Arriflex's ARRI 765 Camera System

FILMS IN ARRI 765 • Go to ARRI 765 | "NOTHING VENTURED" • Go to "Nothing Ventured" in ARRI 765 "CUT" • Go to A Unique Analogue Workshop Event • Go to Gallery The Making of "CUT" “AS GOOD AS IT GETS” • Go to “As Good as it Gets” • "As Good As It Gets" Introductory Notes • "As Good as it Gets" - Afterthoughts "NO TIME TO DIE" • Go to "No Time to Die" Filmed (in Parts) in 65mm “MATTHIAS AND MAXIME” • Go to Photographed on 65mm Film “TOUR EIFFEL” On Location in Paris with ARRI 765 By Veit Helmer The 765 looks and runs like any 35mm camera. Even the exterior of the 765 is hardly different from a 35mm camera. Tour Eiffel | “BMW 850i” Making of BMW 850i By Volker J. Müller Director/cameraman Siegfried Steiner proposed to BMW to shoot the exhibition film in the 70mm-format. The advantages were quite obvious: More light-output, a sharper image, larger screen, etc. The automobile manufacturer agreed enthusiastically.

ARRI, MUNCHEN, GERMANY • Go to A Visit to ARRI in München • Go to gallery A Visual Visit to ARRI in München ARRI, MUNCHEN, GERMANY • Go to Otto Blaschek - The Making of ARRI 765 PHOTOGRAPHED WITH THE ARRI 765 • • Go to Films photographed with the ARRI 765 65mm camera "SUNSET SONG" • Go to "Sunset Song" Filming in 65mm “NANGA PARBAT” A film on historic scaling of Nanga Parbat By Rizwan Ehsan Ali Renowned mountaineer Reinhold Messner has teamed up with precisionist director and producer Joseph Vilsmaier to shoot a film on Nanga Parbat yet to be named. “FAR AND AWAY” How "Far and Away" became 65mm By Mikael Salomon "Far and Away" began as a small film which Ron and I talked about making, while shooting "Backdraft" “JESUS WAS HIS NAME” • Go to French 65mm production which unites 70mm film and live theatre ALSO WITH THE ARRI 765 "The Witness" in Super Panavision 70   "100%" in 70mm   The Filming of "The Testament of One Fold and One Shepherd"   Super Panavision 70 On an Indian Reservation

GOLD FOR THE ARRI 765 ALEXA 65 ALEXA 65 - The splendor of 70mm is reborn By Jacques Morell We were waiting for the new Panavision digital 65mm camera developed with NASA engineers. The information has been published in January with a picture of the prototype. And no more news 9 months later… The breaking news is coming from Germany! ARRI is the leader of digital 35mm cameras all over the world with its complete range of ALEXA cameras. ALEXA 65 - le 70 mm redevient le format d’excellence au cinema Jacques Morell On attendait la sortie imminente de la nouvelle caméra Panavision numérique 65mm développée avec le concours de la NASA. L’information est parue en début d’année avec une photo d’une version prototype. Et depuis plus rien. Surprise! La bonne nouvelle est venue d’Allemagne. ARRI, dont les différentes versions de caméras numériques de la gamme ALEXA sont la référence depuis des années sur les plateaux de tournages en Europe et dans le monde entier, sera non seulement la marque leader du cinéma 35mm numérique • Go to "Roma" by Alfonso Cuarón. Production Notes • Go to Destination Film: Roma in 70mm • Go to Arriflex's ARRI 765 Camera System