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Madrigal, the Glossary

Index Madrigal

A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) periods, although revisited by some later European composers.[1]

Table of Contents

  1. 184 relations: Accompaniment, Adrian Willaert, Adriano Banchieri, Agostino Agazzari, Alessandro Grandi, Alessandro Striggio, Alfonso Fontanelli, Alfonso II d'Este, Andrea Gabrieli, Antonio Caldara, Antonio Cifra, Antonio Lotti, Aria, Baldassare Donato, Ballata, Barbara Strozzi, Baroque music, Bassline, Basso continuo, Bernardo Pisano, Bohuslav Martinů, Camillo Cortellini, Cantata, Canzonetta, Carlo Gesualdo, Caspar Ziegler, Catch (music), Chanson, Choral Public Domain Library, Chromaticism, Cipriano de Rore, Claude Le Jeune, Claudio Monteverdi, Claudio Saracini, Concertato, Concerto delle donne, Constant Lambert, Cornelis Verdonck, Cosimo I de' Medici, Costanzo Festa, Couplet, Culture of Italy, Death, Dialogue, Diatonic and chromatic, Domenico Mazzocchi, Dynamics (music), E-Theses Online Service, Emma Lou Diemer, English Madrigal School, ... Expand index (134 more) »

  2. Renaissance music genres
  3. Songs in classical music

Accompaniment

Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece.

See Madrigal and Accompaniment

Adrian Willaert

Adrian Willaert (– 7 December 1562) was a Flemish composer of High Renaissance music.

See Madrigal and Adrian Willaert

Adriano Banchieri

Adriano Banchieri (Bologna, 3 September 1568 – Bologna, 1634) was an Italian composer, music theorist, organist and poet of the late Renaissance and early Baroque eras.

See Madrigal and Adriano Banchieri

Agostino Agazzari

Agostino Agazzari (2 December 1578 – 10 April 1640) was an Italian composer and music theorist.

See Madrigal and Agostino Agazzari

Alessandro Grandi

Alessandro Grandi (1590 – after June 1630, but in that year) was a northern Italian composer of the early Baroque era, writing in the new concertato style.

See Madrigal and Alessandro Grandi

Alessandro Striggio

Alessandro Striggio (c. 1536/1537 – 29 February 1592) was an Italian composer, instrumentalist and diplomat of the Renaissance.

See Madrigal and Alessandro Striggio

Alfonso Fontanelli

Alfonso Fontanelli (15 February 1557 – 11 February 1622) was an Italian composer, writer, diplomat, courtier, and nobleman of the late Renaissance.

See Madrigal and Alfonso Fontanelli

Alfonso II d'Este

Alfonso II d'Este (22 November 1533 – 27 October 1597) was Duke of Ferrara from 1559 to 1597.

See Madrigal and Alfonso II d'Este

Andrea Gabrieli

Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance.

See Madrigal and Andrea Gabrieli

Antonio Caldara

Antonio Caldara (– 28 December 1736) was an Italian Baroque composer.

See Madrigal and Antonio Caldara

Antonio Cifra

Antonio Cifra (1584? – 2 October 1629 in Loreto) was an Italian composer of the Roman School of the Renaissance and early Baroque eras.

See Madrigal and Antonio Cifra

Antonio Lotti

Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era.

See Madrigal and Antonio Lotti

Aria

In music, an aria (arie,; arias in common usage; diminutive form: arietta,;: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. Madrigal and aria are song forms.

See Madrigal and Aria

Baldassare Donato

Baldassare Donato (also Donati) (1525-1530 – June 1603) was an Italian composer and singer of the Venetian school of the late Renaissance.

See Madrigal and Baldassare Donato

Ballata

The ballata (plural: ballate) is an Italian poetic and musical form in use from the late 13th to the 15th century.

See Madrigal and Ballata

Barbara Strozzi

Barbara Strozzi (also called Barbara Valle; baptised 6 August 1619 – 11 November 1677) was an Italian composer and singer of the Baroque Period.

