Danny Kaye: Biography from Answers.com

• Period: Modern (1910-1949)

Biography

A gifted mimic and peerless physical comedian, Danny Kaye ranked among America's most popular entertainers in the years during and following World War II. Rubber-faced and manic, he rose to stardom in film and in television, on record and on Broadway, easily adapting from outrageous novelty songs to tender ballads; for all of his success as a performer, however, his greatest legacy remains his tireless humanitarian work -- so close were his ties to the United Nations International Children's Emergency Fund (UNICEF) that when the organization received the Nobel Peace Prize, Kaye was tapped to accept it.

Born David Daniel Kominsky on January 13, 1918 in Brooklyn, New York, he dropped out of high school at the age of 14 to hitchhike with his friend Louis Elison to Florida, where the duo sang for money. Upon returning to New York they teamed in an act dubbed Red and Blackie, later working as "toomlers" (i.e. creators of tumult, or all-around entertainers) on the borscht-belt circuit in the Catskills. In 1933 he joined the Three Terpsichoreans' vaudeville act, performing for the first time as "Danny Kaye; " after touring the country in the stage revue La Vie Paree, the troupe sailed to the Orient in 1934. In Japan and China, Kaye developed his pantomime and face-making techniques; he also began singing in gibberish, allowing only the occasional word to be rendered intelligible.

After returning stateside in 1936, Kaye worked with comedian Nick Long Jr. and toured with Abe Lyman's Band before journeying to London to play the city's cabaret circuit. The trip proved unsuccessful, and soon Kaye was back in New York; there he met pianist and songwriter Sylvia Fine, who became not only his performing partner but also his wife. Fine wrote many of Kaye's best known songs, including "Stanislavsky," "Pavlova" and "Anatole of Paris; " much of the material he then performed on Broadway in The Straw Hat Revue, which opened in 1939. Kaye subsequently appeared in Moss Hart's The Lady in the Dark in what became a star-making performance; he then moved on to Cole Porter's Let's Face It! before touring in support of the war effort, where he sold about $1million in bonds over a period of just six months.

Kaye made his feature film debut in 1944's Up in Arms. The following year he began hosting his own CBS radio program, launching a number of hit songs including "Dinah," "Tubby the Tuba," "Minnie the Moocher," "Ballin' the Jack," "Bloop Bleep" and "Civilization; " "I've Got a Lovely Bunch of Coconuts," his lone U.S. chart hit, was released in 1950. In 1947 he starred in The Secret Life of Walter Mitty, arguably his definitive screen role; following an appearance in 1948's A Star Is Born he made a triumphant return to London, appearing in a series of record-breaking performances at the Palladium as well as several Royal Command Performances. Kaye then went to Canada in 1950, becoming the first solo performer to star at the Canadian National Exhibition, before returning to Britain in 1952 for a tour of the nation's provincial music halls.

Amidst this flurry of activity Kaye continued his film career, and after completing 1951's On the Riviera he began work on Hans Christian Andersen, one of the most successful motion pictures in the history of MGM Studios; two of its Frank Loesser-penned songs, "The Ugly Duckling" and 'Wonderful Copenhagen," reached the Top Five on the U.K. pop charts. In 1954, Kaye appeared in both Knock on Wood and White Christmas; after 1956's The Court Jester, he starred as 1920s cornet player Red Nichols in 1958's The Five Pennies, appearing with Louis Armstrong. From 1963 to 1967, he hosted his own television variety program, The Danny Kaye Show, before returning to Broadway in 1969 in The Madwoman of Challiot. A year later, he starred in the Richard Rodgers and Martin Charnin musical Two by Two.

In the 1970s and 1980s Kaye regularly conducted classical orchestras; he also appeared frequently on television, winning an Emmy for 1975's "Danny Kaye's Look-In and the Metropolitan Opera," produced for CBS' Festival of Lively Arts for Young People series. He also starred in small-screen productions of Pinocchio and Peter Pan. From the early 1950s on, however, much of Kaye's time was spent in support of UNICEF, and he served as the charitable organization's ambassador-at-large for 34 years. Awarded a Special Oscar in 1954, he also received the Academy of Motion Picture Arts and Science's Jean Hersholt Humanitarian Award in 1982. After suffering a heart attack, Danny Kaye died on March 3, 1987; he was 74 years old. ~ Jason Ankeny, All Music Guide

Discography

Merry Andrew [Original Soundtrack] Buy this CD

American entertainer Danny Kaye (1913-1987) was a versatile performer with strong roots in the vaudevilletradition. While his trademark was his stunning ability to spit out musical patter at incredible speed, Kaye also endeared himself to audiences with his enviable talents as dancer, singer, and actor. Off the stage and screen, Kaye was a Renaissance man whose interests included classical conducting, exotic cooking, and piloting airplanes. And at least as important as the joy he brought audiences, was the hope he brought children through his tireless efforts for the United Nations International Children's Fund (UNICEF).

