Bar Bahar (2016) - Financial Information
- ️Fri Oct 27 2017
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| Theatrical Performance | ||
| Domestic Box Office | $107,977 | Details |
| International Box Office | $1,555,732 | Details |
| Worldwide Box Office | $1,663,709 | |
| Home Market Performance | ||
| Est. Domestic DVD Sales | $36,463 | Details |
| Total Est. Domestic Video Sales | $36,463 | |
| Further financial details... |
Synopsis
Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Metrics
| Opening Weekend: | $5,888 (5.5% of total gross) |
| Legs: | 13.56 (domestic box office/biggest weekend) |
| Domestic Share: | 6.5% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 8.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $134,046 |
Latest Ranking on Cumulative Box Office Lists
| Record | Rank | Amount |
|---|---|---|
| All Time Domestic Box Office (Rank 12,801-12,900) | 12,869 | $107,977 |
| All Time International Box Office (Rank 9,801-9,900) | 9,894 | $1,555,732 |
| All Time Worldwide Box Office (Rank 14,001-14,100) | 14,060 | $1,663,709 |
| All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) | 4,643 | $107,977 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Watch Now On
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Film Movement, released as In Between |
| International Releases: | November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy) April 14th, 2017 (Wide) (France) August 25th, 2017 (Wide), released as In Between (New Zealand) September 22nd, 2017 (Wide), released as In Between (United Kingdom) ... Show all releases |
| Video Release: | May 1st, 2018 by Film Movement Video, released as In Between |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Comparisons: | vs. Lowlife Create your own comparison chart… |
| Keywords: | Set in Tel Aviv, Set in Israel, Muslims, Romance, Orthodox Religion, Domestic Abuse, Dysfunctional Family, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Deux Beaux Garcons Films, Compagnie des Lamas |
| Production Countries: | Israel |
| Languages: | Arabic, Hebrew |
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 57 | $5,888 | 2 | $2,944 | $11,498 | 1 | |
| Jan 12, 2018 | 55 | $7,020 | +19% | 4 | $1,755 | $23,886 | 2 |
| Jan 19, 2018 | 61 | $5,898 | -16% | 7 | $843 | $33,660 | 3 |
| Jan 26, 2018 | 75 | $2,803 | -52% | 5 | $561 | $39,708 | 4 |
| Feb 2, 2018 | 59 | $5,247 | +87% | 5 | $1,049 | $48,300 | 5 |
| Feb 9, 2018 | 70 | $2,142 | -59% | 3 | $714 | $52,763 | 6 |
| Feb 16, 2018 | 73 | $3,023 | +41% | 3 | $1,008 | $58,258 | 7 |
| Feb 23, 2018 | 66 | $6,779 | +124% | 8 | $847 | $68,225 | 8 |
| Mar 2, 2018 | 67 | $5,029 | -26% | 6 | $838 | $78,725 | 9 |
| Mar 9, 2018 | 70 | $3,372 | -33% | 8 | $422 | $84,901 | 10 |
| Mar 16, 2018 | 64 | $7,962 | +136% | 5 | $1,592 | $94,821 | 11 |
| Mar 23, 2018 | 81 | $3,660 | -54% | 5 | $732 | $102,037 | 12 |
| Mar 30, 2018 | 92 | $718 | -80% | 2 | $359 | $104,451 | 13 |
| Apr 6, 2018 | 93 | $641 | -11% | 1 | $641 | $105,776 | 14 |
| Apr 20, 2018 | 102 | $48 | 1 | $48 | $107,501 | 16 | |
| Apr 27, 2018 | 102 | $98 | +104% | 1 | $98 | $107,599 | 17 |
| May 4, 2018 | 101 | $24 | -76% | 1 | $24 | $107,831 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | - | $1,131 | 2 | $566 | $6,741 | 1 | |
| Jan 6, 2018 | - | $2,604 | +130% | 2 | $1,302 | $9,345 | 2 |
| Jan 7, 2018 | - | $2,153 | -17% | 2 | $1,077 | $11,498 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 53 | $11,256 | 3 | $3,752 | $16,866 | 1 | |
| Jan 12, 2018 | 59 | $10,896 | -3% | 4 | $2,724 | $27,762 | 2 |
| Jan 19, 2018 | 63 | $9,143 | -16% | 7 | $1,306 | $36,905 | 3 |
