televangelists), "Be Quick Or Be Dead," "Face in the Sand," "Age of Innocence," "Two Minutes to Midnight," whose title references the Doomsday Clock, and their latest song, "El Dorado". Some of their historic battle-inspired songs that enter War Is Hell territory might count.
• The song "Stop the Dams" by Gorillaz is believed to be Damon Albarn's protest against the dams in Reykjavik, where he has a house. That said, the actual lyrical content seems to be about a myriad of different things. The title seems to be the one thing that really has anything to do with the "dams" in question unless you want to think of everything as a metaphor.
  • Also, the whole album Plastic Beach is about how we have to stop polluting and being wasteful.
  • And "Dirty Harry" is a protest against George W. Bush and the war on terror.
• Lots and lots of Latin American singers - the movement was even called "Nueva Trova"(New Song) in Spanish-speaking countries. It was inspired by Cuban singers and the whole bunch of dictators in the continent in the '50s-'70s: Pablo Milanes, Mercedes Sosa, Silvio Rodriguez, Leon Giecom Carlos Mejia Godoy are some of those singers.
  • Spanish Civil War song "Que la tortilla se vuelva" covered by many Latin American singers
  • Also, many Brazilian singers during the dictatorship. Noticeably, a Chico Buarque song named "Apesar de Você" was subtle enough to go unnoticed through the censorship of the time.
• Bella Ciao, an Italian partisan song from World War II, sung by left-wing antifascists, has gone on to be used as a song of general protest, usually against governments, as seen in this video.
• Many calypsos fit this trope; Lord Invader's "Rum and Coca-Cola," is a famous one with Misaimed Fandom.
• The satirist Tom Lehrer often expressed his hatred of this type of song. On the album That Was the Year That Was, he assembled his grievances into a parody called "The Folk Song Army":

  The tunes don't have to be clever
  And it just doesn't matter if you put a couple of extra syllables into a line
  It sounds more ethnic if it ain't good English
  And it don't even got to rhyme... Excuse me, 'rhyne'.

  • He might have been "expressing his hatred" in a tongue-in-cheek manner since quite a few of his songs could be considered legit protest songs in their own right. The same album includes songs like "Send the Marines" (American foreign policy), "Wernher Von Braun" (a Take That! against the titular ex-Nazi rocket scientist who worked on the US Space Program) and "The MLF Lullaby" (concerned with the inclusion of West Germany and it's Former Regime Personnel having access to the US nuclear arsenal). However, he was always careful to make clear in interviews that he didn't possess the delusion that singing angry songs was going to change the world by itself, which seems to have been one of his main grievances against folk singers (along with the idea, spoofed above, that good intentions excused bad songwriting).
• Grindcore band Napalm Death is more like a Protest Song band, considering that just about every song of theirs could be considered an example. Even the one-second track "You Suffer" delivers a bombshell of a single lyric.
• Some of Elton John's songs have subtle elements of this. "Daniel" is a Vietnam War vet (although it's subtle; a cut verse would have made this clearer), while "Ticking," an account of a gun massacre that killed 14 people, is a protest of American Gun Culture. Furthermore, as mentioned above, "Belfast" is a protest against The Troubles in Northern Ireland.
• Popular Ugandan singer Robert Kyagulanyi Ssentamu aka Bobi Wine sings to expose injustice and corruption in the country since 2014. He even became a political opponent of the autocratic regime of leader Yoweri Museveni. His presidential campaign of 2021 is chronicled in Bobi Wine: The People's President.
• The Czechoslovak^note  songwriter Karel Kryl often referred to as "The Poet with Guitar" who in his body of work, ranging from 1960s to his premature death in 1994, covered Occupation of Czechoslovakia in 1968 and following Normalization, but also uncertainty and disappointment following Velvet Revolution and dissolve of Czechoslovakia.
• The Egyptian duo of Sheikh Imam (a blind oud player) and Ahmed Foud Negm (a colloquial poet/songwriter) spent over 30 years—from the early 1960s to mid-1990s—writing and recording topical songs about the struggles of ordinary Egyptians and the various ways world power politics have screwed over the Arab World in general and Egypt in particular. Their most famous work is probably 1984's "عن موضوع الفول واللحمة" `An Mawḍū` al-Fūl wal-Laḥmah ("On the Matter of Beans and Meat"), expressing frustration at the hypocrisy of government officials trying to convince Egyptians that their poor simple meal of fava beans is somehow better than the expensive meat the common folk cannot afford, all the while scarfing down big meals of meat themselves.
• Iwan Fals is known for making these songs satirizing the Indonesian government and other social issues, particularly during the Indonesian New Order. Examples include "Surat Untuk Wakil Rakyat", "Pesawat Tempur", and "Manusia Setengah Dewa".

