Digital Media and Textuality

Frontmatter

Contents

Preface

Part One: “Nothing Comes of Nothing”

Rhapsodic Textualities

Passing the Calvino Test? Writing Machines and Literary Ghosts

Part Two: Introspective Texts

Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention

Pwning Gamers, One Text at a Time

Part Three: Where is Narrative?

Character: A Concept That Does Not Stand Still

Shelley Jackson’s Grotesque Corpus Notes on my body⎯a Wunderkammer

Choice and Disbelief: Revisiting Immersion and Interactivity

Creative Process: Interweaving Methods, Content and Technology

Distilling the Elements of “Networked Narratives” with Digital Alchemy

Part Five: Trans-Multi-Inter-Meta (The Medium)

The Creative Process as a “Dance of Agency” Shelley Jackson’s Snow: Performing Literary Text with Elements

Narrative Across Media: Trans-Stories In-Betweeness

Part Six: Tracking and Preserving Texts

Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image

Curating “Shapeshifting Texts”

Postscript Loosely Connected Only to What it’s Coming After

Contributors