Published works

Typographic stories

MeMo publications

Graphic stories

éditions le corridor

Anthology

(Robert Laffont, coll. « Bouquins », 2019) by Patrick Corillon

Le voyage en Belgique

Self-made books

éditions le corridor

Artist books

Coloured-in book

Advances made in the late nineteenth century in the printing industry gave rise to what are known “coffee-table books”. Many poets have had the good fortune to see their works accompanied by colour illustrations commissioned from famous painters.
Creating a contrary trend, a Parisian circle of young poets called “the Notionists” took the view that the words ought to be enough on their own. They refused to have the slightest piece of their writing published along with an image, and even encouraged their readers to empty their heads completely before plunging into one of their poems. To do this, they had devised little coloured paper theatres that worked as follows: the reader would close his eyes and focus on the dominant colour that came to him from deep down inside, letting himself become totally taken over by it. When he opened his eyes, he would look straightaway into the paper theatre for the subtractive complementary colour that would cancel out the one that had just taken him over. The effect was instantaneous, the reader’s inner gaze was cleared again, finally ready to read a poem.
Unfortunately, these paper theatres were hardly ever used. One of the “Notionists” soon cottoned on to the fact that once your head is properly cleared, the slightest phrase or word that you read, even on an advertising hoarding, appears in the splendour ‘of the first day’; everything becomes poetry, and there is no more need for poets.

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