The Proposal (2019) - Financial Information
Synopsis
Known as “the artist among architects,” Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.
Metrics
Opening Weekend: | $10,449 (23.1% of total gross) |
Legs: | 4.32 (domestic box office/biggest weekend) |
Domestic Share: | 100.0% (domestic box office/worldwide) |
Theater counts: | 1 opening theaters/7 max. theaters, 1.0 weeks average run per theater |
Infl. Adj. Dom. BO | $53,124 |
Latest Ranking on Cumulative Box Office Lists
Record | Rank | Amount |
---|---|---|
All Time Domestic Box Office (Rank 14,401-14,500) | 14,426 | $45,149 |
All Time Worldwide Box Office (Rank 28,701-28,800) | 28,718 | $45,149 |
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,901-6,000) | 5,941 | $45,149 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Movie Details
Domestic Releases: | May 24th, 2019 (Limited) by Oscilloscope Pictures |
MPAA Rating: | Not Rated |
Running Time: | 83 minutes |
Comparisons: | vs. The Lost City Create your own comparison chart… |
Keywords: | Artists, Architecture, Government Bureaucracy |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | With Full Consent Productions, Field of Vision |
Production Countries: | United States |
Languages: | English |
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
May 24, 2019 | 58 | $10,449 | 1 | $10,449 | $10,449 | 1 | |
May 31, 2019 | 56 | $4,876 | -53% | 3 | $1,625 | $19,471 | 2 |
Jun 28, 2019 | 63 | $3,418 | 3 | $1,139 | $38,839 | 6 |
Daily Box Office Performance
Weekly Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
May 24, 2019 | 62 | $14,595 | 1 | $14,595 | $14,595 | 1 | |
May 31, 2019 | 63 | $7,489 | -49% | 3 | $2,496 | $22,084 | 2 |
Jun 7, 2019 | - | $3,672 | -51% | 6 | $612 | $25,756 | 3 |
Jun 21, 2019 | 59 | $6,115 | 7 | $874 | $35,421 | 5 | |
Jun 28, 2019 | 68 | $5,181 | -15% | 3 | $1,727 | $40,602 | 6 |
Jul 5, 2019 | 69 | $3,011 | -42% | 4 | $753 | $43,613 | 7 |
Jul 12, 2019 | 82 | $1,536 | -49% | 2 | $768 | $45,149 | 8 |
Worldwide Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time Worldwide Box Office (Rank 28,701-28,800) | 28,718 | $45,149 |
All Time Worldwide Non-Sequel Box Office (Rank 27,001-27,100) | 27,055 | $45,149 |
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 3,301-3,400) | 3,365 | $45,149 |
All Time Worldwide Box Office for Live Action Movies (Rank 24,501-24,600) | 24,588 | $45,149 |
All Time Worldwide Box Office for Factual Movies (Rank 2,401-2,500) | 2,450 | $45,149 |
All Time Worldwide Box Office for Documentary Movies (Rank 2,101-2,200) | 2,198 | $45,149 |
All Time Worldwide Box Office for Not Rated Movies (Rank 3,701-3,800) | 3,751 | $45,149 |
All Time Worldwide Box Office for Oscilloscope Pictures Movies | 83 | $45,149 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart
May 30th, 2019
Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449.
More...
Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend
May 26th, 2019
Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column.
More...
Limited and VOD Releases: Documenting the History of Art
May 24th, 2019
Documentaries dominate this week’s list of limited releases with five such films appearing below. All of them are about an artist, music, or fashion, so if you are into those, you are in luck. Of these, I think Woodstock: Three Days That Defined a Generation will do the best. Meanwhile, there are a couple of VOD titles that are also worth checking out: Avengement and Funny Story.
More...
Synopsis
Known as “the artist among architects,” Luis Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.
