The Cotton Club (1984) - IMDb
Directed by
Francis Ford Coppola | ... | (as Francis Coppola) |
Writing Credits
William Kennedy | ... | (screenplay) & |
Francis Ford Coppola | ... | (screenplay) (as Francis Coppola) |
William Kennedy | ... | (story) & |
Francis Ford Coppola | ... | (story) (as Francis Coppola) and |
Mario Puzo | ... | (story) |
Jim Haskins | ... | (pictorial history "The Cotton Club") (as James Haskins) (suggestion) |
Cast (in credits order) verified as complete
Produced by
Joey Cusumano | ... | line producer (as Joseph Cusumano) |
Robert Evans | ... | producer |
Dyson Lovell | ... | executive producer |
Barrie M. Osborne | ... | line producer |
Melissa Prophet | ... | associate producer |
Fred Roos | ... | co-producer |
Sylvio Tabet | ... | co-producer |
Music by
John Barry |
Cinematography by
Stephen Goldblatt | ... | director of photography |
Editing by
Robert Q. Lovett | ||
Barry Malkin | ||
Glen Scantlebury | ... | (directors cut) |
Robert Schafer | ... | (directors cut) |
Casting By
Lois Planco | |
Gretchen Rennell |
Production Design by
Richard Sylbert |
Art Direction by
Gregory Bolton | |
David Chapman |
Set Decoration by
Leslie Bloom | ... | (as Les Bloom) |
George Gaines |
Costume Design by
Milena Canonero |
Makeup Department
John Caglione Jr. | ... | key prosthetics makeup |
Verne Caruso | ... | hair stylist |
Enrico A. Cortese | ... | additional make-up artist (as Enrico Cortese) |
Alan D'Angerio | ... | hair department head |
Richard Dean | ... | makeup artist |
C. Romania Ford | ... | makeup artist (as Romania Ford) |
Frances A. Kolar | ... | makeup artist (as Francis Kolar) |
Craig Lyman | ... | key makeup artist |
Tony Marrero | ... | hair stylist |
Lyndell Quiyou | ... | key hair stylist |
Bert Reo Anderson | ... | assistant hair stylist (uncredited) |
Jay Cannistraci | ... | additional makeup artist (uncredited) |
Doug Drexler | ... | makeup lab (uncredited) |
Production Management
Grace Blake | ... | executive production supervisor |
Christopher Cronyn | ... | unit production manager |
David Golden | ... | unit production manager |
Margaret B. Hunnewell | ... | unit production manager (as Meg Hunnewell) |
Kerry Orent | ... | post-production supervisor |
Second Unit Director or Assistant Director
Paula Brody | ... | dga trainee |
Henry Bronchtein | ... | second assistant director |
Gian-Carlo Coppola | ... | second unit director |
Louis D'Esposito | ... | second assistant director |
Robert V. Girolami | ... | first assistant director |
Joseph P. Reidy | ... | first assistant director: montage and second unit (as Joseph Reidy) |
Amy Sayers | ... | additional second assistant director |
Art Department
Billy Bishop | ... | assistant property master (as William Bishop) |
James Halligan | ... | key construction grip |
George Hugel | ... | carpenter |
Beth Kuhn | ... | assistant art director |
Sharmagne Leland-St. John | ... | assistant to production designer |
Herbert F. Mulligan | ... | head set dresser (as Herbert Mulligan) |
Jimmy Raitt | ... | property master |
Bruno Robotti | ... | scenic supervisor |
Edward Swanson | ... | key carpenter |
Polly Wood-Holland | ... | scenic artist (as Polly Wood Holland) |
Linda Conaway-Parsloe | ... | assistant art director (uncredited) |
Carl Landi | ... | carpenter (uncredited) |
John Peter Melendez | ... | set dresser (uncredited) |
Harold Michelson | ... | illustrator (uncredited) |
Sound Department
James Austin | ... | re-recording mixer (as Jim Austin) |
Richard Beggs | ... | supervising re-recording mixer |
Tom Bellfort | ... | adr editor |
Louis Bertini | ... | assistant sound editor |
Edward Beyer | ... | supervising sound editor |
Nathan Boxer | ... | boom man / boom operator |
David Carroll | ... | supervising mix engineer |
Laura Civiello | ... | assistant sound editor |
Lee Dichter | ... | re-recording mixer |
Harriet Fidlow | ... | adr editor |
