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Douglas Smythe, the Glossary

Index Douglas Smythe

Douglas Smythe is an American visual effects artist.[1]

Table of Contents

  1. 9 relations: Academy Award for Best Visual Effects, Academy Awards, Academy of Motion Picture Arts and Sciences, Death Becomes Her, Doug Chiang, Ken Ralston, The New York Times, Tom Woodruff Jr., Visual effects.

Academy Award for Best Visual Effects

The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects.

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Academy Awards

The Academy Awards of Merit, commonly known as the Oscars or Academy Awards, are awards for artistic and technical merit for the film industry.

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Academy of Motion Picture Arts and Sciences

The Academy of Motion Picture Arts and Sciences (AMPAS), often pronounced; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization in Beverly Hills, California, U.S., with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches.

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Death Becomes Her

Death Becomes Her is a 1992 American satirical black fantasy comedy film directed and produced by Robert Zemeckis and written by David Koepp and Martin Donovan.

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Doug Chiang

Doug Chiang (born 16 February 1962) is an American film designer and artist.

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Ken Ralston

Kenneth Ralston (born 1954) is an American visual effects artist, currently the Visual Effect Supervisor and Creative Head at Sony Pictures Imageworks. Douglas Smythe and Ken Ralston are visual effects supervisors.

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The New York Times

The New York Times (NYT) is an American daily newspaper based in New York City.

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Tom Woodruff Jr.

Tom Woodruff Jr. (born January 21, 1959) is an American actor, director, producer and special effects supervisor.

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Visual effects

Visual effects (sometimes abbreviated VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production.

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References

[1] https://en.wikipedia.org/wiki/Douglas_Smythe