Pink Floyd - Meddle - Amazon.com Music
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Completely amazed at how this sounds on vinyl
One could probably say that Meddle is where Pink Floyd first start to sound like Pink Floyd. I've been a big fan of this one for a long time, as any fan should be, with epic "Echoes" the clear standout track on this album.But (most of) the rest of the album is solid too. For the last five years or so, I've focused on hi-res recordings, using a Monolith desktop DAC/amp or FiiO DAP for playback. In 2023 I began my vinyl journey. When this LP dropped to $21, I went for it.I'm glad I did. There's an extra depth to this album on vinyl that has to be heard to be believed. It's almost shocking how good it sounds. I can't even really put it into words, and I write for a living.Bonus: Seamus ends side one, so as soon as San Tropez is done, one can flip over to side 2.
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5.0 out of 5 stars Really goof memory provoking, excellent format
Reviewed in the United States on March 17, 2025
Never a major fan of the group, one must recognize excellence. They are. I do. I agree with other reviewers, the album does hint at future releases. My favorite is Wish You Were Here. Major memory of college apartment living '75? on release day of WYWH.. Sunny warm afternoon. Almost nice enough to forget the inevitable horrid soul sucking cold Wisconsin Winters back in the 70s. Lil Ice age. Nuclear Winters. Cute names for misery. The rag reviewers were not kind in reviewing Floyds WYWH. We lived by these reviews. Will always remember my roomie was bat poop crazy over Floyd. Still is. Watching his antics over what he perceived as perfection. He expectations were low. If memories serves. If memory serves. The hint of herb was in the wind, as usual, Point beer in paw, and WYWH blasting out of seemingly every other apartment window. Not quite the same feeling as opening the Prime package today. Contents being some Floyd, ultra supremo Sprayway glass cleaner, paper plates, and disappointment over a backordered Louie Prima re-master. Meddle sounds great! Forgot there was some dog treats added. Much appreciated by a pair of unregistered mut country music loving dachshunds. Vinyl helps too. I've some classic rock CDs sounding fine. This copy and my double album WYWH sound better than my fancy dancy mucho yen Japanese re-mastered Dark Side of the Moon CD. Am seriously thinking about doing a Amazon Prime vinyl Dark Side. In short, Meddle great music on great format.
5.0 out of 5 stars Coming into their own
Reviewed in the United States on August 3, 2005
A lot has been said in these reviews, and "Meddle" is obviously one of the more popular efforts by the Floyd. I bought it twice on vinyl, once on cassette, and then on CD, but I sat on it, breaking it, so I bought it again. Willingly each time.
The cover art is a play on words; if you look at it from a distance, you can see it's a close-up of an ear, with the surface of water superimposed over it. Hence, "waves of sound." These things come up in Floyd covers quite a bit, if only you take a minute to study it.
The music, although only six selections, pretty much runs the gamut, from menacing ("One of these days, I'm going to cut you into little pieces!"), to soft borderline romantic; the words to "A Pillow Of Winds" show Waters' ability to assume any role he pleases in his lyrics, and Wright and Gilmour are the perfect vehicles for delivering his lyrics. You are shown optimism and perseverence in "Fearless," even with the much criticized sounds of a stadium full of soccer fans singing "You'll Never Walk Alone" appended to the ending, it's still a good, well-made song.
As popular as "Meddle" is, the two most hated Floyd songs ever, "San Tropez" and "Seamus," follow, sort of a diversion from the majesty of the opening numbers, I guess one can call it a "breather. "San Tropez" is a light jazzy number, and if you didn't immediately recognize Waters' voice, you'd never know it was Pink Floyd. It's not that it's a bad song, it's just not what people would expect from such a progressive Pink Floyd release. The guitar solo is played almost like Hawaiian slide, and the piano solo at the end, is like something from 1950's jazz records. It's well-done, but very much maligned by casual fans, and some more serious fans, as well. "Seamus" is a slow, lazy blues number, not much substance, and the howling dog in the background has gotten some funny reactions by house-dogs; they don't know where this imaginary dog is, and go crazy trying to find it.
The highlight of the record, and by many, many accounts, their collective career, is "Echoes," probably the most-played FM radio request in history. At least when FM radio was worth something. I guess I shouldn't make such a blanket statement, but every facet of the entertainment industry has been so polluted with useless, flash-in-the-pan junk, that I know, myself, I don't bother listening much anymore. "Echoes" is a multilayered opus the took up a whole side of the original LP. If you are into "expanding your consciousness," this selection can do it naturally. I've always held the conviction that Pink Floyd is an "anti-drug" band. Yes, a lot of their fans like to get stoned, or "trip" on certain substances, but the thing about this type of band, and this band in particular, is you don't need any of that, all you need is some imagination. If you can think in pictures and concepts, performances like "Echoes" will take you on a journey, from the tranquil seascapes hinted at in the beginning part, to the ornate, colorful images conjured up in the "funky" part of the instrumental. The art of the segue is mastered here, when you hear this fairly simple rhythm, peppered with guitar and organ interplay, fade into this formless "abyss" of swirling noise, with truly creepy, shrill, I don't know what to call them, high-pitched "calls," I guess, in this grey fog, no signs of life otherwise in this void, so desolate, so full of nothing, and the gentle return to the surface, droning keyboards, the "pings" from the intro come back, with this rhythm accompanying it, the anticipation is almost tangible, when this explosion of sound comes at you, almost a "jump start," and you're back into the verse, the chord progression follows, taking you to what I call the "take-off." The band is playing softly, and these voices fade in, at least they sound like voices, maybe voices mixed with wind, not sure, slowly encircling you, getting louder as the instruments fade away, and off you go, into the Cosmos, and it all slowly fades into nothing. And you stay wherever it takes you, until you open your eyes.
