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S. Frith | Semantic Scholar

Music and identity

Volume One: Music and Society A. The Making of Popular Music: Meanings and Values 1. Peter Bailey: 'Conspiracies of Meaning: Music Hall and the Knowingness of Popular Culture', Past & Present, 144,

Performing Rites: On the Value of Popular Music

Acknowledgments Music Talk The Value Problem in Cultural Studies The Sociological Response Common Sense and the Language of Criticism Genre Rules On Music Itself Where Do Sounds Come From? Rhythm:

Performing Rites: Evaluating Popular Music

ACKNOWLEDGEMENTS PART I MUSIC TALK: 1 THE VALUE PROBLEM IN CULTURAL STUDIES 2 THE SOCIOLOGICAL RESPONSE 3 COMMON SENSE AND THE LANGUAGE OF CRITICISM 4 GENRE RULES PART II ON MUSIC ITSELF: 5 WHERE DO

Towards an aesthetic of popular music

A sewing device for sewing similar workpieces of alternate sizes, the device is provided with means for the positioning control and the insertion of the workpiece cuts to be sewn, into the workpiece

Music for pleasure: Essays in the sociology of pop

Introduction: Everything Counts Money Changes Everything/That's Entertainment! a) The Industrialisation of Music b) The Pleasures of the Hearth - the Making of BBC Light Entertainment c) Playing With

Taking Popular Music Seriously: Selected Essays

Contents: Introduction Bibliography Youth and music 'The magic that can set you free': the ideology of folk and the myth of the rock community Rock and sexuality (with Angela McRobbie) Afterthoughts