• "Another National Anthem" from Assassins.
• Leonard Bernstein's Mass is filled with these: "Half Of The People" (partly written by Paul Simon), "God Said" (a sarcastic parody of Genesis 1), "Non Credo," "World Without End" and "Dona Nobis Pacem" (which is definitely not a hymn).
  • On the other hand, Mass is both a shining example and a subversion; part of the wonder of this powerful opera is that it is a no-hold-barred commentary on the Roman Catholic church commentary that yes, showcases the stumblings of the church, but it also shows it at its very best.
• German punk-pop band Die Ärzte parodied this with Grotesksong, a near-classical protest song with only an acoustic guitar as instrumentation (at least in the first two verses). It is a protest song all right - against protest songs.
  • Listening to it again, it may actually be a protest song against protest songs against protest songs...
• Several songs from Peter Tägtgren's Pain, especially on the last couple of albums. Examples include The Third Wave, Not Your Kind, and Feed Us'', which are about corruption, evangelicalism, and the media's coverage of celebrities, respectively.
• Richard Thompson's "Dad's Gonna Kill Me" is a protest song written from the perspective of a soldier in Iraq, and using actual soldier slang ("dad" for Baghdad, etc.)
  • "Guns are the Tongues" averts this to some degree; while it takes place during The Troubles and is quite clearly on the side of "this was a very bad idea," it's mostly telling the related story of a twisted relationship.
• "Violet Hill" by Coldplay, and "Invisible Sun" by The Police, about the troubles in Ireland.
• "The Yeah Yeah Yeah Song" by The Flaming Lips.
• "World Wide Suicide" and "Bu$hleaguer" by Pearl Jam
• "When the President Talks to God" by Bright Eyes
• Straightforwardly enough, "Protest Song" by Eric Himan, mostly about gay rights.
• Eiffel 65 - Too Much of Heaven
• Maroon 5's "Makes Me Wonder" is a bit less blatant than most, probably because it was first conceived strictly to be about failed relationships, but was shelved and then revisited for a later album, at which point lead singer/songwriter Adam Levine noticed that some of the lines could just as easily apply to the way Bush sent troops into Iraq under dubious pretenses and reworked the song to have a double meaning.
• "Child's Play" by TNT was written by singer Tony Harnell as a protest against nuclear weapons.
• At least 7 out of 10 songs by Irish trad band Wolfe Tones, and an even larger percentage by their gone-solo singer Derek Warfield.
  • Also, "7 O' Clock News/Silent Night," which juxtaposes the peaceful Christmas carol with a series of downbeat newscasts relating to then-current events.
• Thin Lizzy, "Genocide (The Killing Of The Buffalo)"
• Bruce Cockburn has penned several good ones: "If I Had a Rocket Launcher," "The Trouble with Normal," "Call It Democracy," "If a Tree Falls."
• "Unfair" from Fiorello!, whose lyrics the picketing girls are instructed by Fiorello to sing in a "most unladylike voice."
  • Tenderloin, its Spiritual Predecessor, had "(Keep Your Hands Off) Little Old New York."
• KMFDM's Hau Ruck album has several of these, including "Free Your Hate" and "New American Century." Also, "Search and Destroy" from Nihil.
  • Let's not forget the entirety of WWIII as well as "Dogma" from Xtort and "Anarchy" from Symbols.
  • Let's face it, every other KMFDM song is protesting something. Word of God says this is a stylistic choice because Sascha likes to use bullhorns, and he's not about to yell into a bullhorn about how much he loves someone.
• One song by Skinny Puppy is appropriately titled "Pro-Test." "Hit me in the streets!"
• The Nice's hard rock version of Leonard Bernstein's America was described by keyboard player/arranger Keith Emerson as "the world's only instrumental protest song."
• Linkin Park has three on their appropriately-titled album Minutes to Midnight: "Hands Held High," which is the obvious and explicit one about The War on Terror; "No More Sorrow," which is a somewhat subtler Take That! to the Bush administration; and "The Little Things Give You Away," which is likewise clearly but not explicitly about the aftermath of Hurricane Katrina.