See Madrigal and Barbara Strozzi

Baroque music

Baroque music refers to the period or dominant style of Western classical music composed from about 1600 to 1750.

See Madrigal and Baroque music

Bassline

Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer).

See Madrigal and Bassline

Basso continuo

Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression.

See Madrigal and Basso continuo

Bernardo Pisano

Bernardo Pisano (also Pagoli) (October 12, 1490 – January 23, 1548) was an Italian composer, priest, singer, and scholar of the Renaissance.

See Madrigal and Bernardo Pisano

Bohuslav Martinů

Bohuslav Jan Martinů (December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music.

See Madrigal and Bohuslav Martinů

Camillo Cortellini

Camillo Cortellini (24 January 156112/13 February 1630) was an Italian composer, singer, and violinist.

See Madrigal and Camillo Cortellini

Cantata

A cantata (literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.

See Madrigal and Cantata

Canzonetta

In music, a canzonetta (pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Madrigal and canzonetta are song forms.

See Madrigal and Canzonetta

Carlo Gesualdo

Carlo Gesualdo da Venosa (between 8 March 1566 and 30 March 1566 – 8 September 1613) was an Italian nobleman and composer.

See Madrigal and Carlo Gesualdo

Caspar Ziegler

Caspar Ziegler, also Kaspar Ziegler, (15 September 1621 – 17 April 1690) was a German jurist, poet, hymnwriter and composer.

See Madrigal and Caspar Ziegler

Catch (music)

In music, a catch is a type of round or canon at the unison.

See Madrigal and Catch (music)

Chanson

A chanson (chanson française) is generally any lyric-driven French song. Madrigal and chanson are song forms and songs in classical music.

See Madrigal and Chanson

Choral Public Domain Library

The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music.

See Madrigal and Choral Public Domain Library

Chromaticism

Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale.

See Madrigal and Chromaticism

Cipriano de Rore

Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy.

See Madrigal and Cipriano de Rore

Claude Le Jeune

Claude Le Jeune (1528 to 1530 – buried 26 September 1600) was a Franco-Flemish composer of the late Renaissance.

See Madrigal and Claude Le Jeune

Claudio Monteverdi

Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player.

See Madrigal and Claudio Monteverdi

Claudio Saracini

Claudio Saracini (1 July 1586 – 20 September 1630) was an Italian composer, lutenist, and singer of the early Baroque era.

See Madrigal and Claudio Saracini

Concertato

Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo.

See Madrigal and Concertato

Concerto delle donne

The concerto delle donne was an ensemble of professional female singers of late Renaissance music in Italy.

See Madrigal and Concerto delle donne

Constant Lambert

Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author.

See Madrigal and Constant Lambert

Cornelis Verdonck

Cornelis Verdonck (1563 – 5 July 1625) was a Flemish composer of the late Renaissance.

See Madrigal and Cornelis Verdonck

Cosimo I de' Medici

Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second duke of Florence from 1537 until 1569, when he became the first grand duke of Tuscany, a title he held until his death.

See Madrigal and Cosimo I de' Medici

Costanzo Festa

Costanzo Festa (c. 1485/1490 – 10 April 1545) was an Italian composer of the Renaissance.

See Madrigal and Costanzo Festa

Couplet

In poetry, a couplet or distich is a pair of successive lines that rhyme and have the same metre.

See Madrigal and Couplet

Culture of Italy

The culture of Italy encompasses the knowledge, beliefs, arts, laws, and customs of the Italian peninsula and of the Italians throughout history.

See Madrigal and Culture of Italy

Death

Death is the end of life; the irreversible cessation of all biological functions that sustain a living organism.

See Madrigal and Death

Dialogue

Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange.

See Madrigal and Dialogue

Diatonic and chromatic

Diatonic and chromatic are terms in music theory that are used to characterize scales.

