|
Peacock
|
1988
|
Instruments to perform color-music: Two centuries of technological experimentation |
|
Betancourt
|
2020
|
The history of motion graphics |
|
Zilczer
|
1987
|
" Color music": Synaesthesia and nineteenth-century sources for abstract art |
|
Cornwell-Clyne
|
1926
|
Colour-music: The art of light |
|
Orgeman
|
2017
|
Lumia: Thomas Wilfred and the art of light |
|
Peacock
|
2021
|
Famous Color Instruments of the 19th and 20th Centuries |
|
Galeyev
|
1976
|
Music-Kinetic Art Medium: On the Work of the Group'Prometei'(SKB), Kazan, USSR |
|
McDonnell
|
2020
|
Finding Visual Music in Its 20th-Century History |
|
Rimington
|
2004
|
Colour-music |
|
Lee
|
2019
|
Synesthesia and the Color-light Keyboards |
|
Randall
|
1993
|
The history of piano improvisation in western concert music |
|
Disney’s
|
2023
|
Every beautiful sound also creates an equally beautiful picture |
|
Filimon
|
2023
|
Syncretism and synaesthesia in music–unification of arts and perceptions |
|
Robertson
|
2010
|
“It looks like sound!”: Drawing a history of “animated music” in the early twentieth century |
|
Giordano et al.
|
2022
|
Lemon’s Pitch: An Attempt to Induce Audio-Visual Synesthesia in Live Music Performances |
|
Greenwald
|
2009
|
Son et lumière: Verdi, Attila, and the sunrise over the lagoon |
|
Whyte
|
2019
|
“A light in sound, a sound-like power in light”: Light and/as music in the history of the color organ |
|
Karlsen
|
2001
|
The color-music connection: Philosophical, aesthetic and scientific perspectives |
|
Peacock
|
1976
|
Alexander Scriabin's Prometheus: Philosophy And Structure. |
|
McDONNELL
|
2002
|
Early Colour Organs |
|
Vicente
|
2017
|
In Praise of Shadows: Study for a Light Composition in Space |
|
Ligrani
|
2019
|
Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press. |
|
Shannon
|
1996
|
Black and white in color: The creative aspects involved in the production of two computer multimedia projects based on music for two pianos |
|
Dér
|
2017
|
And Then There Was Light: Lighting Art in Flute Repertoire |
|
Lambert
|
2018
|
Squaring the Circle: Wilfred’s Lumia and his Rejection of ‘Colour Music’ |