Animal Kingdom (2010) - Financial Information
- ️Wed Apr 07 2010
Theatrical Performance | ||
Domestic Box Office | $1,044,039 | Details |
International Box Office | $7,034,644 | Details |
Worldwide Box Office | $8,078,683 | |
Further financial details... |
Synopsis
Welcome to the Melbourne underworld, where tensions are building between dangerous criminals and equally dangerous police. The Wild West played out on the city's streets. Armed robber Pope Cody is in hiding, on the run from a gang of renegade detectives who want him dead. His business partner and best friend, Barry 'Baz' Brown, wants out of the game, recognizing that their days of old-school banditry are all but over. Pope's younger brother, the speed-addicted and volatile Craig Cody, is making a fortune in the illicit substances trade - the true cash cow of the modern criminal fraternity - while the youngest Cody brother, Darren, naively navigates his way through this criminal world - the only world his family has ever known. And into this world arrives their nephew, Joshua 'J' Cody. Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. When tensions between family and police reach a bloody peak, J finds himself at the center of a cold-blooded revenge plot that turns the family upside down, and which also threatens to ensnare innocent bystanders such as his girlfriend, Nicky. One senior cop, Nathan Leckie, must lure J into the police fold and then shepherd him through a complex minefield of witness protection, corrupt cops, slippery lawyers and a paranoid and vengeful underworld. J comes to realize that in order to survive he must determine how the game is played - he must somehow choose his place in this cunning and brutal animal kingdom. He must work out where he fits.
Metrics
Opening Weekend: | $61,968 (5.9% of total gross) |
Legs: | 8.45 (domestic box office/biggest weekend) |
Domestic Share: | 12.9% (domestic box office/worldwide) |
Production Budget: | $4,200,000 (worldwide box office is 1.9 times production budget) |
Theater counts: | 7 opening theaters/61 max. theaters, 7.8 weeks average run per theater |
Infl. Adj. Dom. BO | $1,496,381 |
Latest Ranking on Cumulative Box Office Lists
Record | Rank | Amount |
---|---|---|
All Time Domestic Box Office (Rank 9,001-9,100) | 9,061 | $1,044,039 |
All Time International Box Office (Rank 5,801-5,900) | 5,894 | $7,034,644 |
All Time Worldwide Box Office (Rank 8,501-8,600) | 8,565 | $8,078,683 |
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,601-1,700) | 1,698 | $1,044,039 |
All Time Domestic Box Office for R Movies (Rank 3,401-3,500) | 3,442 | $1,044,039 |
All Time International Box Office for R Movies (Rank 1,501-1,600) | 1,508 | $7,034,644 |
All Time Worldwide Box Office for R Movies (Rank 2,601-2,700) | 2,667 | $8,078,683 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Movie Details
Domestic Releases: | August 13th, 2010 (Limited) by Sony Pictures Classics |
Video Release: | January 18th, 2011 by Sony Pictures Home Entertainment |
MPAA Rating: | R for violence, drug content and pervasive language (Rating bulletin 2115 (Cert #46054), 4/7/2010) |
Running Time: | 112 minutes |
Comparisons: | vs. Druk Create your own comparison chart… |