• Quicksilver Messenger Service had "What About Me?" which even contained the line "And those of us who care enough/We have to do something."
• Several Mitch Benn songs, especially the ones on The Now Show. They're usually funny about it though.
• Most songs by Scottish folksinger Dick Gaughan. "A Different Kind of Love Song" is his response to someone who complained he only sang political songs.
• Mr. B The Gentleman Rhymer humorously protests laws banning smoking in pubs in his song, "Let Me Smoke My Pipe!"
• Obscure Boston post-punk band Human Sexual Response only put out two albums...deliberately confrontational ones about sexual attitudes. Among their protest songs, "Dick and Jane," which takes Lyrical Dissonance to new heights; "Jackie Onassis," a pointed Take That! to media manipulation and false celebrity; and the self-explanatory "Butt F**k," which takes on an added dimension when you find out three of the band's four lead singers were openly gay.
• French singer Renaud, when he was young, was very famous for that, even if his most famous songs today probably are Mistral Gagnant and Morgan de toi, two ballads written for his daughter Lola.
• A lot of people thought Russel Morris' Mind Screw "The Real Thing" was a protest song about The Vietnam War. According to Word of God, it was actually a whimsical musing about Coca-Cola's slogan.
• The Tragically Hip prefer non-obvious lyrics, but a number of their songs can be considered protest songs, such as "Vaccination Scar" (against Bush-era jingoism), "Gus The Polar Bear From Central Park" (about how the Bush presidency, in using fear as a political tool, was getting upset when people weren't afraid enough), and so on.
• Matthew Good likewise doesn't protest against specific things (he uses his blog for that), but many of his songs carry anti-war messages, such as "Black Helicopter" (with the eminently-quotable line "Only killers call killing progress"), "Silent Army In The Trees" (about how war veterans can be abandoned by their country when they return home broken and suffering from PTSD), and "If I Was A Tidal Wave" (talks about washing the world clean of the problems that afflict it, mostly man-made).
  • He also has the song "Sort of a Protest Song," which isn't really against anything in particular but can be applied to the general apathy modern people apply to third-world problems.
• The Zombies' "Butcher's Tale (Western Front 1914)": Despite being released during The Vietnam War, it was actually about a soldier fighting in World War I. Still, the overall message is "War Is Hell, and those that support wars generally do so because they don't know what it's like to be in one."
• A number of songs by Ewan MacColl, including against the death penalty ("Go Down Ye Murderers" and "Derek Bentley," the latter about a mentally handicapped man who was hanged for the murder of a policeman that he most certainly didn't commit - the one who pulled the trigger was 15 at the time and Bentley used the ambiguous phrase "Let him have it," which the prosecution portrayed as incitement to murder. Others have pointed out that he might equally well have meant "Give him the gun."), The Vietnam War ("Brother Did You Weep") and Apartheid ("Black and White").
• Parodied in Camper Van Beethoven's "Club Med Sucks," which uses the same kind of rhetoric as political Hardcore Punk songs of the time to describe a teenager's parents forcing him to go to Club Med instead of just letting him hang out on the beach on his own all summer ("I want no part of their death culture/I just wanna go to the beach"). Played more straight with "Might Makes Right," from the point of view of a disillusioned soldier.
• Papa Roach's "Getting Away With Murder" is about how corporations screw people over.
• "Gimme The Power" by the Mexican band Molotov, which is about how the corruption instigated by 70 years of continuous PRI governments screwed everyone up in Mexico. Followed up by another song called "Hit Me" a few years later, about how the 2000-2006 government was failing in delivering its promises, but also attacking the detractors, pointing out that six years would not fix 70 years of erred policies.
• Aly & A.J. have a variety of this off their first album and one on their second: "Blush," "I Am One Of Them," "Sticks And Stones," and "Speak For Myself."