With this stuff, who needs drugs? That would just spoil it!
5.0 out of 5 stars Completely amazed at how this sounds on vinyl
Reviewed in the United States on March 10, 2024
One could probably say that Meddle is where Pink Floyd first start to sound like Pink Floyd. I've been a big fan of this one for a long time, as any fan should be, with epic "Echoes" the clear standout track on this album.
But (most of) the rest of the album is solid too. For the last five years or so, I've focused on hi-res recordings, using a Monolith desktop DAC/amp or FiiO DAP for playback. In 2023 I began my vinyl journey. When this LP dropped to $21, I went for it.
I'm glad I did. There's an extra depth to this album on vinyl that has to be heard to be believed. It's almost shocking how good it sounds. I can't even really put it into words, and I write for a living.
Bonus: Seamus ends side one, so as soon as San Tropez is done, one can flip over to side 2.
5.0 out of 5 stars
Completely amazed at how this sounds on vinyl
Reviewed in the United States on March 10, 2024
One could probably say that Meddle is where Pink Floyd first start to sound like Pink Floyd. I've been a big fan of this one for a long time, as any fan should be, with epic "Echoes" the clear standout track on this album.
But (most of) the rest of the album is solid too. For the last five years or so, I've focused on hi-res recordings, using a Monolith desktop DAC/amp or FiiO DAP for playback. In 2023 I began my vinyl journey. When this LP dropped to $21, I went for it.
I'm glad I did. There's an extra depth to this album on vinyl that has to be heard to be believed. It's almost shocking how good it sounds. I can't even really put it into words, and I write for a living.
Bonus: Seamus ends side one, so as soon as San Tropez is done, one can flip over to side 2.
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Top reviews from other countries
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5.0 out of 5 stars Hält dem 1971er Release Stand!
Reviewed in Germany on March 8, 2024
Ich hatte mir zuerst für knapp 120€ eine NM/NM-Version des 1971er-Harvest-Releases zugelegt, die Platte kam furchtbar zerkratzt an und sah aus, als ob jemand sein Vesperbrot drauf gemacht hätte. Also ging die wieder zurück. Hab ja noch die runtergenudelte originale Scheibe (mindestens 300-400 mal gespielt) von meinem Dad.
Also, schweren Herzens und trotz der zahlreichen Kritik hier das Release von 2016 geholt und heute endlich Zeit gehabt mal rein zu hören.
Ich taste mit Nagaoka Shibata JT-411, Dual 621, Phono Box, Onkyo HT-R395 und Canton Ergo 702 DC ab. Unser Wohnzimmer ist etwas über 40qm groß. Für den Vergleich der einzelnen Scheiben und die Details benutze ich den Kopfhörer Beyerdynamic MMX300 250Ohm, welcher dem DT880 entspricht.
Die Scheibe läuft ruhig und ohne Fremdgeräusche, sobald sie die Einlaufrille verläßt, auf beiden Seiten. Was mir gleich auffällt, im Vergleich zum Original wirkt die Scheibe kraftvoller, hat aber deutlich mehr Raum für Details. Ich vermute hier aber kein klangliches Abmischungswunder, sondern lediglich den Passus, dass die alte Platte locker 300 mal häufiger gelaufen, also schon ganz schön abgeschmirgelt ist. Und deshalb auch über die Zeit an Details verloren hat.
Ganz clean, ohne Soundanpassung wollte ich dann aber die Neue doch nicht hören, zu sehr sind mir die Bässe dominant, trotz des, die Höhen betonenden Abnehmersystemes.
Also n bissl die Bässe um etwas 33% verringert und ich bin verliebt.
Leider bringt die Auslaufrille den Tonarm nicht wieder automatisch zurück, damit kann ich aber gut leben.Die schlechten Kritiken hier kann ich durch die Bank nicht nachvollziehen. Da ich das Original hier habe, kann ich ruhigen Gewissens sagen: Wenn du auf Floyd und wie ich vor allem auf diese Schaffensphase stehst und dir das Original nicht für 2-300€ kaufen kannst/willst, ist diese Scheibe für knapp 23€ genau das richtige für dich.