Jack C. Jacobsen | ... | sound mixer (as Jack Jacobsen) |
Michael Kirchberger | ... | sound editor |
Kevin Lee | ... | sound editor |
Michael Minkler | ... | re-recording mixer (as Mike Minkler) |
Barbara Minor | ... | assistant sound editor |
Laurie Mullen | ... | assistant sound editor |
Mark Rathaus | ... | sound editor |
Louise Rubacky | ... | assistant sound editor (as Mary-Louise Rubacky) |
Maurice Schell | ... | sound editor |
Paul Trejo | ... | sound editor |
Steven Visscher | ... | assistant sound editor |
John Clavin | ... | sound engineer (uncredited) |
Richard Friedlander | ... | apprentice sound editor (uncredited) |
Rudy Gaskins | ... | apprentice sfx editor (uncredited) |
Colin Guthrie | ... | mix engineer (uncredited) |
Jim McKee | ... | re-recording mixer (uncredited) |
James Perdue | ... | sound (uncredited) |
Maurice Schell | ... | adr crowd (uncredited) / foley artist (uncredited) |
Mel Zelniker | ... | adr recordist (uncredited) |
Special Effects by
Connie Brink | ... | special effects (as Conrad Brink) |
James 'Packy' Dolan | ... | gaffer: special effects unit |
Lewis Gould | ... | special effects unit second assistant director |
Michael Haley | ... | special effects unit first assistant director |
William Kane | ... | special effects property master |
Stan Parks | ... | special effects coordinator |
Tony Parmelee | ... | special effects |
Michael Rauch | ... | special effects unit production manager |
Stunts
William H. Burton | ... | stunt coordinator: special effects (as Bill Burton) |
Victor Magnotta | ... | stunt coordinator (as Vic Magnotta) |
Scott Leva | ... | stunts (uncredited) |
Camera and Electrical Department
Joseph F. Coffey | ... | camera operator: "b" camera (as Joseph Coffey) |
Adger W. Cowans | ... | still photographer (as Adger Cowans) |
Angelo Di Giacomo | ... | second assistant camera (as Angelo DiGiacomo) |
Peter Girolami | ... | electrician |
Kenneth Goss | ... | key grip |
Vincent Guarriello | ... | best boy (as Vince Guarriello) / dolly grip (as Vince Guarriello) |
Tim Guinness | ... | best boy |
Charles K. Mattson | ... | best boy |
George Patsos | ... | key grip: special effects unit |
Steve Scanlon | ... | playback operator |
Frank Schulz | ... | gaffer |
Michael Stone | ... | camera operator |
Donald Sweeney | ... | director of photography: second unit |
David Wagreich | ... | first assistant camera |
Ted Churchill | ... | steadicam operator (uncredited) |
Andrew D. Schwartz | ... | still photographer: re-shoots (uncredited) |
Casting Department
Aleta Chappelle | ... | extras casting assistant (as Aleta Wood-Chappelle) |
Nina Fineman | ... | casting assistant |
Janet Hirshenson | ... | casting: Los Angeles |
Julie Hughes | ... | music & dance casting |
Jane Jenkins | ... | casting: Los Angeles |
Barry Moss | ... | music & dance casting |
Pippo Pisciotto | ... | extras casting assistant |
Costume and Wardrobe Department
Mark Burchard | ... | wardrobe |
Al Craine | ... | key wardrobe (as Alfred Craine) |
Beverly Cycon | ... | key wardrobe |
Margarita Delgado | ... | assistant costume designer |
Dougie Hawkes | ... | costumier |
John Helgerson | ... | assistant costume designer |
Maureen Hogan | ... | costume assistant |
Judianna Makovsky | ... | assistant costume designer |
Rosemary Ponzo | ... | costumer / wardrobe |
Elizabeth Shelton | ... | assistant costume designer |
Richard Shissler | ... | assistant costume designer |
Rosamary Panzo | ... | wardrobe supervisor (uncredited) |
Barnaby Smith | ... | set costumer (uncredited) |
Editorial Department
Debra Bard | ... | assistant film editor |
John David Coles | ... | assistant film editor |
Gian-Carlo Coppola | ... | montage |
Dorian Harris | ... | assistant film editor |
James T. Mockoski | ... | restoration supervisor (2017 Restoration) |
Mike Sowa | ... | restoration colorist (uncredited) |
Donald Sweeney | ... | montage |
Michael Berenbaum | ... | apprentice editor (uncredited) |
