semanticscholar.org

The History of Electronic and Computer Music in Japan: Significant Composers and Their Works | Semantic Scholar

Live electronic music

    Art

    The Cambridge Companion to Electronic Music

  • 2012

Since the 1930s composers have been using this property of electronics to produce not just new sounds but fundamentally new approaches to organising the sonic world, enabling new and volatile connections.

The Cambridge Companion to Electronic Music

This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology, and uncover some hitherto less publicised corners of worldwide movements.

Two-step harmonious melody generator

Abstract . This paper describes the problem of creating computer music without interruption of humankind in generating algorithm working. It contains review of existing solutions, description of

The origins of electronic music

    A. Hugill

    Art, History

    The Cambridge Companion to Electronic Music

  • 2012

The ‘sound-houses’ passage is one of a series of descriptions, given by the island's governor, of its various knowledge resources and houses of learning, one of many examples of such a creative imagination.