Uneingeschränkte Empfehlung!PS. Die Scheibe klingt NICHT digitalisiert (was sie natürlich trotzdem zweifelsohne ist). Ich höre keinerlei Jittern oder Glitchen. Auf Seite 2 das Rauschen ist auf der alten Scheibe sehr ähnlich, vermutlich kommt so der Eindruck, als sei das eine Digitalisierung der Platte. Ich denke, dass das Rauschen im Studio bei den Originalaufnahmen entstanden ist.
Es gibt eine CD-Version von 1994, die hatte ich mir im Rahmen der Pulse-Tour mit gekauft, der kommt die hier vorliegende Scheibe vom Klang sehr nahe. -
5.0 out of 5 stars A ne pas écouter d'une oreille distraite :)
Reviewed in France on October 19, 2020
Nouvelle édition vinyle de 2016 de l'album paru en 1971, le disque est épais, lourd, 179 grammes vérifié sur la balance pour cette galette, Galettes très propre, pas de poussière ou d'autres pollution, exemptes de rayure. Pas de défaut d'ordre cosmétique. Pas de voile.
Excellente qualité de pressage, pas de bruit de surface sur les blancs ni sur les plages musicales, et ce qui est rare ni aucun craquement, pourvu que cela dure.
Très très bonne dynamique, bonne richesse spectrale et quelle basses :), de bons effets stéréo, bon niveau de gravure qui permet de ne pas de pousser l'ampli dans ses derniers retranchements.
Qualitativement un pressage que l'on peut qualifier d'audiophile.Cet avis sur la technique, bien entendu, est valable pour l'exemplaire que j'ai reçu; la production des disques vinyles est "industrielle" (me semble-t-il) il est tout à fait possible, probable qu'il y ait des disques bien moins bons et d'autres bien meilleurs. On ne peut qu'espérer que cet échantillon soit représentatif de la qualité moyenne de fabrication de ce disque de Pink Floyd et il aurait été particulièrement chanceux d'être tombé sur un exemplaire parfait (tous les gagnants au loto ont néanmoins tenté leurs chance :) ) ou à contrario de tomber sur un échantillon "pourri" et inaudible relèverait de la loi de Murphy mais cela arrive plus souvent que l'on croit, et j'imagine, j'espère que dans ce cas là, Amazon le remplacerait.
Belle pochette double pour un simple vinyle. Le disque est très bien protégés dans une pochette en papier noir, doublé à l'intérieur d'un film transparent en polyéthylène (?) très fin. Graphisme de la pochette par Hypgnosis, c'est une habitude le Floyd, me semble-t-il, nous a souvent fait des pochettes qui faisaient nous poser des questions, non ? Celle ci particulièrement ! Très belle photo en noir et blanc de Pink Floyd sur la double page intérieure. Pour cette nouvelle édition l'éditeur aurait pu faire un effort et fournir les lyrics.
Les titres :
Face A
One of these days
Pillow of wind
Fearless
San Tropez
Seamus
Fabe B
EchoesAlbum homogène du Floyd et avec et surtout "One of these days" un atout majeur de cet album, morceau instrumental, magistral et violent, avec la basse surpuissante de Roger Water, ligne de basse hallucinante (si si), oui je sais je suis parfois un peu excessif, ravageuse, martelant ce morceaux , voix trafiquée et distordue, envolée aérienne (pléonasme ?) de Gilmour à la guitare qui répond à la basse lourde.
Presque 40 ans plus tard ce morceau n'a pas pris une ride.
"Echoes" au thème d’une beauté simple on en oublie qu'il fait plus de 20 minutes.
Peut être deux titres plus faibles "Pillow of the wind" et "San Tropez"
Très belle ré-édition de Meddle ! 5.0 out of 5 stars Outstanding album
Reviewed in Sweden on June 30, 2022
Great album, nice remastered great sound.
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5.0 out of 5 stars Gran disco de Pink Floyd
Reviewed in Mexico on February 21, 2018
Uno de los mejores detalles de la reedición remasterizada de lo viniles de Pink Floyd es que todos estos álbumes tienen una impresión maravillosa de la portada, cada uno con un material diferente. Dark Side of the Moon tiene un papel opaco, con un acabado tipo goma, que le da un tono mate a la portada negra e impide que se marquen las huellas de los dedos, mientras que The Final Cut tiene una impresión brillante en un papel tipo plastificado. En el caso de Meddle, el material de la pórtada es un papel rugoso que simula la superficie del agua, de manera que complementa la peculiar foto de la portada. En cuanto a la música, Meddle es uno de los discos más subvalorados, no solo de Pink Floyd, sino de la historia del rock. La obra "Echoes" es monumental y además fue la inspiracion para el tema de la famosa ópera El Fantasma de la Ópera, mientras que el resto de las canciones son deliciosas y van del blues al jazz. Indispensable para todo melómano.
5.0 out of 5 stars As we all know “great album”
Reviewed in Turkey on March 24, 2023