• Eric Idle's "I Bet You They Won't Play This Song On The Radio" was a mockery of censorship practices at radio stations, which inserted comical sound effect bleeps in place of bad words. He also wrote The FCC Song, which, naturally, is a Take That! directed toward the Federal Communications Commission, with the rest of the government thrown in for good measure.
  • Idle's collaborator on Rutland Weekend Television, Neil Innes, created a skewering Dylan parody who performed a vaguely all-purpose Protest Song, most famous for its opening spoken word line, "I've suffered for my music, now it's your turn".
  • The topic was later taken up by Family Guy, via Peter's song "The Freakin' FCC."
• Hugh Laurie (in A Bit of Fry and Laurie) sang the protest song, "All We Gotta Do Is" in a whiny, Dylan-esque voice, and mentioned some serious issues everyone had to fix, but didn't actually give a solution to them:

  It's so easy, to see
  If only they'd listen, to you and me.
  We got to (mumbling) as fast as we can
  We got to (mumbling) every woman, every man
  We got to (mumbling) time after time
  We got to (mumbling) vodka and lime.
  (Cue the harmonica solo.)

  • He also sang a "very angry song" (though Fry wasn't sure it "qualifie[d] as a satire") about jars. Jars that get separated from their lids. The lyrics? "Where is the lid?" repeated over and again.
    • Hugh Laurie loves this trope - another parody featured an American Country and Western singer with a very specific solution to the world's problems 'Kickin Ass'
• Infant Sorrow, the fictional band featured in the film Forgetting Sarah Marshall, recorded a similarly satirical piece entitled We Gotta Do Something;

  I don't wanna see another child crying
  I don't wanna see another dog dying in the streets
  I don't wanna see another homeless person
  Because that doesn't seem right to me
  I mean, 'e's got a home, 'e's not got a home!
  Why can't we all just get together in one great big home?
  And if I was in government, I'd govern things a lot differently
  'Cause it doesn't seem like a good way to government things
  When there's so many poor people around.

• Animaniacs has Ol' Scratch sentence the Warners to whiny protest songs from the '60s (which turns out to be something even they can't stand):

  Oh I hate the government
  More than you hate me
  The government stole my goldfish
  And unplugged my TV

• During the Greatest Hits and Song Styles games in Whose Line Is It Anyway?, the designated singers would usually default to Bob Dylan if 'protest songs' was suggested.

  "This country needs fixin' / And we hate Richard Nixon..."

• Benny Hill included a reference to protest singers (among other things) in his 1965 song "What a World." As a bonus, he sings it in a parody Bob Dylan voice.

  Now the folk singer came from America, to sing at the Albert Hall

  He sang his songs of protest and fairer shares for all;

  He sang how the poor were much too poor and the rich too rich by far

  Then he drove back to his penthouse in his brand-new Rolls-Royce car.

• Family Guy has done many, including the "Bag of Weed" song and the "Freakin' FCC."''
• SCTV had hardcore British punk band the Queen Haters on the "American Bandstand"-style "Mel's Rock Pile" to sing "I Hate the Bloody Queen," making no impression on the squarish North American audience.
• "Hosianna Rockefeller" from Happy End, a hymn sarcastically praising profiteering.
• "Think About It" by Flight of the Conchords is a parody of this trope, teaching us valuable lessons such as how sweatshops are bad... because they don't actually make sneakers cheaper; how people have become so uncaring.... that nobody stops to check if a headless man is dead. It turns out he's dead.
• The Arrogant Worms' "vegetable rights" song "Carrot Juice is Murder."
• Vincent E.L. gives us "Fuck the Fire Department," a blazing-hot rap song filled with sick burns against corrupt, violent and overzealous... firefighters.