Keywords: | Dysfunctional Family, Organized Crime, Narcotics, Coming of Age, Sundance Film Festival 2010 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Porchlight Films, Screen Australia, Film Victoria, Screen NSW, Fulcrum Media Finance, Showtime Australia |
Production Countries: | Australia |
Languages: | English |
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
Aug 13, 2010 | 41 | $61,968 | 7 | $8,853 | $61,968 | 1 | |
Aug 20, 2010 | 38 | $101,440 | +64% | 22 | $4,611 | $198,482 | 2 |
Aug 27, 2010 | 38 | $123,594 | +22% | 39 | $3,169 | $372,511 | 3 |
Sep 3, 2010 | 41 | $111,583 | -10% | 56 | $1,993 | $536,504 | 4 |
Sep 10, 2010 | 40 | $110,171 | -1% | 61 | $1,806 | $718,873 | 5 |
Sep 17, 2010 | 47 | $53,720 | -51% | 57 | $942 | $817,134 | 6 |
Sep 24, 2010 | 61 | $28,195 | -48% | 45 | $627 | $870,699 | 7 |
Oct 1, 2010 | 74 | $14,117 | -50% | 32 | $441 | $899,455 | 8 |
Oct 8, 2010 | 76 | $9,746 | -31% | 26 | $375 | $918,090 | 9 |
Oct 15, 2010 | 76 | $10,316 | +6% | 19 | $543 | $934,843 | 10 |
Oct 22, 2010 | 72 | $8,259 | -20% | 13 | $635 | $949,432 | 11 |
Oct 29, 2010 | 65 | $12,388 | +50% | 17 | $729 | $966,408 | 12 |
Nov 5, 2010 | 72 | $8,821 | -29% | 12 | $735 | $981,934 | 13 |
Nov 12, 2010 | 90 | $3,437 | -61% | 8 | $430 | $989,764 | 14 |
Nov 19, 2010 | 63 | $9,503 | +176% | 15 | $634 | $1,000,690 | 15 |
Nov 26, 2010 | 82 | $3,520 | -63% | 5 | $704 | $1,008,742 | 16 |
Dec 3, 2010 | 110 | $670 | -81% | 3 | $223 | $1,011,097 | 17 |
Dec 17, 2010 | 97 | $389 | 1 | $389 | $1,011,756 | 19 | |
Dec 24, 2010 | 70 | $2,031 | +422% | 5 | $406 | $1,013,935 | 20 |
Dec 31, 2010 | 84 | $1,636 | -19% | 2 | $818 | $1,016,417 | 21 |
Jan 7, 2011 | 82 | $1,594 | -3% | 4 | $399 | $1,018,718 | 22 |
Jan 21, 2011 | 92 | $843 | 2 | $422 | $1,023,849 | 24 | |
Jan 28, 2011 | 63 | $6,154 | +630% | 11 | $559 | $1,030,288 | 25 |
Feb 4, 2011 | 73 | $3,813 | -38% | 4 | $953 | $1,036,519 | 26 |
Feb 11, 2011 | 89 | $1,706 | -55% | 2 | $853 | $1,040,032 | 27 |
Feb 18, 2011 | 108 | $450 | -74% | 2 | $225 | $1,040,952 | 28 |
Feb 25, 2011 | 103 | $336 | -25% | 1 | $336 | $1,041,723 | 29 |
Mar 4, 2011 | 109 | $297 | -12% | 1 | $297 | $1,042,349 | 30 |
Mar 11, 2011 | 105 | $1,042 | +251% | 3 | $347 | $1,043,798 | 31 |
Daily Box Office Performance
Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
---|---|---|---|---|---|---|---|---|
Sep 6, 2010 | 39 | $38,285 | 56 | $684 | $574,789 | 25 | ||
Feb 21, 2011 | 93 | $130 | 2 | $65 | $1,041,082 | 193 |
Weekly Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
Aug 13, 2010 | 42 | $97,042 | 7 | $13,863 | $97,042 | 1 | |
Aug 20, 2010 | 39 | $151,875 | +57% | 22 | $6,903 | $248,917 | 2 |
Aug 27, 2010 | 38 | $176,004 | +16% | 39 | $4,513 | $424,921 | 3 |
Sep 3, 2010 | 41 | $183,781 | +4% | 56 | $3,282 | $608,702 | 4 |
Sep 10, 2010 | 40 | $154,712 | -16% | 61 | $2,536 | $763,414 | 5 |
Sep 17, 2010 | 47 | $79,090 | -49% | 57 | $1,388 | $842,504 | 6 |
Sep 24, 2010 | 60 | $42,834 | -46% | 45 | $952 | $885,338 | 7 |
Oct 1, 2010 | 71 | $23,006 | -46% | 32 | $719 | $908,344 | 8 |
Oct 8, 2010 | 73 | $16,183 | -30% | 26 | $622 | $924,527 | 9 |
Oct 15, 2010 | 76 | $16,646 | +3% | 19 | $876 | $941,173 | 10 |
Oct 22, 2010 | 73 | $12,847 | -23% | 13 | $988 | $954,020 | 11 |