See Madrigal and Diatonic and chromatic

Domenico Mazzocchi

Domenico Mazzocchi (baptised 1592 in Civita Castellana21 January 1665 in Veja) was an Italian Baroque composer of only vocal music, of the generation after Claudio Monteverdi.

See Madrigal and Domenico Mazzocchi

Dynamics (music)

In music, the dynamics of a piece are the variation in loudness between notes or phrases.

See Madrigal and Dynamics (music)

E-Theses Online Service

E-Theses Online Service (EThOS) is a bibliographic database and union catalogue of electronic theses provided by the British Library, the National Library of the United Kingdom.

See Madrigal and E-Theses Online Service

Emma Lou Diemer

Emma Lou Diemer (November 24, 1927 – June 2, 2024) was an American composer.

See Madrigal and Emma Lou Diemer

English Madrigal School

The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them.

See Madrigal and English Madrigal School

Ferrara

Ferrara (Fràra) is a city and comune (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara.

See Madrigal and Ferrara

Florentine Camerata

The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama.

See Madrigal and Florentine Camerata

Francesco Corteccia

Francesco Corteccia, ''Hinnarium'', Biblioteca Medicea Laurenziana Francesco Corteccia (July 27, 1502 – June 7, 1571) was an Italian composer, organist, and teacher of the Renaissance.

See Madrigal and Francesco Corteccia

Francesco Landini

Francesco Landini (or 1335 – 2 September 1397; also known by many names) was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music.

See Madrigal and Francesco Landini

Francisco Leontaritis

Francisco Leontaritis or Francesco Londarit or Francesco Londarit, Franciscus Londariti, Leondaryti, Londaretus, Londaratus or Londaritus (1518-1572) was a Greek composer, singer and hymnographer from today's Heraklion of the Venetian-ruled Crete (i.e. Kingdom of Candia) at the Renaissance age.

See Madrigal and Francisco Leontaritis

Franco-Flemish School

The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it.

See Madrigal and Franco-Flemish School

Frottola

The frottola (plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. Madrigal and frottola are song forms.

See Madrigal and Frottola

Gavin Bryars

Richard Gavin Bryars (born 16 January 1943) is an English composer and double bassist.

See Madrigal and Gavin Bryars

George Crumb

George Henry Crumb Jr. (24 October 1929 – 6 February 2022) was an American composer of avant-garde contemporary classical music.

See Madrigal and George Crumb

Giaches de Wert

Giaches de Wert (also Jacques/Jaches de Wert, Giaches de Vuert; 1535 – 6 May 1596) was a Franco-Flemish composer of the late Renaissance, active in Italy.

See Madrigal and Giaches de Wert

Gilbert and Sullivan

Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created.

See Madrigal and Gilbert and Sullivan

Giovan Leonardo Primavera

Giovan Leonardo Primavera (c. 1540–1585) was an Italian Renaissance composer and poet.

See Madrigal and Giovan Leonardo Primavera

Giovanni Artusi

Giovanni Maria Artusi (c. 154018 August 1613) was an Italian music theorist, composer, and writer.

See Madrigal and Giovanni Artusi

Giovanni Ferretti

Giovanni Ferretti (c. 1540 – after 1609) was an Italian composer of the Renaissance, best known for his secular music.

See Madrigal and Giovanni Ferretti

Giovanni Gabrieli

Giovanni Gabrieli (/1557 – 12 August 1612) was an Italian composer and organist.

See Madrigal and Giovanni Gabrieli

Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music.

See Madrigal and Giovanni Pierluigi da Palestrina

Giovanni Priuli

Giovanni Priuli (or Prioli,Roche/Saunders, Grove online ca. 1575–1626) was a Venetian composer and organist of the late Renaissance and early Baroque periods.

See Madrigal and Giovanni Priuli

Girolamo Parabosco

Girolamo Parabosco (c. 1524 – April 21, 1557) was an Italian writer, composer, organist, and poet of the Renaissance.

See Madrigal and Girolamo Parabosco

Giulio Caccini

Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras.

