Walking Man | All Works | The MFAH Collections
Auguste Rodin
Walking Man
CultureFrench
Date1905, cast 1962
PlaceFrance
MediumBronze
Dimensions84 1/4 × 61 × 29 in. (214 × 154.9 × 73.7 cm)
Credit LineMuseum purchase funded by Margarett Root Brown in honor of Louisa Stude Sarofim
Object number64.24
Current Location The Lillie and Hugh Roy Cullen Sculpture Garden Sculpture Garden
On view
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Description Produced at the acme of the artist's career, Walking Man in many ways laid down the parameters of Modernism at the turn of the 20th century. Frozen midstride, the figure contains drama at every angle. By 1900, Auguste Rodin was the most celebrated sculptor of his time. He worked thematically and often returned to earlier pieces in a constant revision of form. In Walking Man Rodin revisits his first masterwork, St. John the Baptist Preaching (1878–80). Walking Man's trunk is based on an 1878 torso study for St. John. At what point Rodin added legs to create a striding man is not documented. As the figure evolved, Rodin stripped away its narrative context. Further, he took extreme liberties in his rendition of the male physique. Walking Man's scarred surfaces reveal the artist's process; the unusual fragmentation of the body focuses attention to the figure's powerful legs. This bronze sculpture is also profoundly modern: The stance is not that of an antique statue. Rather, it embodies the thrust of contemporary urban life.
"Rodin: A Selection from the Musee Rodin," Museum of Fine Arts, Houston, April 18–June 18, 1972. Inscribed at right corner of the base, back side (bottom edge of right back corner): "Georges Rudier Fondeur, Paris" Inscribed at upper side of base: "A. Rodin"
Provenance[Musée Rodin, Paris]; purchased by MFAH, 1964.
Exhibition History"Rodin," Museum of Modern Art, New York, May 1–September 8, 1963.
Cataloguing data may change with further research.
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