Oct 29, 2010 | 62 | $19,093 | +49% | 17 | $1,123 | $973,113 | 12 |
Nov 5, 2010 | 78 | $13,214 | -31% | 12 | $1,101 | $986,327 | 13 |
Nov 12, 2010 | 89 | $4,860 | -63% | 8 | $608 | $991,187 | 14 |
Nov 19, 2010 | 69 | $14,035 | +189% | 15 | $936 | $1,005,222 | 15 |
Nov 26, 2010 | 82 | $5,205 | -63% | 5 | $1,041 | $1,010,427 | 16 |
Dec 3, 2010 | 111 | $670 | -87% | 3 | $223 | $1,011,097 | 17 |
Dec 17, 2010 | 107 | $537 | 1 | $537 | $1,011,904 | 19 | |
Dec 24, 2010 | 80 | $2,877 | +436% | 5 | $575 | $1,014,781 | 20 |
Dec 31, 2010 | 85 | $2,343 | -19% | 2 | $1,172 | $1,017,124 | 21 |
Jan 7, 2011 | 83 | $2,433 | +4% | 4 | $608 | $1,019,557 | 0 |
Jan 14, 2011 | 88 | $3,449 | +42% | 23 | $150 | $1,023,006 | 23 |
Jan 21, 2011 | 96 | $1,128 | -67% | 2 | $564 | $1,024,134 | 24 |
Jan 28, 2011 | 65 | $8,572 | +660% | 11 | $779 | $1,032,706 | 25 |
Feb 4, 2011 | 72 | $5,620 | -34% | 4 | $1,405 | $1,038,326 | 26 |
Feb 11, 2011 | 88 | $2,176 | -61% | 2 | $1,088 | $1,040,502 | 27 |
Feb 18, 2011 | 106 | $885 | -59% | 2 | $443 | $1,041,387 | 28 |
Feb 25, 2011 | 101 | $665 | -25% | 1 | $665 | $1,042,052 | 29 |
Mar 4, 2011 | 105 | $704 | +6% | 1 | $704 | $1,042,756 | 30 |
Mar 11, 2011 | 109 | $1,283 | +82% | 3 | $428 | $1,044,039 | 31 |
International Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time International Box Office (Rank 5,801-5,900) | 5,894 | $7,034,644 |
All Time International Non-Sequel Box Office (Rank 5,001-5,100) | 5,038 | $7,034,644 |
All Time International Box Office for Original Screenplay Movies (Rank 3,101-3,200) | 3,112 | $7,034,644 |
All Time International Box Office for Live Action Movies (Rank 4,901-5,000) | 4,932 | $7,034,644 |
All Time International Box Office for Contemporary Fiction Movies (Rank 3,001-3,100) | 3,034 | $7,034,644 |
All Time International Box Office for Drama Movies (Rank 1,301-1,400) | 1,373 | $7,034,644 |
All Time International Box Office for R Movies (Rank 1,501-1,600) | 1,508 | $7,034,644 |
All Time International Box Office for Sony Pictures Classics Movies (Rank 101-200) | 105 | $7,034,644 |
Worldwide Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time Worldwide Box Office (Rank 8,501-8,600) | 8,565 | $8,078,683 |
All Time Worldwide Non-Sequel Box Office (Rank 7,501-7,600) | 7,521 | $8,078,683 |
All Time Worldwide Box Office for Original Screenplay Movies (Rank 4,501-4,600) | 4,576 | $8,078,683 |
All Time Worldwide Box Office for Live Action Movies (Rank 7,401-7,500) | 7,495 | $8,078,683 |
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 4,601-4,700) | 4,634 | $8,078,683 |
All Time Worldwide Box Office for Drama Movies (Rank 2,001-2,100) | 2,021 | $8,078,683 |
All Time Worldwide Box Office for R Movies (Rank 2,601-2,700) | 2,667 | $8,078,683 |
All Time Worldwide Box Office for Sony Pictures Classics Movies (Rank 101-200) | 118 | $8,078,683 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Oscar Contest: Category Highlight: Best Supporting Actress
February 13th, 2011
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This weekend we will look at the four acting categories, starting with Best Supporting Actress, which is possibly the most competitive of the four acting races. Even though there's definitely a favorite.