| Jan 26, 2018 | 68 | $6,148 | -33% | 8 | $769 | $43,053 | 4 |
| Feb 2, 2018 | 62 | $7,568 | +23% | 8 | $946 | $50,621 | 5 |
| Feb 9, 2018 | 66 | $4,614 | -39% | 8 | $577 | $55,235 | 6 |
| Feb 16, 2018 | 71 | $6,211 | +35% | 4 | $1,553 | $61,446 | 7 |
| Feb 23, 2018 | 65 | $12,250 | +97% | 8 | $1,531 | $73,696 | 8 |
| Mar 2, 2018 | 66 | $7,833 | -36% | 7 | $1,119 | $81,529 | 9 |
| Mar 9, 2018 | 77 | $5,330 | -32% | 8 | $666 | $86,859 | 10 |
| Mar 16, 2018 | 67 | $11,518 | +116% | 7 | $1,645 | $98,377 | 11 |
| Mar 23, 2018 | 83 | $5,356 | -53% | 5 | $1,071 | $103,733 | 12 |
| Mar 30, 2018 | 88 | $1,402 | -74% | 1 | $1,402 | $105,135 | 13 |
| Apr 6, 2018 | 89 | $2,245 | +60% | 1 | $2,245 | $107,380 | 14 |
| Apr 13, 2018 | 100 | $73 | -97% | 1 | $73 | $107,453 | 15 |
| Apr 20, 2018 | 101 | $48 | -34% | 1 | $48 | $107,501 | 16 |
| Apr 27, 2018 | 101 | $306 | +538% | 1 | $306 | $107,807 | 17 |
| May 4, 2018 | 100 | $170 | -44% | 1 | $170 | $107,977 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $4,715 | 3 | 3 | 16 | $28,215 | 8/6/2018 |
| France | 4/14/2017 | $179,299 | 0 | 0 | 0 | $765,939 | 9/23/2018 |
| Italy | 4/5/2017 | $64,148 | 0 | 0 | 0 | $468,144 | 5/11/2017 |
| Netherlands | 1/5/2018 | $28,107 | 24 | 24 | 45 | $68,347 | 9/12/2018 |
| New Zealand | 8/25/2017 | $1,881 | 5 | 6 | 21 | $7,408 | 7/31/2018 |
| Spain | 11/25/2016 | $28,437 | 23 | 25 | 119 | $194,308 | 4/28/2017 |
| United Kingdom | 9/22/2017 | $23,371 | 7 | 7 | 7 | $23,371 | 9/28/2017 |
| International Total | $1,555,732 | 9/23/2018 |
International Cumulative Box Office Records
| Record | Rank | Revenue |
|---|---|---|
| All Time International Box Office (Rank 9,801-9,900) | 9,894 | $1,555,732 |
| All Time International Non-Sequel Box Office (Rank 8,801-8,900) | 8,849 | $1,555,732 |
| All Time International Box Office for Original Screenplay Movies (Rank 5,401-5,500) | 5,461 | $1,555,732 |
| All Time International Box Office for Live Action Movies (Rank 8,201-8,300) | 8,265 | $1,555,732 |
| All Time International Box Office for Contemporary Fiction Movies (Rank 5,201-5,300) | 5,219 | $1,555,732 |
| All Time International Box Office for Drama Movies (Rank 2,501-2,600) | 2,583 | $1,555,732 |
| All Time International Box Office for Not Rated Movies (Rank 901-1,000) | 957 | $1,555,732 |
| All Time International Box Office for Film Movement Movies | 14 | $1,555,732 |
Worldwide Cumulative Box Office Records
| Record | Rank | Revenue |
|---|---|---|
| All Time Worldwide Box Office (Rank 14,001-14,100) | 14,060 | $1,663,709 |
| All Time Worldwide Non-Sequel Box Office (Rank 12,701-12,800) | 12,770 | $1,663,709 |
| All Time Worldwide Box Office for Original Screenplay Movies (Rank 7,701-7,800) | 7,726 | $1,663,709 |
| All Time Worldwide Box Office for Live Action Movies (Rank 12,101-12,200) | 12,112 | $1,663,709 |
| All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 7,501-7,600) | 7,553 | $1,663,709 |
| All Time Worldwide Box Office for Drama Movies (Rank 3,601-3,700) | 3,689 | $1,663,709 |
| All Time Worldwide Box Office for Not Rated Movies (Rank 1,401-1,500) | 1,410 | $1,663,709 |
| All Time Worldwide Box Office for Film Movement Movies | 14 | $1,663,709 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Home Market Releases for May 1st, 2018
May 2nd, 2018
-2-News.jpg)
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
More...
Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
More...
Limited and VOD Releases: In Between a Rock and a Hard Place
January 4th, 2018
-1-News.jpg)
It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market.
More...
