Juvisy, France, the Glossary
Juvisy, France, with the French title of Dimanche sur les Bords de Marne, Juvisy (Sunday at the Banks of Marne, Juvisy), is a black and white photograph taken by Henri Cartier-Bresson in 1938.[1]
Table of Contents
9 relations: Art Institute of Chicago, Henri Cartier-Bresson, Impressionism, Marne (river), Melbourne, Museum of Modern Art, National Gallery of Victoria, New York City, Paris.
- 1930s photographs
- 1938 in art
- Collections of the National Gallery of Victoria
- Photographs by Henri Cartier-Bresson
- Photographs in the Art Institute of Chicago
- Photographs in the Museum of Modern Art (New York City)
Art Institute of Chicago
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States.
See Juvisy, France and Art Institute of Chicago
Henri Cartier-Bresson
Henri Cartier-Bresson (22 August 1908 – 3 August 2004) was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film.
See Juvisy, France and Henri Cartier-Bresson
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
See Juvisy, France and Impressionism
Marne (river)
The Marne is a river in France, an eastern tributary of the Seine in the area east and southeast of Paris.
See Juvisy, France and Marne (river)
Melbourne
Melbourne (Boonwurrung/Narrm or Naarm) is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in Australia, after Sydney.
See Juvisy, France and Melbourne
Museum of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.
See Juvisy, France and Museum of Modern Art
National Gallery of Victoria
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Juvisy, France and National Gallery of Victoria are Collections of the National Gallery of Victoria.
See Juvisy, France and National Gallery of Victoria
New York City
New York, often called New York City (to distinguish it from New York State) or NYC, is the most populous city in the United States.
See Juvisy, France and New York City
Paris
Paris is the capital and largest city of France.
See also
1930s photographs
- Électricité (Man Ray)
- Behind the Gare Saint-Lazare
- Bloody Saturday (photograph)
- Brown Lady of Raynham Hall
- Cabbage Leaf
- Clearing Winter Storm, Yosemite National Park
- Coronation of King George VI, London, England
- Crowds Running for Shelter When the Air-raid Alarm Sounded
- Dust Bowl Cimarron County, Oklahoma
- Equivalents
- Hyères, France
- Juvisy, France
- Larmes
- Lunch atop a Skyscraper
- Migrant Mother
- Natcho Aguirre, Santa Clara, Mexico
- Nude (Charis, Santa Monica)
- Pepper No. 30
- Portrait of a Tearful Woman
- Secretary at West German Radio, Cologne
- Seville, Spain (photograph)
- Sunbaker
- Tea cup ballet
- The Falling Soldier
- Three Boys at Lake Tanganyika
- Toffs and Toughs
- Woman training for a Republican militia
1938 in art
- 1938 in art
- 1938 in comics
- 1938 in fine arts of the Soviet Union
- 21st Venice Biennale
- Juvisy, France
Collections of the National Gallery of Victoria
- Head of the Virgin
- Here I Am (Mackennal)
- Joseph Brown Collection
- Juvisy, France
- National Gallery of Victoria
- Untangling
Photographs by Henri Cartier-Bresson
- Alberto Giacometti à la Galerie Maeght, Paris, France, 1961
- Behind the Gare Saint-Lazare
- Coronation of King George VI, London, England
- Gestapo Informer Recognized by a Woman She Had Denounced
- Gold Rush, Shanghai
- Hyères, France
- Juvisy, France
- Natcho Aguirre, Santa Clara, Mexico
- Rue Mouffetard, Paris (photograph)
- Seville, Spain (photograph)
Photographs in the Art Institute of Chicago
- Abstraction, Porch Shadows
- Akeley Motion Picture Camera
- Art Institute of Chicago II, Chicago
- Bricklayer (photograph)
- Clearing Winter Storm, Yosemite National Park
- Georgia O'Keeffe - Torso
- Hyères, France
- Juvisy, France
- L'Entente Cordiale (photograph)
- Nude (Charis, Santa Monica)
- Pepper No. 30
- Rodin — The Thinker
- Shanghai (photograph)
- The Family, Luzzara, Italy
- The Hand of Man
- The Painter Otto Dix and His Wife, Martha
- The Terminal (photograph)
- The White Fence (photograph)
- Untitled 92
- Untitled 93
- Untitled 96
- Valley of the Shadow of Death (Roger Fenton)
Photographs in the Museum of Modern Art (New York City)
- "I Scrubs"
- Abstraction, Porch Shadows
- After "Invisible Man" by Ralph Ellison, the Prologue
- Aspens, Northern New Mexico
- Bandits' Roost, 59 1/2 Mulberry Street
- Behind the Gare Saint-Lazare
- Berlin Coal Carrier
- Bricklayer (photograph)
- Cabbage Leaf
- Gloria Swanson, New York
- Hyères, France
- In Memoriam (photograph)
- Juvisy, France
- Lodgers in Bayard Street Tenement, Five Cents a Spot
- Monolith, the Face of Half Dome
- Nautilus (photograph)
- Noire et Blanche
- Pantheon, Rome (photograph)
- Pepper No. 30
- Rhein II
- Rue Mouffetard, Paris (photograph)
- Sabbath Eve in a Coal Cellar, Ludlow Street
- Secretary at West German Radio, Cologne
- Steel: Armco, Middletown, Ohio
- The Family, Luzzara, Italy
- The Flatiron (photograph)
- The Hand of Man
- The Last Joke, Bellagio
- The Painter Anton Räderscheidt
- The Painter Otto Dix and His Wife, Martha
- The Pastry Cook
- The Pond—Moonlight
- The Steerage
- The White Fence (photograph)
- Untitled 153
- Untitled 92
- Untitled 93
- Untitled 96
- Untitled Film Still 21
- Untitled Film Still 48
- Winter, Fifth Avenue
- Working Students
- Young Farmers (photograph)