More...
Awards Season: Oscars Offer a Truly Regal Performance
January 25th, 2011
The Oscar nominations were announced this morning, thus ending months of speculation. Along with a (very) few surprises, the list of nominees is mostly a case of Deja Vu. Leading the way, as it has so often this year, was The King's Speech, with 12 nominations, including six in seven of the most prestigious categories (Best Picture, Director, Screenplay, and the four acting categories). But it was far from the only multi-nominated film on the list.
More...
Awards Season - King of the Globes, or at Least the Nominations
December 14th, 2010
The Hollywood Foreign Press Association announced their nominations early this morning, and there are some interesting surprises included in the mix. Leading the way was The King's Speech, which has long been seen as one of the major players this Awards Season. Meanwhile, The Fighter and The Social Network were right behind with six each. There were many, many other films nomination, including more than a few shocks. ... Mostly in one category.
More...
Harry Potter Tops Another Chart
November 23rd, 2010
The overall box office leader, Harry Potter and the Deathly Hallows: Part I, also led the way on the per theater chart, pulling in an average of $30,307 in more than 4000 theaters. Last week's winner, Tiny Furniture, was a distant second place, with $16,384 in one theater. Made in Dagenham opened with a disappointing average of $12,521 in three theaters. This should be enough to expand somewhat, but its chances of earning a significant measure of mainstream success took a hit over the weekend. White Material was right behind with an average of $11,538, also in three theaters.
More...
Summer Nearly Ends on the Per Theater Chart
August 17th, 2010
One of the ways of telling when summer is over, is when the number one film on the overall box office chart doesn't top the $10,000 mark on the per theater chart. That didn't happen this weekend, but it came close, as The Expendables was the only film to earn better than $10,000 on the per theater chart, and it was close with an average of $10,650.
More...
Tales from Limited Releases
August 13th, 2010
There are only four limited releases on this week's list, but all four have a chance at finding success, even if it is with niche market audiences. Peepli Live is for fans of Indian films, Neshoba is for fans of documentaries, and Tales from Earthsea is for fans of Anime.
Meanwhile, Animal Kingdom is likely the film with the best shot at earning some slice of mainstream success.
More...
Synopsis
Welcome to the Melbourne underworld, where tensions are building between dangerous criminals and equally dangerous police. The Wild West played out on the city's streets. Armed robber Pope Cody is in hiding, on the run from a gang of renegade detectives who want him dead. His business partner and best friend, Barry 'Baz' Brown, wants out of the game, recognizing that their days of old-school banditry are all but over. Pope's younger brother, the speed-addicted and volatile Craig Cody, is making a fortune in the illicit substances trade - the true cash cow of the modern criminal fraternity - while the youngest Cody brother, Darren, naively navigates his way through this criminal world - the only world his family has ever known. And into this world arrives their nephew, Joshua 'J' Cody. Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. When tensions between family and police reach a bloody peak, J finds himself at the center of a cold-blooded revenge plot that turns the family upside down, and which also threatens to ensnare innocent bystanders such as his girlfriend, Nicky. One senior cop, Nathan Leckie, must lure J into the police fold and then shepherd him through a complex minefield of witness protection, corrupt cops, slippery lawyers and a paranoid and vengeful underworld. J comes to realize that in order to survive he must determine how the game is played - he must somehow choose his place in this cunning and brutal animal kingdom. He must work out where he fits.