See Madrigal and Giulio Caccini

Glee club

A glee club is a musical group or choir group, historically of male voices but also of female or mixed voices, which traditionally specializes in the singing of short songs by trios or quartets.

See Madrigal and Glee club

György Ligeti

György Sándor Ligeti (28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music.

See Madrigal and György Ligeti

Hans Leo Hassler

Hans Leo Hassler (in German, Hans Leo Haßler) (baptised 26 October 1564 – 8 June 1612) was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of lesser known composer Jakob Hassler.

See Madrigal and Hans Leo Hassler

Harpsichord

A harpsichord (clavicembalo, clavecin, Cembalo; clavecín, cravo, клавеси́н (tr. klavesín or klavesin), klavecimbel, klawesyn) is a musical instrument played by means of a keyboard.

See Madrigal and Harpsichord

Harvard Dictionary of Music

The Harvard Dictionary of Music is a standard music reference book published by the Belknap Press of Harvard University Press.

See Madrigal and Harvard Dictionary of Music

Heinrich Schütz

Heinrich Schütz (6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.

See Madrigal and Heinrich Schütz

Henri Pousseur

Henri Léon Marie-Thérèse Pousseur (23 June 1929 – 6 March 2009) was a Belgian classical composer, teacher, and music theorist.

See Madrigal and Henri Pousseur

Homophony

In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony.

See Madrigal and Homophony

House of Medici

The House of Medici was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici during the first half of the 15th century.

See Madrigal and House of Medici

Hubert Waelrant

Hubert Waelrant or Hubertus Waelrant (last name also spelled Waelrand and Latinised name: Hubertus Waelrandus) (– 19 November 1595) was a Flemish composer, singer, teacher, music editor, bookseller, printer and publisher active in 16th century Antwerp.

See Madrigal and Hubert Waelrant

Humanism

Humanism is a philosophical stance that emphasizes the individual and social potential, and agency of human beings, whom it considers the starting point for serious moral and philosophical inquiry.

See Madrigal and Humanism

Italian language

Italian (italiano,, or lingua italiana) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire.

See Madrigal and Italian language

Italian Renaissance

The Italian Renaissance (Rinascimento) was a period in Italian history covering the 15th and 16th centuries.

See Madrigal and Italian Renaissance

Jacopo da Bologna

Jacopo da Bologna (fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the Italian ars nova.

See Madrigal and Jacopo da Bologna

Jacques Arcadelt

Jacques Arcadelt (also Jacob Arcadelt; 10 August 150714 October 1568) was a Franco-Flemish composer of the Renaissance, active in both Italy and France, and principally known as a composer of secular vocal music.

See Madrigal and Jacques Arcadelt

Jacques Buus

Jacques Buus (also Jakob Buus, Jachet de Buus) (late August, 1565) was a Franco-Flemish composer and organist of the Renaissance, and an early member of the Venetian School.

See Madrigal and Jacques Buus

James Haar

James Haar (July 4, 1929 – September 15, 2018) was an American musicologist and W.R. Kenan Jr.

See Madrigal and James Haar

Jan Pieterszoon Sweelinck

Jan Pieterszoon Sweelinck (April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras.

See Madrigal and Jan Pieterszoon Sweelinck

Johann Hermann Schein

Johann Hermann Schein (20 January 1586 – 19 November 1630) was a German composer of the early Baroque era.

See Madrigal and Johann Hermann Schein

John Dowland

John Dowland (– buried 20 February 1626) was an English Renaissance composer, lutenist, and singer.

See Madrigal and John Dowland

John Farmer (composer)

John Farmer (c. 1570c. 1601) was an important composer of the English Madrigal School.

See Madrigal and John Farmer (composer)

John Immyns

John Immyns (1700 – 15 April 1764) was an English attorney, lutenist, and prolific copyist.

See Madrigal and John Immyns

John Wall Callcott

John Wall Callcott (20 November 1766 – 15 May 1821) was an English composer.