Synopsis
Lalia, Salma, and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. When her conservative fiancé visits, he is horrified by her secular friends, entreating her to hasten their marriage, leave Tel Aviv, and assume her rightful role as a wife. She refuses, and his violent rebuttal leaves all of the women shaken. Salma and Lalia also face turmoil: Lalia has found love with a modern Muslim man whose acceptance proves less than unconditional, and Salma discovers that her Christian family in a northern Galilean village is not as liberal as they claim. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Metrics
| Opening Weekend: | $5,888 (5.5% of total gross) |
| Legs: | 13.56 (domestic box office/biggest weekend) |
| Domestic Share: | 6.5% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 8.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $134,046 |
Latest Ranking on Cumulative Box Office Lists
| Record | Rank | Amount |
|---|---|---|
| All Time Domestic Box Office (Rank 12,801-12,900) | 12,869 | $107,977 |
| All Time International Box Office (Rank 9,801-9,900) | 9,894 | $1,555,732 |
| All Time Worldwide Box Office (Rank 14,001-14,100) | 14,060 | $1,663,709 |
| All Time Domestic Highest Grossing Limited Release Movies (Rank 4,601-4,700) | 4,643 | $107,977 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Watch Now On
Movie Details
| Domestic Releases: | January 5th, 2018 (Limited) by Film Movement, released as In Between |
| International Releases: | November 25th, 2016 (Wide) (Spain)
April 5th, 2017 (Wide), released as Libere disobbedienti innamorate - In Between (Italy) April 14th, 2017 (Wide) (France) August 25th, 2017 (Wide), released as In Between (New Zealand) September 22nd, 2017 (Wide), released as In Between (United Kingdom) ... Show all releases |
| Video Release: | May 1st, 2018 by Film Movement Video, released as In Between |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Comparisons: | vs. Lowlife Create your own comparison chart… |
| Keywords: | Set in Tel Aviv, Set in Israel, Muslims, Romance, Orthodox Religion, Domestic Abuse, Dysfunctional Family, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Deux Beaux Garcons Films, Compagnie des Lamas |
| Production Countries: | Israel |
| Languages: | Arabic, Hebrew |
Leading Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Home Market Releases for May 1st, 2018
May 2nd, 2018
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
More...
Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
More...
Limited and VOD Releases: In Between a Rock and a Hard Place
January 4th, 2018
It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market.
More...
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 57 | $5,888 | 2 | $2,944 | $11,498 | 1 | |
| Jan 12, 2018 | 55 | $7,020 | +19% | 4 | $1,755 | $23,886 | 2 |
| Jan 19, 2018 | 61 | $5,898 | -16% | 7 | $843 | $33,660 | 3 |
| Jan 26, 2018 | 75 | $2,803 | -52% | 5 | $561 | $39,708 | 4 |
| Feb 2, 2018 | 59 | $5,247 | +87% | 5 | $1,049 | $48,300 | 5 |
| Feb 9, 2018 | 70 | $2,142 | -59% | 3 | $714 | $52,763 | 6 |
| Feb 16, 2018 | 73 | $3,023 | +41% | 3 | $1,008 | $58,258 | 7 |
| Feb 23, 2018 | 66 | $6,779 | +124% | 8 | $847 | $68,225 | 8 |
| Mar 2, 2018 | 67 | $5,029 | -26% | 6 | $838 | $78,725 | 9 |
| Mar 9, 2018 | 70 | $3,372 | -33% | 8 | $422 | $84,901 | 10 |
| Mar 16, 2018 | 64 | $7,962 | +136% | 5 | $1,592 | $94,821 | 11 |
| Mar 23, 2018 | 81 | $3,660 | -54% | 5 | $732 | $102,037 | 12 |
| Mar 30, 2018 | 92 | $718 | -80% | 2 | $359 | $104,451 | 13 |
| Apr 6, 2018 | 93 | $641 | -11% | 1 | $641 | $105,776 | 14 |
| Apr 20, 2018 | 102 | $48 | 1 | $48 | $107,501 | 16 | |
| Apr 27, 2018 | 102 | $98 | +104% | 1 | $98 | $107,599 | 17 |