Metrics
Opening Weekend: | $61,968 (5.9% of total gross) |
Legs: | 8.45 (domestic box office/biggest weekend) |
Domestic Share: | 12.9% (domestic box office/worldwide) |
Production Budget: | $4,200,000 (worldwide box office is 1.9 times production budget) |
Theater counts: | 7 opening theaters/61 max. theaters, 7.8 weeks average run per theater |
Infl. Adj. Dom. BO | $1,496,381 |
Latest Ranking on Cumulative Box Office Lists
Record | Rank | Amount |
---|---|---|
All Time Domestic Box Office (Rank 9,001-9,100) | 9,061 | $1,044,039 |
All Time International Box Office (Rank 5,801-5,900) | 5,894 | $7,034,644 |
All Time Worldwide Box Office (Rank 8,501-8,600) | 8,565 | $8,078,683 |
All Time Domestic Highest Grossing Limited Release Movies (Rank 1,601-1,700) | 1,698 | $1,044,039 |
All Time Domestic Box Office for R Movies (Rank 3,401-3,500) | 3,442 | $1,044,039 |
All Time International Box Office for R Movies (Rank 1,501-1,600) | 1,508 | $7,034,644 |
All Time Worldwide Box Office for R Movies (Rank 2,601-2,700) | 2,667 | $8,078,683 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Movie Details
Domestic Releases: | August 13th, 2010 (Limited) by Sony Pictures Classics |
Video Release: | January 18th, 2011 by Sony Pictures Home Entertainment |
MPAA Rating: | R for violence, drug content and pervasive language (Rating bulletin 2115 (Cert #46054), 4/7/2010) |
Running Time: | 112 minutes |
Comparisons: | vs. Druk Create your own comparison chart… |
Keywords: | Dysfunctional Family, Organized Crime, Narcotics, Coming of Age, Sundance Film Festival 2010 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Porchlight Films, Screen Australia, Film Victoria, Screen NSW, Fulcrum Media Finance, Showtime Australia |
Production Countries: | Australia |
Languages: | English |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Oscar Contest: Category Highlight: Best Supporting Actress
February 13th, 2011
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This weekend we will look at the four acting categories, starting with Best Supporting Actress, which is possibly the most competitive of the four acting races. Even though there's definitely a favorite.
More...
Awards Season: Oscars Offer a Truly Regal Performance
January 25th, 2011
The Oscar nominations were announced this morning, thus ending months of speculation. Along with a (very) few surprises, the list of nominees is mostly a case of Deja Vu. Leading the way, as it has so often this year, was The King's Speech, with 12 nominations, including six in seven of the most prestigious categories (Best Picture, Director, Screenplay, and the four acting categories). But it was far from the only multi-nominated film on the list.
More...
Awards Season - King of the Globes, or at Least the Nominations
December 14th, 2010
The Hollywood Foreign Press Association announced their nominations early this morning, and there are some interesting surprises included in the mix. Leading the way was The King's Speech, which has long been seen as one of the major players this Awards Season. Meanwhile, The Fighter and The Social Network were right behind with six each. There were many, many other films nomination, including more than a few shocks. ... Mostly in one category.
More...
Harry Potter Tops Another Chart
November 23rd, 2010
The overall box office leader, Harry Potter and the Deathly Hallows: Part I, also led the way on the per theater chart, pulling in an average of $30,307 in more than 4000 theaters. Last week's winner, Tiny Furniture, was a distant second place, with $16,384 in one theater. Made in Dagenham opened with a disappointing average of $12,521 in three theaters. This should be enough to expand somewhat, but its chances of earning a significant measure of mainstream success took a hit over the weekend. White Material was right behind with an average of $11,538, also in three theaters.
More...
Summer Nearly Ends on the Per Theater Chart
August 17th, 2010
One of the ways of telling when summer is over, is when the number one film on the overall box office chart doesn't top the $10,000 mark on the per theater chart. That didn't happen this weekend, but it came close, as The Expendables was the only film to earn better than $10,000 on the per theater chart, and it was close with an average of $10,650.
More...
Tales from Limited Releases
August 13th, 2010
There are only four limited releases on this week's list, but all four have a chance at finding success, even if it is with niche market audiences. Peepli Live is for fans of Indian films, Neshoba is for fans of documentaries, and Tales from Earthsea is for fans of Anime.
Meanwhile, Animal Kingdom is likely the film with the best shot at earning some slice of mainstream success.
More...