See Madrigal and John Wall Callcott

John Wilbye

John Wilbye (baptized 7 March 1574September 1638) was an English madrigal composer.

See Madrigal and John Wilbye

Joseph Barnby

Sir Joseph Barnby (12 August 183828 January 1896) was an English composer and conductor.

See Madrigal and Joseph Barnby

Journal of the Royal Musical Association

Journal of the Royal Musical Association is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies.

See Madrigal and Journal of the Royal Musical Association

Latin prosody

Latin prosody (from Middle French prosodie, from Latin prosōdia, from Ancient Greek προσῳδία prosōidía, "song sung to music, pronunciation of syllable") is the study of Latin poetry and its laws of meter.

See Madrigal and Latin prosody

Lodovico Agostini

Lodovico Agostini (1534 – 20 September 1590) was an Italian composer, singer, priest, and scholar of the late Renaissance.

See Madrigal and Lodovico Agostini

Love

Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure.

See Madrigal and Love

Luca Marenzio

Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance.

See Madrigal and Luca Marenzio

Lute

A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body.

See Madrigal and Lute

Luzzasco Luzzaschi

Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance.

See Madrigal and Luzzasco Luzzaschi

Madrigal (Trecento)

The Trecento Madrigal is an Italian musical form of the 14th century.

See Madrigal and Madrigal (Trecento)

Maistre Jhan

Maistre Jhan (also Jehan, Jan, Ihan) (c. 1485 – October 1538) was a French composer of the Renaissance, active for most of his career in Ferrara, Italy.

See Madrigal and Maistre Jhan

Mannerism

Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it.

See Madrigal and Mannerism

Mantua

Mantua (Mantova; Lombard and Mantua) is a comune (municipality) in the Italian region of Lombardy, and capital of the province of the same name.

See Madrigal and Mantua

Marc'Antonio Ingegneri

Marc'Antonio Ingegneri (also spelled Ingegnieri, Ingignieri, Ingignero, Inzegneri) (c. 1535 or 1536 – 1 July 1592) was an Italian composer of the late Renaissance.

See Madrigal and Marc'Antonio Ingegneri

Marco da Gagliano

Marco da Gagliano (1 May 1582 – 25 February 1643) was an Italian composer of the early Baroque era.

See Madrigal and Marco da Gagliano

Marco Marazzoli

Marco Marazzoli (1602? – 26 January 1662) was an Italian priest and Baroque music composer.

See Madrigal and Marco Marazzoli

Mascherata

A mascherata (Italian f., literally 'masquerade') is a dance from the sixteenth century and was particularly popular in Florence.

See Madrigal and Mascherata

Mauricio Kagel

Mauricio Raúl Kagel (24 December 1931 – 18 September 2008) was an Argentine-German composer and academic teacher.

See Madrigal and Mauricio Kagel

Metre (music)

In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats.

See Madrigal and Metre (music)

Michelangelo Rossi

Michelangelo Rossi (Michel Angelo del Violino) (ca. 1601/1602 – 1656) was an important Italian composer, violinist and organist of the Baroque era.

See Madrigal and Michelangelo Rossi

Monody

In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment.

See Madrigal and Monody

Moondog

Louis Thomas Hardin (May 26, 1916 – September 8, 1999), known professionally as Moondog, was an American composer, musician, performer, music theoretician, poet and inventor of musical instruments.

See Madrigal and Moondog

Morten Lauridsen

Morten Johannes Lauridsen (born February 27, 1943) is an American composer and academic teacher.

See Madrigal and Morten Lauridsen

Motet

In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present.

See Madrigal and Motet

Music & Letters

Music & Letters is an academic journal published quarterly by Oxford University Press with a focus on musicology.

See Madrigal and Music & Letters

Musicology

Musicology (from Greek μουσική 'music' and -λογια, 'domain of study') is the scholarly study of music.