| May 4, 2018 | 101 | $24 | -76% | 1 | $24 | $107,831 | 18 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | - | $1,131 | 2 | $566 | $6,741 | 1 | |
| Jan 6, 2018 | - | $2,604 | +130% | 2 | $1,302 | $9,345 | 2 |
| Jan 7, 2018 | - | $2,153 | -17% | 2 | $1,077 | $11,498 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 5, 2018 | 53 | $11,256 | 3 | $3,752 | $16,866 | 1 | |
| Jan 12, 2018 | 59 | $10,896 | -3% | 4 | $2,724 | $27,762 | 2 |
| Jan 19, 2018 | 63 | $9,143 | -16% | 7 | $1,306 | $36,905 | 3 |
| Jan 26, 2018 | 68 | $6,148 | -33% | 8 | $769 | $43,053 | 4 |
| Feb 2, 2018 | 62 | $7,568 | +23% | 8 | $946 | $50,621 | 5 |
| Feb 9, 2018 | 66 | $4,614 | -39% | 8 | $577 | $55,235 | 6 |
| Feb 16, 2018 | 71 | $6,211 | +35% | 4 | $1,553 | $61,446 | 7 |
| Feb 23, 2018 | 65 | $12,250 | +97% | 8 | $1,531 | $73,696 | 8 |
| Mar 2, 2018 | 66 | $7,833 | -36% | 7 | $1,119 | $81,529 | 9 |
| Mar 9, 2018 | 77 | $5,330 | -32% | 8 | $666 | $86,859 | 10 |
| Mar 16, 2018 | 67 | $11,518 | +116% | 7 | $1,645 | $98,377 | 11 |
| Mar 23, 2018 | 83 | $5,356 | -53% | 5 | $1,071 | $103,733 | 12 |
| Mar 30, 2018 | 88 | $1,402 | -74% | 1 | $1,402 | $105,135 | 13 |
| Apr 6, 2018 | 89 | $2,245 | +60% | 1 | $2,245 | $107,380 | 14 |
| Apr 13, 2018 | 100 | $73 | -97% | 1 | $73 | $107,453 | 15 |
| Apr 20, 2018 | 101 | $48 | -34% | 1 | $48 | $107,501 | 16 |
| Apr 27, 2018 | 101 | $306 | +538% | 1 | $306 | $107,807 | 17 |
| May 4, 2018 | 100 | $170 | -44% | 1 | $170 | $107,977 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/27/2017 | $4,715 | 3 | 3 | 16 | $28,215 | 8/6/2018 |
| France | 4/14/2017 | $179,299 | 0 | 0 | 0 | $765,939 | 9/23/2018 |
| Italy | 4/5/2017 | $64,148 | 0 | 0 | 0 | $468,144 | 5/11/2017 |
| Netherlands | 1/5/2018 | $28,107 | 24 | 24 | 45 | $68,347 | 9/12/2018 |
| New Zealand | 8/25/2017 | $1,881 | 5 | 6 | 21 | $7,408 | 7/31/2018 |
| Spain | 11/25/2016 | $28,437 | 23 | 25 | 119 | $194,308 | 4/28/2017 |
| United Kingdom | 9/22/2017 | $23,371 | 7 | 7 | 7 | $23,371 | 9/28/2017 |
| International Total | $1,555,732 | 9/23/2018 |
International Cumulative Box Office Records
| Record | Rank | Revenue |
|---|---|---|
| All Time International Box Office (Rank 9,801-9,900) | 9,894 | $1,555,732 |
| All Time International Non-Sequel Box Office (Rank 8,801-8,900) | 8,849 | $1,555,732 |
| All Time International Box Office for Original Screenplay Movies (Rank 5,401-5,500) | 5,461 | $1,555,732 |
| All Time International Box Office for Live Action Movies (Rank 8,201-8,300) | 8,265 | $1,555,732 |
| All Time International Box Office for Contemporary Fiction Movies (Rank 5,201-5,300) | 5,219 | $1,555,732 |
| All Time International Box Office for Drama Movies (Rank 2,501-2,600) | 2,583 | $1,555,732 |
| All Time International Box Office for Not Rated Movies (Rank 901-1,000) | 957 | $1,555,732 |
| All Time International Box Office for Film Movement Movies | 14 | $1,555,732 |
Worldwide Cumulative Box Office Records
| Record | Rank | Revenue |
|---|---|---|
| All Time Worldwide Box Office (Rank 14,001-14,100) | 14,060 | $1,663,709 |
| All Time Worldwide Non-Sequel Box Office (Rank 12,701-12,800) | 12,770 | $1,663,709 |
| All Time Worldwide Box Office for Original Screenplay Movies (Rank 7,701-7,800) | 7,726 | $1,663,709 |
| All Time Worldwide Box Office for Live Action Movies (Rank 12,101-12,200) | 12,112 | $1,663,709 |
| All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 7,501-7,600) | 7,553 | $1,663,709 |
| All Time Worldwide Box Office for Drama Movies (Rank 3,601-3,700) | 3,689 | $1,663,709 |
| All Time Worldwide Box Office for Not Rated Movies (Rank 1,401-1,500) | 1,410 | $1,663,709 |
| All Time Worldwide Box Office for Film Movement Movies | 14 | $1,663,709 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.