  We're living in an infernocracy
  Things are not how we think they ought to be
  It's a mockery but I ain't laughing
  My world's on fire and I'm dying, gasping

• In "Over the Moon" from RENT, Maureen protests the impending eviction of the artists and homeless people from the 11th Street lot. It turns into an Audience Participation Song towards the end.
• One episode of Daria revolved around a teacher's strike, and Mr. O'Neill asks Trent Lane to help him and the other teachers write a protest song.
• "Shame, Shame, Shame" from Treme (about George W. Bush's handling of the aftermath of Hurricane Katrina, with a couple jabs at Barbara Bush for her comments about Katrina refugees).
• Boardwalk Empire has one sung by the Atlantic City Women's Temperance League towards the end of "Nights in Ballygran," as Van Alden shuts down the Celtic dinner and arrests Jim Neary for transporting the liquor being served at it.^note 

  Stand up for prohibition

  Ye patriots of the land

  For ye who love your country

  Against the drink should stand

  Behold against this traffic

  Your country's greatest foe

  Let word and deed and ballot

  Proclaim that drink must go.

• In The Restaurant at the End of the Universe, a discussion of Teleportation Sickness includes two anti-teleporting protest songs.
• In Showdown in Seattle, protesters (and viewers) are treated to Sweet Honey in the Rock rousing up a labor rally crowd.
• Parodied in the The Simpsons episode "Last Exit to Springfield," where Lisa composes a protest song (unnamed in the episode, but subsequently known as "Union Strike Folk Song (Parts 1 & 2)" on its CD release) for the power plant workers after Mr. Burns cons them out of their dental plan. It uses the style of Depression-era folk music.
  • Later parodied in the Season 12 episode "Pokey Mom," where the prisoner that Marge befriends is described as being such a terrible person that "Bob Dylan wrote a song to keep him in prison!"
• Related to a "real" protest song above, when Doctor Who skipped a season in 2016, Five Who Fans recorded a new version of "Doctor in Distress" to make sure it had a glorious return.
• Tom Lehrer parodied this in "The Folk Song Army" from his album That Was the Year That Was. Lehrer believed that protest songs were utterly useless and was fond of reminding people of how effective the satirical cabaret shows of Weimar Germany were against the Nazis. He did several songs satirizing political issues of the day, such as nuclear proliferation, and senator and former Hollywood star George R. Murphy's racist remarks during an interview and other such things, but these were more Gallows Humor than protests.

  If you feel dissatisfaction
  Strum your frustrations away
  Some people may prefer action
  But give me a folk song any old day

• In the second episode of Strong Bad's Cool Game for Attractive People, Marzipan writes a protest song called "Justice Combo Meal" as part of a protest against Strong Bad's house arrest for violating the King of Town's new email tax. Strong Bad considers it just as bad as the actual house arrest.

  Come on everybody now,
  can't you hear the wind blow?
  We don't like the King of Town
  making people's heads explode

• "White People For Peace" by Against Me! expresses frustration about the limitations of the format.

  Protest songs in response to military aggression
  Protest songs to try and stop the soldier's gun
  But the battle raged on

• "The Baby Is You" by Homestuck Music Team member Toby Fox was a parody fan album created in response to the MSPA Forums' rules against fan art depicting the kids pregnant. For the record, art featuring adult/minor and incest pairings were allowed on the forums, so the song was made to parody the fact that something like that was allowed but pregnant art was where they drew the line. Predictably, it got him banned from the forums.

  Dave: Oh, Rose. I don't care. Being pregnant might be against the rules of the MSPA Forums, but shipping us together is not.