See Madrigal and Musicology

Ned Rorem

Ned Miller Rorem (October 23, 1923 – November 18, 2022) was an American composer of contemporary classical music and a writer.

See Madrigal and Ned Rorem

Nicholas Yonge

Nicholas Yonge (also spelled Young, Younge; c. 1560 in Lewes, Sussex – buried 23 October 1619 in St Michael, Cornhill, London) was an English singer and publisher.

See Madrigal and Nicholas Yonge

Nicola Vicentino

Nicola Vicentino (1511 – 1575 or 1576) was an Italian music theorist and composer of the Renaissance.

See Madrigal and Nicola Vicentino

Nostalgia

Nostalgia is a sentimentality for the past, typically for a period or place with happy personal associations.

See Madrigal and Nostalgia

Oltremontani

Oltremontani ("those from over the Alps") were those of the Franco-Flemish School of composers who dominated the musical landscape of Northern Italy during the middle of the sixteenth Century.

See Madrigal and Oltremontani

Opera

Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers.

See Madrigal and Opera

Oratorio

An oratorio is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble.

See Madrigal and Oratorio

Orazio Vecchi

Orazio Vecchi (6 December 1550 (baptized) in Modena – 19 February 1605) was an Italian composer of the late Renaissance.

See Madrigal and Orazio Vecchi

Orlando di Lasso

Orlando di Lasso (various other names; probably – 14 June 1594) was a composer of the late Renaissance.

See Madrigal and Orlando di Lasso

Orlando Gibbons

Orlando Gibbons (bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School.

See Madrigal and Orlando Gibbons

Paolo Quagliati

Paolo Quagliati (c. 1555 – 16 November 1628) was an Italian composer of the early Baroque era and a member of the Roman School of composers.

See Madrigal and Paolo Quagliati

Paul Hindemith

Paul Hindemith (16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor.

See Madrigal and Paul Hindemith

Paul Mealor

Paul Mealor CLJ FLSW (born 25 November 1975) is a Welsh composer.

See Madrigal and Paul Mealor

Perissone Cambio

Perissone Cambio (c.1520 – c.1562) was a Franco-Flemish composer and singer of the Renaissance, active in Venice.

See Madrigal and Perissone Cambio

Petrarch

Francis Petrarch (20 July 1304 – 19 July 1374; Franciscus Petrarcha; modern Francesco Petrarca), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance and one of the earliest humanists.

See Madrigal and Petrarch

Philippe de Monte

Philippe de Monte (1521 – 4 July 1603), sometimes known as Philippus de Monte, was a Flemish composer of the late Renaissance active all over Europe.

See Madrigal and Philippe de Monte

Philippe Verdelot

Philippe Verdelot (1480 to 1485–1530 to 1540) was a French composer of the Renaissance, who spent most of his life in Italy.

See Madrigal and Philippe Verdelot

Pietro Bembo

Pietro Bembo, (Petrus Bembus; 20 May 1470 – 18 January 1547) was a Venetian scholar, poet, and literary theorist who also was a member of the Knights Hospitaller, and a cardinal of the Roman Catholic Church.

See Madrigal and Pietro Bembo

Poetry

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.

See Madrigal and Poetry

Polyphony

Polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony).

See Madrigal and Polyphony

Prophetiae Sibyllarum

Prophetiae Sibyllarum ("Sibylline Prophecies" or "Sibylline Oracles") are a series of twelve motets by the Franco-Flemish composer Orlando di Lasso.

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Recitative

Recitative (also known by its Italian name recitativo is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Madrigal and recitative are song forms.

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Renaissance

The Renaissance is a period of history and a European cultural movement covering the 15th and 16th centuries.

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Renaissance music

Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines.

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Robert Lucas Pearsall

Robert Lucas Pearsall (14 March 1795 – 5 August 1856) was an English composer mainly of vocal music, including an elaborate setting of "In dulci jubilo" and the richly harmonic part song Lay a garland of 1840, both still often performed today.

