D-flat minor & E major - Unionpedia, the concept map

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Difference between D-flat minor and E major

D-flat minor vs. E major

D-flat minor is a theoretical key based on flat, consisting of the pitches D, flat, flat, flat, flat, B, and flat. E major (or the key of E) is a major scale based on E, consisting of the pitches E, Fsharp, Gsharp, A, B, Csharp, and Dsharp.

A (musical note)

A or La is the sixth note and the tenth semitone of the fixed-do solfège.

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Anton Bruckner

Josef Anton Bruckner (4 September 182411 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets.

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B (musical note)

B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège.

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C-sharp minor

C-sharp minor is a minor scale based on sharp, with the pitches C, sharp, E, sharp, sharp, A, and B. Its key signature consists of four sharps.

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Diminished triad

In music theory, a diminished triad (also known as the minor flatted fifth) is a triad consisting of two minor thirds above the root.

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Dominant (music)

In music, the dominant is the fifth scale degree of the diatonic scale.

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E (musical note)

E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège.

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F-flat major

F-flat major (or the key of F-flat) is a theoretical key based on flat, consisting of the pitches F, b, b, B double flat, b, b, and b.

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F-sharp minor

F-sharp minor is a minor scale based on sharp, consisting of the pitches F, sharp, A, B, sharp, D, and E. Its key signature has three sharps.

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Flat (music)

In music, flat means lower in pitch.

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Key signature

In Western musical notation, a key signature is a set of sharp, flat, or rarely, natural symbols placed on the staff at the beginning of a section of music.

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Mediant

In music, the mediant (Latin: "being in the middle") is the third scale degree of a diatonic scale, being the note halfway between the tonic and the dominant.

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Parallel key

In music theory, a major scale and a minor scale that have the same starting note (tonic) are called parallel keys and are said to be in a parallel relationship.

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Relative key

In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps.

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Subdominant

In music, the subdominant is the fourth tonal degree of the diatonic scale.

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Submediant

In music, the submediant is the sixth degree of a diatonic scale.

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Supertonic

In music, the supertonic is the second degree of a diatonic scale, one whole step above the tonic.

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Tonic (music)

In music, the tonic is the first scale degree of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music.

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