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
Aug 13, 2010 | 41 | $61,968 | 7 | $8,853 | $61,968 | 1 | |
Aug 20, 2010 | 38 | $101,440 | +64% | 22 | $4,611 | $198,482 | 2 |
Aug 27, 2010 | 38 | $123,594 | +22% | 39 | $3,169 | $372,511 | 3 |
Sep 3, 2010 | 41 | $111,583 | -10% | 56 | $1,993 | $536,504 | 4 |
Sep 10, 2010 | 40 | $110,171 | -1% | 61 | $1,806 | $718,873 | 5 |
Sep 17, 2010 | 47 | $53,720 | -51% | 57 | $942 | $817,134 | 6 |
Sep 24, 2010 | 61 | $28,195 | -48% | 45 | $627 | $870,699 | 7 |
Oct 1, 2010 | 74 | $14,117 | -50% | 32 | $441 | $899,455 | 8 |
Oct 8, 2010 | 76 | $9,746 | -31% | 26 | $375 | $918,090 | 9 |
Oct 15, 2010 | 76 | $10,316 | +6% | 19 | $543 | $934,843 | 10 |
Oct 22, 2010 | 72 | $8,259 | -20% | 13 | $635 | $949,432 | 11 |
Oct 29, 2010 | 65 | $12,388 | +50% | 17 | $729 | $966,408 | 12 |
Nov 5, 2010 | 72 | $8,821 | -29% | 12 | $735 | $981,934 | 13 |
Nov 12, 2010 | 90 | $3,437 | -61% | 8 | $430 | $989,764 | 14 |
Nov 19, 2010 | 63 | $9,503 | +176% | 15 | $634 | $1,000,690 | 15 |
Nov 26, 2010 | 82 | $3,520 | -63% | 5 | $704 | $1,008,742 | 16 |
Dec 3, 2010 | 110 | $670 | -81% | 3 | $223 | $1,011,097 | 17 |
Dec 17, 2010 | 97 | $389 | 1 | $389 | $1,011,756 | 19 | |
Dec 24, 2010 | 70 | $2,031 | +422% | 5 | $406 | $1,013,935 | 20 |
Dec 31, 2010 | 84 | $1,636 | -19% | 2 | $818 | $1,016,417 | 21 |
Jan 7, 2011 | 82 | $1,594 | -3% | 4 | $399 | $1,018,718 | 22 |
Jan 21, 2011 | 92 | $843 | 2 | $422 | $1,023,849 | 24 | |
Jan 28, 2011 | 63 | $6,154 | +630% | 11 | $559 | $1,030,288 | 25 |
Feb 4, 2011 | 73 | $3,813 | -38% | 4 | $953 | $1,036,519 | 26 |
Feb 11, 2011 | 89 | $1,706 | -55% | 2 | $853 | $1,040,032 | 27 |
Feb 18, 2011 | 108 | $450 | -74% | 2 | $225 | $1,040,952 | 28 |
Feb 25, 2011 | 103 | $336 | -25% | 1 | $336 | $1,041,723 | 29 |
Mar 4, 2011 | 109 | $297 | -12% | 1 | $297 | $1,042,349 | 30 |
Mar 11, 2011 | 105 | $1,042 | +251% | 3 | $347 | $1,043,798 | 31 |
Daily Box Office Performance
Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
---|---|---|---|---|---|---|---|---|
Sep 6, 2010 | 39 | $38,285 | 56 | $684 | $574,789 | 25 | ||
Feb 21, 2011 | 93 | $130 | 2 | $65 | $1,041,082 | 193 |
Weekly Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
Aug 13, 2010 | 42 | $97,042 | 7 | $13,863 | $97,042 | 1 | |
Aug 20, 2010 | 39 | $151,875 | +57% | 22 | $6,903 | $248,917 | 2 |
Aug 27, 2010 | 38 | $176,004 | +16% | 39 | $4,513 | $424,921 | 3 |
Sep 3, 2010 | 41 | $183,781 | +4% | 56 | $3,282 | $608,702 | 4 |
Sep 10, 2010 | 40 | $154,712 | -16% | 61 | $2,536 | $763,414 | 5 |
Sep 17, 2010 | 47 | $79,090 | -49% | 57 | $1,388 | $842,504 | 6 |
Sep 24, 2010 | 60 | $42,834 | -46% | 45 | $952 | $885,338 | 7 |
Oct 1, 2010 | 71 | $23,006 | -46% | 32 | $719 | $908,344 | 8 |
Oct 8, 2010 | 73 | $16,183 | -30% | 26 | $622 | $924,527 | 9 |
Oct 15, 2010 | 76 | $16,646 | +3% | 19 | $876 | $941,173 | 10 |
Oct 22, 2010 | 73 | $12,847 | -23% | 13 | $988 | $954,020 | 11 |