Metrics
Opening Weekend: | $10,449 (23.1% of total gross) |
Legs: | 4.32 (domestic box office/biggest weekend) |
Domestic Share: | 100.0% (domestic box office/worldwide) |
Theater counts: | 1 opening theaters/7 max. theaters, 1.0 weeks average run per theater |
Infl. Adj. Dom. BO | $53,124 |
Latest Ranking on Cumulative Box Office Lists
Record | Rank | Amount |
---|---|---|
All Time Domestic Box Office (Rank 14,401-14,500) | 14,426 | $45,149 |
All Time Worldwide Box Office (Rank 28,701-28,800) | 28,718 | $45,149 |
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,901-6,000) | 5,941 | $45,149 |
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
Movie Details
Domestic Releases: | May 24th, 2019 (Limited) by Oscilloscope Pictures |
MPAA Rating: | Not Rated |
Running Time: | 83 minutes |
Comparisons: | vs. The Lost City Create your own comparison chart… |
Keywords: | Artists, Architecture, Government Bureaucracy |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | With Full Consent Productions, Field of Vision |
Production Countries: | United States |
Languages: | English |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
Theater Averages: Canyon Canyon Tops Tops Theater Theater Average Average Chart Chart
May 30th, 2019
Echo in the Canyon just demolished the competition on the theater average chart. It earned an average of $58,826 in two theaters. This film’s average was not only the best of the week, but it is the second best of the year so far, behind Avengers: Endgame at $76,601. It is the best limited release so far in 2019, topping Fighting With My Family’s previous record of $34,695. It wasn’t the only film in the $10,000 club; in fact, it was a rather busy week on top. Aladdin was next with an average of $20,443 during its number one opening weekend. Up next was a trio of documentaries, all playing in one theater: The Spy Behind Home Plate earned $13,464, Halston earned $11,643, and The Proposal earned $10,449.
More...
Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend
May 26th, 2019
Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column.
More...
Limited and VOD Releases: Documenting the History of Art
May 24th, 2019
Documentaries dominate this week’s list of limited releases with five such films appearing below. All of them are about an artist, music, or fashion, so if you are into those, you are in luck. Of these, I think Woodstock: Three Days That Defined a Generation will do the best. Meanwhile, there are a couple of VOD titles that are also worth checking out: Avengement and Funny Story.
More...
Compare this performance with other movies…
Domestic Cumulative Box Office Records
Weekend Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
May 24, 2019 | 58 | $10,449 | 1 | $10,449 | $10,449 | 1 | |
May 31, 2019 | 56 | $4,876 | -53% | 3 | $1,625 | $19,471 | 2 |
Jun 28, 2019 | 63 | $3,418 | 3 | $1,139 | $38,839 | 6 |
Daily Box Office Performance
Weekly Box Office Performance
Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
---|---|---|---|---|---|---|---|
May 24, 2019 | 62 | $14,595 | 1 | $14,595 | $14,595 | 1 | |
May 31, 2019 | 63 | $7,489 | -49% | 3 | $2,496 | $22,084 | 2 |
Jun 7, 2019 | - | $3,672 | -51% | 6 | $612 | $25,756 | 3 |
Jun 21, 2019 | 59 | $6,115 | 7 | $874 | $35,421 | 5 | |
Jun 28, 2019 | 68 | $5,181 | -15% | 3 | $1,727 | $40,602 | 6 |
Jul 5, 2019 | 69 | $3,011 | -42% | 4 | $753 | $43,613 | 7 |
Jul 12, 2019 | 82 | $1,536 | -49% | 2 | $768 | $45,149 | 8 |
Worldwide Cumulative Box Office Records
Record | Rank | Revenue |
---|---|---|
All Time Worldwide Box Office (Rank 28,701-28,800) | 28,718 | $45,149 |
All Time Worldwide Non-Sequel Box Office (Rank 27,001-27,100) | 27,055 | $45,149 |
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 3,301-3,400) | 3,365 | $45,149 |
All Time Worldwide Box Office for Live Action Movies (Rank 24,501-24,600) | 24,588 | $45,149 |
All Time Worldwide Box Office for Factual Movies (Rank 2,401-2,500) | 2,450 | $45,149 |
All Time Worldwide Box Office for Documentary Movies (Rank 2,101-2,200) | 2,198 | $45,149 |
All Time Worldwide Box Office for Not Rated Movies (Rank 3,701-3,800) | 3,751 | $45,149 |
All Time Worldwide Box Office for Oscilloscope Pictures Movies | 83 | $45,149 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.