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Sack of Rome (1527)

The Sack of Rome, then part of the Papal States, followed the capture of Rome on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor, during the War of the League of Cognac.

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Salamone Rossi

Salamone Rossi or Salomone Rossi (סלומונה רוסי or שלמה מן האדומים) (Salamon, Schlomo; de' Rossi) (ca. 1570 – 1630) was an Italian Jewish violinist and composer.

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Samuel Wesley (composer, born 1766)

Samuel Wesley (24 February 1766 – 11 October 1837) was an English organist and composer in the late Georgian period.

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Sebastiano Festa

Sebastiano Festa (ca. 1490–1495 – 31 July 1524) was an Italian composer of the Renaissance, active mainly in Rome.

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Seconda pratica

Seconda pratica, Italian for "second practice", is the counterpart to prima pratica (or stile antico) and is sometimes referred to as stile moderno.

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Secularity

Secularity, also the secular or secularness (from Latin saeculum, "worldly" or "of a generation"), is the state of being unrelated or neutral in regards to religion.

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Siege of Florence (1529–1530)

The siege of Florence took place from 24 October 1529 to 10 August 1530, at the end of the War of the League of Cognac.

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Sigismondo d'India

Sigismondo d'India (c. 1582 – before 19 April 1629) was an Italian composer of the late Renaissance and early Baroque eras.

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Sigismund III Vasa

Sigismund III Vasa (Zygmunt III Waza, Žygimantas Vaza; 20 June 1566 – 30 April 1632 N.S.) was King of Poland and Grand Duke of Lithuania from 1587 to 1632 and, as Sigismund, King of Sweden and Grand Duke of Finland from 1592 to 1599.

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Sonnet

The term sonnet derives from the Italian word sonetto (from the Latin word sonus). It refers to a fixed verse poetic form, traditionally consisting of fourteen lines adhering to a set rhyming scheme.

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Soprano

A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.

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St Mark's Basilica

The Patriarchal Cathedral Basilica of Saint Mark (Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica (Basilica di San Marco; Baxéłega de San Marco), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello.

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Strophic form

Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music.

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Syntax

In linguistics, syntax is the study of how words and morphemes combine to form larger units such as phrases and sentences.

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Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday.

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Tercet

A tercet is composed of three lines of poetry, forming a stanza or a complete poem.

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The Madrigal Society

The Madrigal Society is a British association of amateur musicians.

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The Mikado

The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations.

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The New Grove Dictionary of Music and Musicians

The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.

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The Oxford Book of English Madrigals

The Oxford Book of English Madrigals was edited by Philip Ledger, and published in 1978 by the Oxford University Press.

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The Oxford Companion to Music

The Oxford Companion to Music is a music reference book in the series of Oxford Companions produced by the Oxford University Press.

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Theorbo

The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox.

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Thomas Attwood Walmisley

Thomas Attwood Walmisley (21 January 181417 January 1856) was an English composer and organist.

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Thomas Bateson

Thomas Bateson, Batson or Betson (c.1570 – 16 March 1630) was an Anglo-Irish composer of madrigals and vocal church music in the early 17th century.

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Thomas Campion

Thomas Campion (sometimes spelled Campian; 12 February 1567 – 1 March 1620) was an English composer, poet, and physician.

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Thomas Morley

Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance.

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Thomas Oliphant (lyricist)

Thomas Oliphant (1799 – 1873) was a Scottish musician, artist and author.

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Thomas Tomkins

Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period.

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Thomas Weelkes

Thomas Weelkes (1576 (?) – 1623) was an English composer and organist.

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Through-composed music

In the theory of musical form, through-composed music is a continuous, non-sectional, and non-repetitive piece of music.

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Tremolo

In music, tremolo, or tremolando, is a trembling effect.

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Umeå University

Umeå University (Umeå universitet; Ume Sami: Ubmeje universitiähta) is a public research university located in Umeå, in the mid-northern region of Sweden.

