Blue Nudes, the Glossary
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions.[1]
Table of Contents
14 relations: Blue Nude (Souvenir de Biskra), Canvas, Fauvism, Gouache, Henri Matisse, Le bonheur de vivre, List of works by Henri Matisse, Lithography, Musée National d'Art Moderne, Museum of Modern Art, Paper, Paris, Tahiti, Verve (French magazine).
- 1952 paintings
- Collection of the Musée National d'Art Moderne
- Henri Matisse
Blue Nude (Souvenir de Biskra)
Blue Nude (Souvenir of Biskra) ("Nu bleu, Souvenir de Biskra"), an early 1907 oil painting on canvas by Henri Matisse, is located at the Baltimore Museum of Art as part of the Cone Collection. Blue Nudes and Blue Nude (Souvenir de Biskra) are Nude art.
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Canvas
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes.
Fauvism
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century.
Gouache
Gouache, body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material.
Henri Matisse
Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship.
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Le bonheur de vivre
Le bonheur de vivre (The Joy of Life) is a painting by Henri Matisse. Blue Nudes and Le bonheur de vivre are Nude art.
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List of works by Henri Matisse
This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954).
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Lithography
Lithography is a planographic method of printing originally based on the immiscibility of oil and water.
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Musée National d'Art Moderne
The Musée National d'Art Moderne ("National Museum of Modern Art") is the national museum for modern art of France.
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Museum of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.
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Paper
Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, rags, grasses, or other vegetable sources in water, draining the water through a fine mesh leaving the fibre evenly distributed on the surface, followed by pressing and drying.
Paris
Paris is the capital and largest city of France.
Tahiti
Tahiti (Tahitian) is the largest island of the Windward group of the Society Islands in French Polynesia.
Verve (French magazine)
Verve was a modernist Parisian art magazine published by Teriade between 1937 and 1960.
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See also
1952 paintings
- Black Leaf on Green Background
- Blue Nudes
- Blue Poles
- Chinese Girl
- Convergence (Pollock)
- Galatea of the Spheres
- Hotel by a Railroad
- La Négresse
- Low Marks Again
- Mountains and Sea
- On the Contrary
- One Hundred Years: History of the Chinese in America
- Study for Crouching Nude
- The Birds (painting)
- The Listening Room
- The Sorrows of the King
- Untitled (Rothko)
- Walking to Church
Collection of the Musée National d'Art Moderne
- Blue Nudes
- Grillo telephone
- Trees in L'Estaque
Henri Matisse
- An Essay on Matisse
- Avant-dernières pensées
- Blue Nudes
- Bohain-en-Vermandois
- Chapelle du Rosaire de Vence
- Cimiez
- Gargoyle Club
- Henri Matisse
- Henri Matisse and goldfish
- Henriette Darricarrère
- Institute of Contemporary Art, Boston
- Jazz (Henri Matisse)
- John M. Jacobus Jr.
- Le chant du rossignol
- Lydia Delectorskaya
- Matisse (Greek band)
- Matisse Museum (Le Cateau)
- Musée Matisse (Nice)
- Papier collé
- Paul Matisse
- Pierre Matisse
- Sarah Stein
- The Back Series
- Union Church of Pocantico Hills
- Vence
References
[1] https://en.wikipedia.org/wiki/Blue_Nudes
Also known as Blue Nude (IV), Blue Nude II, Blue Nude IV.