Kaye was born David Daniel Kaminsky, on January 18, 1913, in the Brooklyn borough of New York City. He was the youngest of three sons born to Clara Nemerovsky and Jacob Kaminsky, both immigrants from the Ukraine. His father, who had been a horse trader, turned to the tailoring trade in New York. Kaye had bigger dreams, however. He dropped out of Brooklyn's Thomas Jefferson High School to pursue a show-business career with a guitar-playing friend, but the duo only lasted a short time on the road before heading back home.

Brooklyn to Broadway

For a while after Kaye's return to Brooklyn, he worked at a series of uninspired positions. These included soda jerk, office boy, and insurance appraiser. While none of the jobs lasted, he did have some rather spectacular failures, including being fired from his insurance job as a result of math errors that allowed a claimant a tidy $36,000 extra in payout benefits. Happily, Kaye was destined for other things.

Kaye found a better reception for his talents in the summer resorts of the Catskill Mountains. He began seasonal work at the White Roe Lake resort as a tummler, or general entertainer, in 1929. There, he was rewarded for cavorting and making people laugh, and he began to shine. In 1933, Kaye hooked up with the Three Terpsichoreans, a vaudeville song-and-dance act, and toured with them in Asia. Around that time, he also adopted the name Danny Kaye, changing it legally it 1943. During the Asian tour, audiences that did not speak English forced Kaye to explore such techniques as nonsense dialects and exaggerated physicality, techniques that would later become fundamental to his comic style.

Kaye continued his striving for recognition throughout the 1930s. One of the undoubted turning points in his career was his collaboration with composer/lyricist Sylvia Fine. Fine had a keen insight into Kaye's unique gifts, along with the skill to highlight them through her talent for song writing. Indeed, Kaye's long-sought-after Broadway debut, 1939's The Straw Hat Revue, was largely made up of Fine's material, and the show drew some favorable notice. Also romantically involved, the couple married on January 3, 1940, and a long, profitable, and tumultuous partnership was born.

Performer Extraordinaire

After a successful nightclub run in 1940 at New York City's La Martinique, Kaye finally made a real mark on Broadway in the Moss Hart/Kurt Weill/Ira Gershwin musical, Lady in the Dark, in 1941. He stopped the show - and supposedly enraged its star, Gertrude Lawrence - with "Tchaikovsky," a Fine composition that required Kaye to spit out 50 names of Russian composers in under 40 seconds. Next up was a starring role opposite Eve Arden in Cole Porter's Let's Face It, in which he delighted audiences with another Fine tongue twister, "Melody in Four-F." 1941 was also the year that the United States entered World War II. Unable to serve in the military because of a back problem, Kaye spent much of the early 1940s performing both at home and abroad in support of the troops. In 1943, he moved to Hollywood in order to kick-start his movie career. Already hugely popular, he was received with open arms and put under contract to producer Samuel Goldwyn.

Kaye began his Hollywood career with 1944's Up in Arms, going on to appear in a total of 17 movies, at the rate of nearly one per year until 1969. Although many felt that his energy and distinctive talents were best appreciated in person, he became one of the big screen's brightest stars for at least a decade. His early films included Wonder Man (1945), The Kid from Brooklyn (1946), and a signature performance in 1947's The Secret Life of Walter Mitty. Kaye's comedies were often complex and required his playing more than one part (as Walter Mitty, for instance, he had seven roles). Others, such as Hans Christian Andersen, became classics for children, while White Christmas became a holiday classic. Still others, such as the 1956 film The Court Jester, showcased the vocal virtuosity that made Kaye a star. In that movie, his most famous line was, "The pellet with the poison's in the vessel with the pestle, the chalice from the palace has the brew that is true." Kaye's last feature film was 1969's The Madwoman of Chaillot, where he played opposite Katharine Hepburn. He garnered his first Academy Award, for "service to the Academy, the motion picture industry, and the American people," in 1954.

In addition to his success in the cinema, Kaye remained quite a hit on stage. In 1948, he took his one-man show to the London Palladium and the crowds went wild. The show broke all attendance records, and made history as the Royal Family actually left the royal box in favor of the first row to better enjoy the actor's performance.

Beginning in the 1960s, Kaye started branching out to include television on his resume. His variety program The Danny Kaye Show ran from 1963 to 1967 and won him an Emmy Award in its first year on the air. He picked up another Emmy in 1975 for Danny Kaye's Look-in at the Metropolitan Opera, and guest starred and performed in many specials and series. Most notable among these later performances was Kaye's critically acclaimed portrayal of a Holocaust survivor in the 1981 television movie, Skokie. For all his accolades and contributions to the stage, screen, and concert hall, Kaye had a great deal more to offer the world.