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University of Bristol

The University of Bristol is a red brick Russell Group research university in Bristol, England.

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Venetian School (music)

In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.

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Vernacular

Vernacular is the ordinary, informal, spoken form of language, particularly when perceived as being of lower social status in contrast to standard language, which is more codified, institutional, literary, or formal.

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Villanella

In music, a villanella (plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century.

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Vincent d'Indy

Paul Marie Théodore Vincent d'Indy (27 March 18512 December 1931) was a French composer and teacher.

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Vocal music

Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece.

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William Byrd

William Byrd (4 July 1623) was an English Renaissance composer.

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Word painting

Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music.

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1520s in music

The decade of the 1520s in music (years 1520–1529) involved some significant events, compositions, publications, births, and deaths.

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See also

Renaissance music genres

Songs in classical music

References

[1] https://en.wikipedia.org/wiki/Madrigal

Also known as Italian madrigal, Madrigal (Music), Madrigali, Madrigalist, Madrigals.

, Ferrara, Florentine Camerata, Francesco Corteccia, Francesco Landini, Francisco Leontaritis, Franco-Flemish School, Frottola, Gavin Bryars, George Crumb, Giaches de Wert, Gilbert and Sullivan, Giovan Leonardo Primavera, Giovanni Artusi, Giovanni Ferretti, Giovanni Gabrieli, Giovanni Pierluigi da Palestrina, Giovanni Priuli, Girolamo Parabosco, Giulio Caccini, Glee club, György Ligeti, Hans Leo Hassler, Harpsichord, Harvard Dictionary of Music, Heinrich Schütz, Henri Pousseur, Homophony, House of Medici, Hubert Waelrant, Humanism, Italian language, Italian Renaissance, Jacopo da Bologna, Jacques Arcadelt, Jacques Buus, James Haar, Jan Pieterszoon Sweelinck, Johann Hermann Schein, John Dowland, John Farmer (composer), John Immyns, John Wall Callcott, John Wilbye, Joseph Barnby, Journal of the Royal Musical Association, Latin prosody, Lodovico Agostini, Love, Luca Marenzio, Lute, Luzzasco Luzzaschi, Madrigal (Trecento), Maistre Jhan, Mannerism, Mantua, Marc'Antonio Ingegneri, Marco da Gagliano, Marco Marazzoli, Mascherata, Mauricio Kagel, Metre (music), Michelangelo Rossi, Monody, Moondog, Morten Lauridsen, Motet, Music & Letters, Musicology, Ned Rorem, Nicholas Yonge, Nicola Vicentino, Nostalgia, Oltremontani, Opera, Oratorio, Orazio Vecchi, Orlando di Lasso, Orlando Gibbons, Paolo Quagliati, Paul Hindemith, Paul Mealor, Perissone Cambio, Petrarch, Philippe de Monte, Philippe Verdelot, Pietro Bembo, Poetry, Polyphony, Prophetiae Sibyllarum, Recitative, Renaissance, Renaissance music, Robert Lucas Pearsall, Sack of Rome (1527), Salamone Rossi, Samuel Wesley (composer, born 1766), Sebastiano Festa, Seconda pratica, Secularity, Siege of Florence (1529–1530), Sigismondo d'India, Sigismund III Vasa, Sonnet, Soprano, St Mark's Basilica, Strophic form, Syntax, Tenebrae responsories, Tercet, The Madrigal Society, The Mikado, The New Grove Dictionary of Music and Musicians, The Oxford Book of English Madrigals, The Oxford Companion to Music, Theorbo, Thomas Attwood Walmisley, Thomas Bateson, Thomas Campion, Thomas Morley, Thomas Oliphant (lyricist), Thomas Tomkins, Thomas Weelkes, Through-composed music, Tremolo, Umeå University, University of Bristol, Venetian School (music), Vernacular, Villanella, Vincent d'Indy, Vocal music, William Byrd, Word painting, 1520s in music.