Oct 29, 2010 | 62 | $19,093 | +49% | 17 | $1,123 | $973,113 | 12 |
Nov 5, 2010 | 78 | $13,214 | -31% | 12 | $1,101 | $986,327 | 13 |
Nov 12, 2010 | 89 | $4,860 | -63% | 8 | $608 | $991,187 | 14 |
Nov 19, 2010 | 69 | $14,035 | +189% | 15 | $936 | $1,005,222 | 15 |
Nov 26, 2010 | 82 | $5,205 | -63% | 5 | $1,041 | $1,010,427 | 16 |
Dec 3, 2010 | 111 | $670 | -87% | 3 | $223 | $1,011,097 | 17 |
Dec 17, 2010 | 107 | $537 | 1 | $537 | $1,011,904 | 19 | |
Dec 24, 2010 | 80 | $2,877 | +436% | 5 | $575 | $1,014,781 | 20 |
Dec 31, 2010 | 85 | $2,343 | -19% | 2 | $1,172 | $1,017,124 | 21 |
Jan 7, 2011 | 83 | $2,433 | +4% | 4 | $608 | $1,019,557 | 0 |
Jan 14, 2011 | 88 | $3,449 | +42% | 23 | $150 | $1,023,006 | 23 |
Jan 21, 2011 | 96 | $1,128 | -67% | 2 | $564 | $1,024,134 | 24 |
Jan 28, 2011 | 65 | $8,572 | +660% | 11 | $779 | $1,032,706 | 25 |
Feb 4, 2011 | 72 | $5,620 | -34% | 4 | $1,405 | $1,038,326 | 26 |
Feb 11, 2011 | 88 | $2,176 | -61% | 2 | $1,088 | $1,040,502 | 27 |
Feb 18, 2011 | 106 | $885 | -59% | 2 | $443 | $1,041,387 | 28 |
Feb 25, 2011 | 101 | $665 | -25% | 1 | $665 | $1,042,052 | 29 |
Mar 4, 2011 | 105 | $704 | +6% | 1 | $704 | $1,042,756 | 30 |
Mar 11, 2011 | 109 | $1,283 | +82% | 3 | $428 | $1,044,039 | 31 |
International Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time International Box Office (Rank 5,801-5,900) | 5,894 | $7,034,644 |
All Time International Non-Sequel Box Office (Rank 5,001-5,100) | 5,038 | $7,034,644 |
All Time International Box Office for Original Screenplay Movies (Rank 3,101-3,200) | 3,112 | $7,034,644 |
All Time International Box Office for Live Action Movies (Rank 4,901-5,000) | 4,932 | $7,034,644 |
All Time International Box Office for Contemporary Fiction Movies (Rank 3,001-3,100) | 3,034 | $7,034,644 |
All Time International Box Office for Drama Movies (Rank 1,301-1,400) | 1,373 | $7,034,644 |
All Time International Box Office for R Movies (Rank 1,501-1,600) | 1,508 | $7,034,644 |
All Time International Box Office for Sony Pictures Classics Movies (Rank 101-200) | 105 | $7,034,644 |
Worldwide Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time Worldwide Box Office (Rank 8,501-8,600) | 8,565 | $8,078,683 |
All Time Worldwide Non-Sequel Box Office (Rank 7,501-7,600) | 7,521 | $8,078,683 |
All Time Worldwide Box Office for Original Screenplay Movies (Rank 4,501-4,600) | 4,576 | $8,078,683 |
All Time Worldwide Box Office for Live Action Movies (Rank 7,401-7,500) | 7,495 | $8,078,683 |
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 4,601-4,700) | 4,634 | $8,078,683 |
All Time Worldwide Box Office for Drama Movies (Rank 2,001-2,100) | 2,021 | $8,078,683 |
All Time Worldwide Box Office for R Movies (Rank 2,601-2,700) | 2,667 | $8,078,683 |
All Time Worldwide Box Office for Sony Pictures Classics Movies (Rank 101-200) | 118 | $8,078,683 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.