Location Management
Celia D. Costas | ... | location manager: special effects unit (as Celia Costas) |
Ed Dessisso | ... | location manager |
Gaetano Lisi | ... | location manager |
Charles Miller | ... | assistant location manager (uncredited) |
Music Department
John Barry | ... | conductor / music supervised by |
Emile Charlap | ... | musician contractor |
Clarence Gaskill | ... | composer: song "Minnie the Moocher" |
Richard Gere | ... | musician: cornet solos |
Norman Hollyn | ... | music edited by |
Jack Jeffers | ... | sideline musician contractor |
Sy Johnson | ... | associate music supervisor / music arranger / orchestrator |
Tom Jung | ... | music recording engineer |
Patrick Mullins | ... | assistant music editor |
Zane Weiner | ... | musical production coordinator |
Jerry Wexler | ... | music consultant |
Bob Wilber | ... | music re-creation |
Albert Woodbury | ... | additional orchestrator (as Al Woodbury) |
Birch Johnson | ... | musician: trombone (uncredited) |
Jeff Kliment | ... | music editor (uncredited) |
Script and Continuity Department
B.J. Bjorkman | ... | additional script supervisor |
Lynn Lewis Lovett | ... | continuity |
Transportation Department
Patrick Hogan | ... | transportation captain: second unit |
Additional Crew
Claudia Asbury | ... | choreographer |
Jane Bartelme | ... | assistant to producer |
Dominique Bruballa | ... | production accountant |
Lisa Burnett | ... | assistant production coordinator |
Nelson Cabrera | ... | production staff |
Cathleen Clarke | ... | assistant: Robert Evans |
Antony Clavet | ... | visual consultant |
Ralph Cooper | ... | special consultant |
Ralph Cooper | ... | associate consultant |
Norma Jean Darden | ... | research consultant |
Loolee DeLeon | ... | office coordinator: San Francisco (as Loolee Deleon) |
Michael Dick | ... | production assistant |
Tony Dingman | ... | liaison: New York and San Francisco |
George Faison | ... | choreographer |
Patrick J. Feerick | ... | teamster (as P.J. Feerick) |
Milton Forman | ... | producer consultant |
Robert Gach | ... | assistant: Richard Gere |
Maurice Hines Sr. | ... | research consultant |
Gregory Hines | ... | tap improvography |
Howard Johnson | ... | research consultant |
Ernie Karpeles | ... | animal handler |
Murdo Laird | ... | chief engineer: Electronic Cinema |
Michael Lavin | ... | engineer: Electronic Cinema |
Henry LeTang | ... | tap choreographer (as Henry Le Tang) |
Gine Lui | ... | production assistant |
Michael Meacham | ... | choreographer |
Tom Miller | ... | unit publicist |
Arthur Mitchell | ... | choreographer |
Anahid Nazarian | ... | systems librarian: Electronic Cinema |
Edward V. Padula | ... | production consultant |
Jane Paul | ... | production assistant |
Janet Pett Davies | ... | assistant: Robert Evans (as Janet Pett) |
Lillian Pyles | ... | assistant production coordinator |
Marjorie Pyles-Hearst | ... | studio teacher |
Grant Harper Reid | ... | production assistant (as Grant Reid) |
Thomas Reilly | ... | teamster captain (as Tommy Reilly) |
James W. Skotchdopole | ... | production assistant |
Michael Smuin | ... | principal choreographer |
Sara Ström | ... | secretary: Francis Coppola |
Daniel R. Suhart | ... | dialogue coach (as Dan Suhart) |
Victoria Turnwell | ... | assistant: Robert Evans |
J. David Williams | ... | financier |
Kurt Woolner | ... | film finances representative |
Willem Zumwalt | ... | production assistant: post production |
Mitchell Amundsen | ... | production assistant (uncredited) |
Tommy Burns | ... | production assistant (uncredited) |
Justin Cooke | ... | production assistant (uncredited) |
Ellie LeTang | ... | assistant choreographer (uncredited) |
Jane Paul | ... | set production assistant (uncredited) |
Maurice Schell | ... | adr loop group (uncredited) |
Tony Trimarco | ... | assistant accountant (uncredited) |
Rick Washburn | ... | weapons coordinator (uncredited) |