UNICEF

Perhaps unsurprisingly for a man with such whimsical wit and boyish charm, Kaye had a deep love and respect for children. That interest led him to be the first celebrity spokesperson for the United Nations International Children's Emergency Fund (UNICEF), and he served as that organization's goodwill ambassador from 1954 until his death in 1987. As UNICEF spokesman, he traveled thousands of miles in his relentless efforts to raise money for the fund. Most famous was Kaye's 1975 trip, in which he flew to 65 cities in five days. To him, it was all worthwhile. UNICEF.com quoted Kaye as once saying, "I believe deeply that children are more powerful than oil, more beautiful than rivers, more precious than any other natural resource a country can have. I feel that the most rewarding thing I have ever done in my life is to be associated with UNICEF."

In 1965, Kaye was asked to accept the Nobel Peace Prize on UNICEF's behalf. His humanitarian efforts for children also received notice from the Academy of Motion Picture Arts and Sciences again in 1982, when he received that organization's Jean Hersholt Humanitarian Award. Even the Danish government recognized Kaye's unstinting labors for the cause, awarding him knighthood in 1983. For Kaye, however, it was all about the kids. His daughter, Dena, quoted her father's thoughts on the appeal of children many years later in Town & Country. "'Children,' he said, 'instinctively recognize what is true and what is not."'

Renaissance Man

Some found Kaye a thorny man, demanding and temperamental. He was, for instance, famously particular about punctuality, believing that being late indicated a lack of respect for the other person's time. His relationship with his wife was allegedly turbulent as well, although Fine met that supposition with wry wit in a 1953 New York Herald Tribune interview, cited by William A. Henry III of Time. "I can't say what Danny Kaye is like in private life," she reportedly quipped. "There are too many of him." Yet another perspective was given to Kaye's daughter in the Town & Country article, when Kaye's longtime personal assistant, Suzanne Hertfelder noted, "People said [Kaye] was difficult. What is difficult about expecting 100 percent if you give 100 percent?" Whatever his foibles, faults, or virtues, few could deny Kaye's zest for life and ability to find creative outlets.

In the early 1960s, despite his inability to read music, Kaye began conducting symphonies at the behest of noted conductor Eugene Ormandy. He went on to pick up the baton for more than 50 orchestras, including the New York Philharmonic. While he could not help but incorporate some wacky antics, such as conducting "The Flight of the Bumblebee" with a flyswatter, Kaye gained the respect of such luminaries as violinists Zubin Mehta and Itzhak Perlman, along with raising money for various charitable causes.

Kaye also was licensed as a commercial pilot, starting with small planes and graduating to 747s, and he often flew his UNICEF missions himself. Among his other avocations were Chinese cooking expert, baseball enthusiast/investor - he had a financial stake in the Seattle Mariners from 1977 to 1981 - golf aficionado, and ping pong whiz. Echoing his childhood dream of being a doctor, he also nursed a lifelong interest in medicine, often donning a mask and gown to observe surgeons in the operating theater. It all intensely interested him. As his daughter quoted him in Town & Country, "I'm crazy about what I do. When I'm conducting, I think that's my favorite; when I fly an airplane, that's what I like best; and when I travel for UNICEF, that satisfies me the most."

Endgame

For all his absorbing outside activities and pastimes, Kaye's greatest legacy was as a performer. His ability to connect with an audience and bring people into his world was unparalleled. Not coincidentally, his sense of responsibility to the public was equally great. One example of this was his return to Broadway in the 1970 Richard Rogers musical, Two by Two. Although he injured himself during the show's run, he carried on with his performance for ten months, using either crutches or a wheelchair. Although some found it disruptive, it was the kind of dedication that professionals of Kaye's ilk would admire and understand.

One of the most beloved and admired entertainers of his time, Kaye died in Los Angeles, California on March 3, 1987, with his wife and daughter at his side. His daughter later recalled Harry Belafonte's thoughts on her dad in Town & Country: "Danny accepted no boundaries. That's the highest form of creative energy." The John F. Kennedy Center for the Performing Arts put it another way, noting on its Website: "As a youngster, David Daniel Kaminsky wanted to be a doctor. He has become one, using what is considered the best medicine."

Books

Contemporary Heroes and Heroines, Volume 4, Gale Group, 2000.

Scribner Encyclopedia of American Lives, Volume 2: 1986-1990, Charles Scribner's Sons, 1999.

Periodicals

Seattle Times, December 23, 1996.

Sunday Times (London, England), January 8, 1995.

Time, March 16, 1987.

Times (London, England), March 4, 1987.

Town & Country, August, 2003.

UN Chronicle, June, 1983.

Online

"Danny Kaye," UNICEF Web site, http://www.unicef.org/people/people - danny - kaye.html (December 20, 2004).

John F. Kennedy Center for the Performing Arts Web site,http://www.kennedy-center.org/calendar/index.cfm?fuse action=showIndividual&entitY; - id=3748&source; - type=A (December 20, 2004).