Days of Peace - Visiting Rome on a Hop-on Hop-off Bus
- ️romeartlover
- How to Spend a Peaceful Day in Rome
Visiting Rome 
Carriage rides have always been popular with tourists who do not have much time to spend seeing a city and who are happy with the generic
information provided by the coachman.
It was an inexpensive and comfortable way to visit Rome which has monuments spread over a large area (it was because it is no longer cheap).
Hop-on hop-off services
A modern alternative to a carriage ride is to buy a daily ticket on a hop-on-hop-off double-decker; the upper deck is open and it
allows a view from a raised position similar to that of a carriage.
There are several companies providing this service some of which specialize in religious buildings (Roma Cristiana) or archaeological sites (Archeobus).
Those who are interested in just a daily pass for all public transportation (bus, metro and rail) may prefer to buy a ticket called
"B.I.G." (Biglietto Integrato Giornaliero).
Do not lean out (Via del Corso and to the left Palazzo d'Aste)
Passengers are provided with headphones giving information on the monuments along the route and with some safety rules to be followed during the journey. It is wise to comply with them because the bus may come to a sudden halt and passengers standing on the upper deck may lose their balance. Special attention should be paid to children and babies.
Castel Sant'Angelo and Ponte degli Angeli seen from Ponte Vittorio Emanuele
Staying on the upper deck in winter may lead you to catch a cold, but also to take some unique photos which combine monuments of various periods of Rome.
Fountain opposite Bocca della Verit� (left) and Tempio di Vesta (right)
Bocca della Verit� (Mouth of Truth) became widely known when it appeared in a scene in Roman Holiday, a 1953 movie starring Gregory Peck and Audrey Hepburn.
However it did not become a Roman "must see" until 2000, when another movie (Sleeping Bride by Hideo Nakata) made it popular among the Japanese; now there is always a long queue of people waiting to take a picture of themselves with a hand in Bocca della Verit�.
Those who fear they will not pass the test of this ancient lie detector, can stay on the bus and have a look at fine monuments of Ancient and Baroque Rome.
Grand Tour travellers entered Rome at Porta del Popolo; those of today arrive at the airports of Fiumicino or Ciampino, but for a century (1860s-1960s) Stazione Termini was the gateway of Rome. Fontana delle Naiadi was the first Roman monument railway travellers saw; especially if they came from a provincial town they were much impressed by its design and spouts. That happened to the writer of this page when, as a boy of six, he first visited Rome. Even today he marvels at it.
Tempio di Venere e Roma (left) and S. Francesca Romana (right)
From the upper deck it is possible to observe Tempio di Venere e Roma in its entirety, usually one sees S. Francesca Romana from the Roman Forum and the eastern section of the temple from Piazza del Colosseo, thus losing the link between the two buildings. The temple was designed by Emperor Hadrian himself; his project was criticized by Apollodorus of Damascus, the preferred architect of Emperor Trajan, who paid for his remarks with his life (according to Cassius Dio).
By placing the apses of two temples back to back, perhaps Hadrian was thinking of Janus, one of the few Roman deities without a Greek equivalent. Janus was the god of doors and gates and of the transition between the old and the new year (hence January). He was portrayed with two heads looking in opposite directions and the twin temples did the same. When the western temple was turned into a church the
whole complex became a symbol of the transition from Ancient to Christian Rome.
Coats of arms (left to right): Pope Alexander VI at Passetto; Muti Bussi family on their palace; Pacelli family (that of Pope Pius XII) on their palace next to Palazzo Vidoni
The itinerary followed by the hop-on-hop-off buses is not the straightest one between two points, but it tries to show as much as possible of the city; the tour takes two hours, but there are no limits to the number of times one can do it. It is an opportunity to have a look at the many coats of arms the popes and the noble families placed on their palaces or on the monuments they built.
(left) Stucco works in Via del Tritone
The buildings which were erected in the 50-60 years after 1870, usually are not paid a lot of attention; in general they are located in very busy streets with many shops; passers-by are more interested in examining the goods on sale rather than looking at the palaces of Roma Capitale. The upper deck allows the discovery of many statues and elaborate decorations.
Details of buildings in Prati (left) and Via Vittorio Veneto (right)